Desolation and Loneliness in Robert Frost's The Wood Pile Essay

Robert Frost’s approach to human isolation is always an interesting exploration. His poem of desertion and neglect paired with eternal hopefulness ignite the reader in his poem “The Census-Taker.” All of the elements of a Frost poem are in this particular poem. “The Census-Taker” must be from an earlier time in Frost’s career because the poem is written in an open, free verse similar to the style of his earlier 20th century poetry like “Mending Wall” and “After Apple-Picking.” Also, the language lacks the sophisticated word selection a reader of poetry might find in Wallace Stevens and instead uses simplicity to

Both speakers ply nature as setting to express their emotion.the speaker in the poem “The Lonely Land”apply “cedar and jagged fir’s action” as setting to express the lonely environment of the poem and the negative attitude.

Enjambment in the poem sets the mood. The mood is that as of a snowfall, quiet cold, settled and slow. The poem does not need to rush its thoughts into a sentence or a stanza. By separating the thoughts into different lines and stanzas forces the reader to read slowly as that of a snowfall. The reader reads the poem peacefully, which depicts the images of a peaceful snow, covered forest.

The Use of Literary Devices in Robert Frost's Stopping by Woods on a Snowy Evening

Instead of having people tell readers the story through spoken words, the objects abandoned in the house do. Through lines such as, “Bible with a broken back” (5), and “rags in the window frames”(15), they allow the readers to visualize the torn apart house. The lonely rundown nature of the house mirrors how the man feels running from the house. Through the choice of imagery, the poet implies that feelings of pain and hurt are still left behind. Although the man runs from his problems, he cannot escape his feelings, just as how the house is forever scarred with the items left behind. Through imagery such as “toys strewn in the yard” (21), and “...branches after a storm” (22), the readers get to visualize the aftermath of the man’s rage. These choices of imagery tell a story long after they’ve happened. Although the house is abandoned, the emotions of pain and despair are forever embedded into

The theme of emptiness is seen throughout Thomas’ poems. The wartime poet writes of his memory of livelihood and activity in villages, such as the one described in ‘Aspens’, and then how it begins to disappear as a result of war. This is shown as the village is left with a ‘lightless pane and footless road’ causing the village to appear as ‘empty as sky’ and this simile gives a sense of vastness of the effects of the war, emphasising on the emptiness in the poem. Further, the mention of the ‘cross-roads to a ghostly room’ explicates that the village is so empty that it is leading nowhere. This metaphor is ironic as cross-roads are suggestively open gateways and a sense of choice in direction. However this connotation is altered as Thomas uses the metaphor ‘ghostly room’, to portray the vacant village and this is supported by the cross-roads as they lead to emptiness and isolation. This is also seen in ‘Old Man’ as the paradox ‘only an avenue, dark, nameless, without end’ gives a sense of no lead despite the fact that an avenue should lead somewhere. It is clear here that Thomas’ state of depression is

The other section where symbolism is evident is “Small Porch in the Woods.” It is divided into several poems. In the first one, there is the mention of “unshifting star” which represents a change that is undisturbed. It is the turning point of the society. Despite the challenges communities face in their life, their ambition leads them towards achieving their objectives in life. The second poem under this section is about a heavy rain that fell in the month of April. Heavy rain is the representation of unhappy moments. The description presented by the narrator shows that it is a sad moment where everything is carried away. Throughout the poem, the rain is seen, as a lesson

The speaker refers to the night as his acquaintance. This implies that the speaker has a lot of experience with the night, but has not become friends with it. Thus, because even the night, which has been alongside the speaker in comparison to anything or anyone else, is not a companion to the speaker, the idea of loneliness is enhanced. In addition, “rain” (2) is used to symbolize the speaker’s feelings of gloom and grief, because there is continuous pouring of the rain, which is unlikely to stop. In line 3, “city light” is used to convey the emotional distance between the speaker and society. Although the speaker has walked extensively, he has not yet interacted with anyone – thus distancing himself even further from society. Moreover, the moon, in lines 11 to 12, is used as a metaphor of the speaker’s feelings. The speaker feels extremely distant from society that he feels “unearthly.” The idea of isolation and loneliness in this poem is used as the theme of the poem; and the use of the setting and metaphors underscores the idea that the speaker feels abandoned from society.

"Stopping by Woods on a Snowy Evening" is a very well know poem by Robert Frost. The poem appears to be very simple, but it has a hidden meaning to it. The simple words and rhyme scheme of the poem gives it an easy flow, which adds to the calmness of the poem. The rhyme scheme (aaba, bbcb, ccdc, dddd) and the rhythm (iambic tetrameter) give the poem a solid structure. The poem is about the speaker’s experience of stopping by the dark woods in the winter evening with his horse and admiring the beauty of the fresh fallen snow in the forest. Then, the speaker projects himself into the mind of his horse, speculating about his horse’s practical concerns and the horse

make a decision and at the end of the day, the nature of the decision

A poem is an experience, not a thought. It is an experience both the author and the reader share with one another. Authors of poems use tones, keywords, hidden messages, irony, and diction to create their work. They use these tactics so the reader thinks about what they are reading and try evaluating what the message is that the reader wants to get across. In the poem “Snow” by Louis MacNeice, he uses these same characteristics to get the readers mind active in the words. Let’s examine the poem “Snow” and see what the meaning behind this poem is.

Like “The Road Not Taken”, in “Stopping by Woods on a Snowy Evening”, the speaker has to make a big decision in his life. He has to choose between isolation and social obligation. At first glance, this poem might denote stopping in the woods to escape the hustle and bustle of city life. Different symbols in this poem though reveal that stop in the poem could be referring to death. In this phrase “Between the woods and frozen lake”, the wood becomes a symbol of life where frozen lake signifies death. When the speaker reaches the woods, he finds a world offering perfect, quiet and solitude, existing side by side with the realization that there is also another world, a world of people and social obligation. Both

The speaker furthermore conveys the idea that nature is a grandeur that should be recognized by including the element of imagery. The poet utilizes imagery as a technique to appeal to reader’s sense of sight . It is “the darkest evening of the year” (line 8) and a traveller and his horse stop “between the woods and frozen lake” (line 7). By writing with details such as these, readers are capable of effortlessly envisioning the peaceful scenery that lies before the speaker. The persona then draws on reader’s sense of sound. “The only other sound’s the sweep / Of easy wind and downy flake.” The illustration allows readers to not only see,

Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd.

The third part of the poem begins with a more personal and philosophical tone. The speaker claims to have been such a youthful swinger of birches, an activity he can go back to only by dreaming. The birch trees, probably both ice-bent and boy-swung, stand for the order and control missing from ordinary experience. The "considerations" he is weary of are conflicting claims that leave him disoriented and stung. The desire to "get away from earth," importantly qualified by "awhile," shows a yearning for the ideal or perhaps for the imaginative isolation of the birch swinger. His "I'd like to