Destructive Love In Macbeth And Wuthering Heights

Lady Macbeth in William Shakespeare’s play ‘Macbeth’ is a character who suffers greatly in because of her human weakness, which is her vaulting ambition. This ambition is not for her, but for her husband. This woman, who seemed so in control at the beginning of the okay, only cared for her husband and his success, later becomes so consumed with guilt and remorse that it results in her tragic death. Through the discussion of characterisation and lkey scenes, I shall reveal that Lady Macbeth’s human flaw is  not only a major contributor to the ruthlessness of her husband but creates a huge influence in how the play unfolds.

On the contrary, Lady Macbeth begins as a ruthless woman. She has a manipulative and controlling character, convincing Macbeth to kill King Duncan; she will do anything to gain power. When she says, “How tender ‘tis to love the babe…I would, while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains out” (I.vii. 55-58), she shows her ruthlessness and her “bad” ambition. In her “role reversal” with Macbeth, she gains somewhat of a conscience and realizes her guilt. When she tells him, “You must leave this” (III. ii. 35), she wants Macbeth to forget about his plan to murder Banquo’s family. She is very hesitant about committing another murder and does not want Macbeth to follow through with his plan.

In Act 1, Scene 7, Lines 56-57, "When you durst do it, then you were a man; And to be more than what you were, you would be so much more the man", Lady Macbeth orchestrates Macbeth’s self-esteem by taunting his manliness when Macbeth doesn’t plan on following through with her plan. Moments later, she tells him how he should act and what he needs to do, in Act 1, Scene 5, Lines 71-75, “When Duncan is asleep...look like the innocent flower, but be the serpent under’t.” She successfully augments Macbeth’s ambition and exhorts him to commit atrocities. After Duncan’s murder, Macbeth no longer values Lady Macbeth’s opinions- his actions are rash and selfish because they are made promptly. Interaction between Lady Macbeth and Macbeth falters since Macbeth is now swept up with erasing his tracks. The two perish as individuals- Macbeth is miserable with guilt caused by cold- blooded Lady Macbeth’s attribution of influence and plan. But instead of comforting her husband and talking him out of murdering more people, Lady Macbeth only gives one feeble attempt.

Lady Macbeth persuades Macbeth to slay the King of Scotland. On Act I, Scene V, Lady Macbeth states,¨Look like the innocent flower, but be the serpent under ‘t.” We can get an idea that lady Macbeth wants to kill the king but hiding their purpose of killing the king . This scene processes to get darker. In act 1, scene 5, Lady Macbeth quotes,¨Unsex me here.¨ What she means by that she removes all her feminine qualities to make her more evil. This lead to the audience being mortified due to her wanting to asking to be stripped of feminine weakness and invested with masculine resolve.

Lady Macbeth is a complex and intriguing character in Shakespeare’s play, Macbeth. She is a difficult character to embody as her personality seems split between two sides, one that is pure evil, sly and conniving in contrast to her softer, vulnerable, weak and feminine side. In the play we see her in these two main ways. The reader may feel a certain animosity towards Lady Macbeth throughout the first few acts as her personality appears more and more distasteful, in spite of this towards the end she has a serious breakdown over the guilt that torments her, even in her sleep, regarding her hand in Duncan’s untimely death.

The theme of destructive love within relationships in shakespeare’s Macbeth and Bronte’s Wuthering Heights are presented through sexism, jealousy, and betrayal. This three factors are the main causes of broken relationships and arguments between the partners. A good example would be the stories of Shakespeare’s Macbeth and Wuthering Heights. Sexism, jealousy, and betrayal can also lead to death in a destructive love. Love can be defined as an attraction of feelings, states, and attitudes that ranges from interpersonal affection to pleasure.

Lady Macbeth sees the error in her ways, however, lacks the courage to admit them. Therefore, she acts aggressively, seeming as though she lacks humanity. She harasses her husband into feeling like a wimp and less of a man because of his moral cowardice. Although Macbeth is an honorable war veteran, his fiend-like wife corrupts him during his moment of vulnerability. She uses her tactics of persuasion to play on Macbeth’s greatest insecurities.

Immediately, after reading Macbeth’s letter, Lady Macbeth’s malevolence urges her to plot the murder for the king. She decides to encourage Macbeth and calls for evil spirits to aid her brutal plans, “Come, you spirits… you murd’ring ministers… You wait on nature’s mischief. Come, thick night”. Her talk about defeminising herself and making her the superior amongst the couple, “That tend on mortal thoughts, unsex me here”, suggests Macbeth is weak and powerless in her presence. She implicates her husband of not being physically impotent but soft hearted and sentimental. She confronts him of this and warns him of his manliness and cowardice. She uses these various, manipulative strategies (challenging his manhood, being more aggressive, and defeminising

Upon this realization, Lady Macbeth indicates a newfound desire to be rid of her feminine qualities, seeking instead to replace them with masculine counterparts. Crying out, Lady Macbeth declares, “Come, you spirits. That tend on mortal thought! Unsex me here, and fill me from the crown to the toe top full of direst cruelty” (1. 5. 38-41). Her abstinence towards the limitations of gender thus set her down the road to madness.

William Shakespeare introduces readers to the complex and twisted character of Lady Macbeth in his tragic play, Macbeth. In this play, Lady Macbeth proves herself to be a manipulative, ruthless, and ambitious character through her significant actions and personal relationships with other characters in the play. To start, Lady Macbeth displays her skills of manipulation in her interactions with her husband, Macbeth. Upon her discovery of the prophecy that declares that Macbeth is to become the future King of Scotland, Lady Macbeth’s ambition for power drives her to start plotting the murder of King Duncan. She convinces Macbeth to “...look like th’innocent flower, / But be the serpent under’t...”

Lady Macbeth, in contrast is never depicted as a soft tender female figure, instead Shakespeare makes her ambitious character apparent from the start, after reading the letter from her husband, telling her about the Witches’ predictions, the seed of ambition grows within her and immediately a plan forms in her head, her first speech is one full of strong metaphors, “come, you spirits that tend on mortal thoughts, unsex me here, and fill me, from the crown to the toe, top full of direst cruelty.” This initial speech is so powerful and strong, as she summons spirits to give her the strength of a man, so that she has the vigour to plot Duncan’s murder, and convince Macbeth to form an alliance with her, ensuring he will become king, just as the Witches predicted. Although the Witches

Lady Macbeth is the driving force that encourages Macbeth to overcome his strong sense of guilt and take action on the prophecies. She is plotting for King Duncan’s murder to get the throne of Scotland. She is stronger, ambitious, and greedy than her husband. Lady Macbeth persistently taunts her husband for his lack of courage and challenges Macbeth to commit murder of King Duncan. Specifically, she mocked the masculinity of Macbeth in order to commit the murder. She said “But screw your courage to the sticking-place, And we'll not fail”. In this regard, Lady Macbeth appears to switch characters with Macbeth midway through the play. Although most famous for her cruelty and lines such as "unsex me here," the decline of Lady Macbeth is also of great interest and certainly a mysterious aspect of Macbeth.

“In the mind of Lady Macbeth, ambition is represented as the ruling motive, an intense overmastering passion which is gratified at the expense of every just and generous principle, and every feminine feeling.” (Jameson, 191). Lady Macbeth is a very ambitious woman with a relentless hunger for power, longing to satisfy her role among the high society. She urges her husband Macbeth to commit a murder, and comes up with a plan for him to kill the king while he sleeps, then blame the kings’ guards. “Lady Macbeth, upon receiving word that King Duncan of Scotland will be arriving that night, begins sharpening her talons. She isn’t sure there’s enough manhood to go around between herself and her husband, so she calls scheming spirits to ‘unsex me here.’” (Macrone, 1). When Lady Macbeth says “unsex me here”, she is basically saying that she wants power. “But having evoked her husband’s murderous ambition, having dared him to stop being a child, she suddenly finds that when he is a man, she is powerless.” (Orgel, xli). Act 3, Scene 4, is when the king is found dead and Lady Macbeth makes a scene by saying, “Help me, hence, ho” (Orgel, 35). She then pretends to faint, hoping to divert the attention from the king’s murder, and all of the men immediately refocus their attention on her. It is very obvious that Lady Macbeth is not worried about the murder at all, when she tells her husband that “a little water clears us of this deed”

In order for love to be true it must come from both sides equally. Its power will not be strong enough to overcome all obstacles if its foundation is not pure. In Pride and Prejudice, Austen paints a portrait of the power of love as merely unbreakable whereas Shakespeare arguably portrays it as weak and vulnerable.

In perhaps the most pivotal scene in William Shakespeare’s Macbeth, Lady Macbeth’s motives are truly revealed in her manipulation of Macbeth to show how humans have a desire for power and once they get a taste of it, they will go through any lengths to have it, no matter the effect on others. Her lust for power is showcased through how she persuades Macbeth by insulting his masculinity and using emotive language to counter his logical reasoning. This section of the play illustrates the tipping point of each character’s morality with Macbeth having second thoughts about the planned murder and Lady Macbeth diving straight in.