Desiree's Baby Literary Analysis

In “Desiree’s Baby” and “The Story of an Hour” there are two distinguishable women who are dependent on and controlled by their husbands both physically and emotionally. In “The Story of an Hour” Mrs. Mallard is restricted by the institution of marriage while, in “Desiree’s Baby” Desiree is confined to her husband because of her dependency on him.

Yet it is not until Armand believes that Desiree is black that he fully dominates her simply by thinking that he is superior.  At this point, “when he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out” (317).  Armand feels that he is too superior to Desiree to devote his full attention to her.  Since he no longer expresses his love for Desiree, she feels further pushed into a slave-like position in the relationship, and, “was miserable enough to die” (318).

In the short story, “Desiree’s Baby,” Kate Chopin exposes the harsh realities of racial divide, male dominance, and slavery in Antebellum Louisiana. Although written in 1894, Chopin revisits the deep-south during a period of white privilege and slavery. Told through third-person narration, the reader is introduced to characters whose individual morals and values become the key elements leading to the ironic downfall of this antebellum romance. As Chopin takes the reader through the unfortunate circumstances and unexpected twists of Desiree’s life, a Southern Gothic tale emerges. While Armonde is Chopin’s obvious villain, one should not assume that the other characters are not antagonists themselves, as

Chopin was a southern feminist writer who often related her stories back to the issue of discrimination across genders. She uses symbolism to analyze the gender roles of inequality between men and women in society. In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a phallic symbol of firm, forced male dominance in a patriarchal society. Throughout the story Desiree is submissive to her husband and obeys everything he says even when Aubigny sends her and the child away. Desiree left wearing a thin white garment and slippers and as she walked the sun beamed down giving off a radiant, golden gleam from her long, brown hair. Chopin uses Desiree's white clothing to symbolize the feminine element being introduced into society and the sun's shining rays seem to represent the shifting of power roles among genders. Chopin demonstrates the rising power of women in society and the establishment of equality among genders.

Furthermore in to the literary element, Chopin used symbolism to develop more on Desiree’s characteristic. The author was describing the way she dressed “Desiree had not changed the thin white garment nor the slippers which she wore. Her hair was uncovered and the sun’s rays brought a golden gleam from its brown meshes.” (Chopin, 52) The way that Chopin is describing Desiree, it is like she is describing an angel, so pure and innocent. Everything Desiree wore was white, she was wearing a thin white dress that people usually go to sleep in. Angel always wear white. Another point was that it was sunset, which symbolized that things is about to end, this is just like her life. Earlier though, Chopin was mentioned about a stone pillar at the beginning of the story “when Monsieur in riding through the gateway of Valmonde had found her lying asleep in the shadow of the big stone pillar.” (Chopin, 48) The stone pillar represent a big marker on Desiree’s timeline. Armand drove by her and see her sleep and fell in love and got married was afterward. Before that time period, we don’t know who Desiree really is, we don’t know her dad or what race until at the end of the story, we don’t know where she’s from or what is her origin. Chopin used this stone pillar as the starting point and then keep developing Desiree’s characteristic later on. The author used symbolism to develop Desiree’s characteristic.

What sets Desirée apart in terms of her subjugation by Armand? It is not race, but the lack thereof. Desirée is unable to hide anything about herself because her origins are unknown (Chopin 401). She is a willing captive to Armand as a result of her love and her marriage, but she is not an unwilling captive to race; she is an unwilling captive to her otherness. She does not have doubts about her race, but must live with the reality that “Armand has told me I am not white” (Chopin 404). Because her origins are unknown and she does not have a name, she must acquiesce to the whims of Armand, who had at first decided to be unconcerned about “the girl’s obscure origins” (Chopin 401). Armand is the power here. He makes all of the decisions regarding the lives of those within his circle of power, and he does so because he is allowed to do so. Madam

In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is also here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a symbol of firm, forced male dominance in a patriarchal society. It is how men were of superior to anybody else. Desiree grew into a beautiful and gentle-hearted young woman and soon found a wealthy suitor asking for her hand. This young suitor was Armand Aubigny. He had known of Desiree’s past but was in love and did not care. Armand Aubigny’s character in this story was racist and despicable but the young bride was in love and looked past his faulty character.

The names in “Desiree’s Baby” are ironic in themselves. Desiree, for instance, means to be desired. However, Desiree was undesired by her birth parents and is later undesired by her beloved husband. L’Abri means “shelter,” and is anything except a shelter for Desiree as it is the place of her degradation and demise. Armand chooses his pride over his love for Desiree and sends her away only to realize that he is at fault. Desiree’s life, along with the life of her child, comes to a sorrowful end when she has done nothing wrong. Chopin uses these ironies to carry her theme throughout the story and allow the reader to understand her message of the innocent having to suffer because of the actions of the

In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is also here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a symbol of firm, forced male dominance in a patriarchal society. It is how men were of superior to anybody else. Desiree grew into a beautiful and gentle-hearted young woman and soon found a wealthy suitor asking for her hand. This young suitor was Armand Aubigny. He had known of Desiree’s past but was in love and did not care. Armand Aubigny’s character in this story was racist and despicable but the young bride was in love and looked past his faulty character.

These insights are on the topic of Chopin’s view of feminism. Chopin portrays Desiree as a very virtuous and woman. However, Armand Aubigny is portrayed as an individual to be feared and not a very likeable character in general. Armand falsely accused Desiree for the blackness in their baby, as he knows well that he “belongs to the race that is cursed with the brand of slavery” (Chopin 632). In the heated argument between Armand and Desiree, Desiree pleads to Armand that she is not black and is white to which Armand rudely responds “As white as La Blanche’s” (Chopin 631). Furthermore, Chopin’s portrayal of the other women is positive with no glaring character flaws in Mme. Valmondé and Armand’s mother. Valmondé is described as a loving mother to the orphaned Desiree. Furthermore, her loving attributes are highlighted as she asks Desiree to return home. Overall, in “Desiree’s Baby”, the description of the female is much more positive than that of the male as portrays the respectable characters of Desiree and Aubigny who are contrasted with despicable characters like Armand.

Kate Chopin’s “Désirée 's Baby” was set in the days before the abolition of slavery, at a time when the ownership of another person was not only acceptable, but also economically impactful in the south. It was normal to see big plantations owned by whites and tendered by black slaves. We see all of this and more in “Désirée’s Baby”. One of the characters, Monsieur Valmonde finds an abandoned baby one day while out riding. His wife, Madam Valmonde, does not have a child of her own so she takes the baby in and names her Désirée. Madam Valmonde and her husband, Monsieur Valmonde raises the child, until she is old enough to become married. Her attractiveness and especially white skin attract Monsieur Armand Aubigny, a plantation owner, and they immediately become married and have a child. Désirée and Armand both originally associate themselves with the white class, but once the plot unveils their black heritage they are faced with uncertainty, and ultimately their lives become meaningless and not worth living. Throughout the story, Kate Chopin uses symbolism to convey her themes of racial biasness and social ladder in a society. The characters and the setting in this short story help provide the readers with more understanding of how racially charged our society was at that time.

Desiree?s words show that her life depends on the race, notions, and social class of her husband and consequently, she feels obligated to obey his every desire. Desiree is presented as vulnerable to whatever Armand wants and tells her to do when she says, ?Do you want me to go?? (177). Desiree displays through her actions that in many ways, her happiness only comes from pleasing her husband. Therefore, Desiree must decide whether to live completely separate from Armand, or to live with him in constant fear and unpleasantness. Desiree achieves personal freedom and independence from Armand when ?she disappeared among the reeds and willows that grew thing along the banks of the deep, sluggish bayou; she did not come back again? (177). It is not even an option and is unheard of that Armand, being a male holding a respectable background, could possibly be black. Consequently, Desiree feels compelled to leave because she wants to please him. When Desiree decides to kill herself and her child, she shows that she is sensitive and vulnerable to her husband?s thoughts and actions.

First, Desiree’s identity changes constantly throughout her life. In the story, Desiree goes from being abandoned and having no identity, to being taken in by a loving family, to taking the identity of Armand’s wife, and then back to having no identity. Having taken on so many identities clearly affects her at the end of the story when she decides to kill herself because of her inability to try to find a new identity and see life outside of Armand. One quote that shows an identity change is, "Desiree, truly belongs nowhere. Found abandoned in front of the gates to the valmonde plantation," (Essays 3). As a child Desiree was abandoned and had no identity, but when she was taken if by that

     In the next segment of the account, Chopin breaks the enchantment and the readers’ hearts when she turns a fairy tale into a horror show. Armand’s behavior towards Desiree changes drastically, as for “when he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out.” “He absented himself from home; and when there, avoided her presence and that of her child, without excuse” (32). Armand’s attitude did not only change towards his wife, but also towards the slaves as if “the spirit of Satan seemed suddenly to take hold of him” (32). Desiree then finds out the reason for her husband’s change of conduct is the fact that their child is not white. The considerable change of mood in the story intensifies the already shocking events. As people are always looking for the “soul mate” and the “happy ever after” ending, it’s both disappointing and disturbing to see a beautiful dream turn into a nightmare.

These two were soon wed and had started to grow as a family. Once Desiree had birthed a son for Armand he cherished her even more as she had given him a legacy. As this child began to grow into his toddler years Armand regretted his decision to marry Desiree – ultimately leading to her and her child’s assumed death.