Destroyed, defeated, or both. On page 93 of The Old Man and the Sea Ernest Hemingway says, “a man can be destroyed but not defeated.” The statement can be referred to throughout the novel. Santiago, also known as the old man, courage and pride continually pushes him forward even when all hope feels lost. Destruction began with not catching a single fish for eighty-four days. He was being crushed but his spirit and pride prevented defeat. Despite his failures, he set sail once more with high hopes of catching something worth selling. And he did just that, he ventures out furthest than he has ever been, where he hooks the marlin. He battles the marlin for days and defeats the marlin, though he is physically destroyed he doesn't let it defeat
In The Old Man and the Sea, Ernest Hemingway uses Santiago to demonstrate some of the qualities of a Hemingway Code Hero. Throughout the novel, Santiago encounters many trials and tribulations that test his role as a code hero. While reading the novel one will see that Santiago endures many of the rules of a code hero. However, the ones he encounters the most are misfortune, honor, and courage. Hemingway uses these rules in his novel in such a way that one can fully understand the life of Santiago.
“But man is not made for defeat," he said. "A man can be destroyed but not defeated. (Hemingway 103).” This quote, written by Ernest Hemingway in the short story The Old Man and the Sea, captures the theme perseverance in numerous ways. This quote describes when the old man Santiago was struck down physically, with the injuries of his hands and the pain of staying awake for a number of days. However, he mentally kept pushing forward, leading to his ultimate survival and his arrival home. Ernest Hemingway wanted the readers of this story to learn about the rewards of perseverance because of the hardship Santiago and the marlin had to endure, rather than themes such as luck, pride, and suffering.
In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest
In this book, Timothy J. Henderson examines the origins, outcomes, and modern-day consequences of the Mexican-American War (1846-1848). A Glorious Defeat is organized around two central questions: why did Mexico go to war with the United States in 1846 and why did the war go so badly for Mexico? Henderson does provide the answers to these questions, based on the reader having some knowledge of the expansionist history that the US partook in with its southern neighbors, but who are “far less certain why Mexico went to war with the United States” (xviii).
It is believable that Santiago is dead at the end of The Old Man and the Sea. This conclusion can be deduced from the various hints Hemingway used throughout the novel. The foreshadowing of Santiago’s death, his comparison to Christ, and his bad luck helps one decipher that the death of the old man took place at the end of the book.
But perhaps the greatest figure of masculinity found in Hemingway’s work is Santiago from The Old Man and the Sea. He keeps his composure and maintains dignity after the fish that he has been fighting is lost to the sharks.
The mariner commits his sins right at the beginning of his voyage. He has no respect for nature
The creature is aware of how much strength he possesses and often has moments of pure rage while contemplating the general destruction of all that surrounds him.
It is ambiguous whether the old man succeeds or fails. At first, it seems that if Santiago has failed. “He sailed lightly now and he had no thoughts nor any feelings of any kind” (Hemingway 119). It is almost like he has lost everything that he has worked for. The old man accepts defeat as is, without mourning or grief Fortunately, after all the damage has been taken, he keeps fishing. He built some sort of relationship with the marlin, but was later broken. He has since moved on.
The creature once says, “All men hate the wretched; how then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, they creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us” (Shelley 83). He wonders himself why, in all of his suffering, he has been created at all. He was not even granted the bride he was promised by Victor. This unfortunate existence led the creation to turn to anger and rage. Blind ambition drove his creator, who could not foresee the level of destruction he would give when the reality of his plans was finally realized.
Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway
In Ernest Hemingway’s novel, The Old Man and the Sea, Santiago demonstrates the traits of the code hero. The Hemingway’s code hero covers the principal ideals of honor, courage, and endurance in a misfortune life. Throughout the novel, Santiago shows a contrast between opposite attitudes and values which associate his behavior with the guidelines of the code. In this case, the depiction of conflicting values, such as dignity despite humility, perseverance despite despair, and victory despite defeat are aspects that help to describe and understand the role of Santiago in the novel, and reflect the reason why this character is perfectly suited to the heroic conduct established by Hemingway.
So in conclusion, destroy really means to damage, while defeat means to give up. A man can only take a certain amount of destruction before he succumbs to defeat. So that would mean if a person were defeated, they would not worthy of the title ”man.” They would have the title “coward”. Sadly, it is hard to find real men in this world today, but a few stand out like Nelson Mandela and Gandhi. Santiago is just an example to the world that there are good people in this
Ernest Hemingway uses the characters in The Old Man and the Sea to demonstrate how perseverance is necessary for survival. After battling with the fish for several days, Santiago wishes the circumstances could be different: “‘Be patient, hand,’ he said. ‘I do this for you.’
Santiago of The Old Man and the Sea is the quintessential “Hemingway Hero”-a type of fictional character created by Hemingway in all of his books whose basic response to life appealed very strongly to the readers. The Old Man begins the narrative with all the elements of such a hero despite his senescence and poverty. He shows strength, determination, and dedication to himself despite his struggles. Santiago relates back to readers as a strong failure who picks himself up repeatedly.