Development Of The New Waterfront

I did this by combining Mackellar’s head with Gilbert’s head to show that they are talking about the same thing, Australia, even if their perspectives are completely different. The line in the middle of the fused face represents a fence, and shows that Kevin Gilbert’s opinion has been caged in and hidden from society, unlike Mackellar’s opinion which has been adopted into our nation’s identity. I also implemented quotes above their heads, representing what each of them thought about Australia. As you can see, Mackellar’s side has a green background, which has connotations to life, growth and harmony. This background colour in conjunction with the native flower I drew helps represent Australia’s identity of natural beauty. In addition to that I drew a gold ingot to show that Australia landscape can be compared jewellery has connotation of wealth and being priceless. Moreover, I drew Australia connected to a heart symbolising Mackellar’s love for Australia. On the other hand I decided to go with a red background on Gilbert’s side, symbolising his hatred and anger at what the European settlers have done to Australia. I also drew images of cut down trees in conjunction with factories, to show the environmental destruction caused by European settlers in Australia as mentioned in

“The Promised Land” by Michael Parekowhai presents Captain Cook as a symbol of the ensuing debate about our national identity and history. The larger-than-life, stainless steel sculpture of Captain Cook, contained in a space that resembles a suburban house is strongly associated with Britain's settlement in Australia and New Zealand. His work examines the

By identifying the sediment size at each station allows the amount of long shore drift happening at each stage of the beach to be assessed and evaluated. If the size of the rocks decrease in size closer to the harbour arm, it will help prove my hypothesis

The fourth lesson will be analyse the content of the picture book “Why I love Australia” by Bronwyn Bancroft. The lesson involves: discovering the visual art element and principals of the illustration (VAES1.3); introduce the artist Bronwyn Bancroft (VAES1.3); explore the traditional Indigenous feature and art technique used in the illustration (VAES1.3); reading the book to class, and guiding student to discover the relation between the words and pictures (ENe-1A).

Aboriginal art has many inspiring aspects such as the link that it has to the past of Aboriginal people, kinship the dreaming, land and reconciliation. Charlie Colbung is the artist behind a large beautiful acrylic painting exhibited in the Plantagenet community resource centre, in Mount Barker Western Australia. Colbung’s painting is called ‘Past to Present’ and represents the journey to reconciliation of both Indigenous and non-Indigenous people. Full of depth, texture, colour and numerous artistic elements to entice audiences to engage and analyse his lovely art work as well as critically reflect on the art and the meaning behind the painting. Charlie Colbungs painting Past to Present is a beautiful example of Aboriginal art work.

In the fall of 1861, Smalls was allocated to the CSS Planter, an armed Confederate military transport. On May 12, 1862, the Planter′s three white officers chose to spend the night aground. Around 3:00 a.m. the next morning, Smalls and seven of the eight crew members chose to make a keep running for the Union boats, as they had early arranged. Smalls wearing the chief's uniform and had a straw cap like that well used by the captain. He cruised the Planter out of what was then known as Southern Wharf, then ceased at a nearby wharf to get his own family and the groups of other crew members, who were hiding there. Smalls' escape

And just as Gutzon set out to build a great feat, so will this paper and its interpretation and story-telling of the past. The history behind this monument, the artistry that is and was displayed, and the basic skills of location, environment, and factors that influence geography will also be discussed here. This work by Gutzon was not just mere sensationalism or commercialism, as has normally been the angle of reporters, but instead this will take on the historic aspect as it was originally intended to bring out.

Furthermore, the Wurreka is an etched zinc wall created by Judy Watson, which surrounds the entry to First Peoples and spans the north wall of Birrarung gallery. Judy was from North-Western Queensland and the inspiration of her work was the traditions and land of the Waanyi culture, which is where the zinc comes from, whereas the symbolism in the art comes from Victoria. Judy worked closely with the local communities and artists in Victoria to get inspiration for the designs she used in etching the panels. Which is why you often see an underlay of strings in the background which represent fishing nets. And that is what she has done throughout the whole work, so it reflects her journey in learning about this country from elders, and her very close look at the landscape, which is why there are elements within the work that reflect the plant life and people’s connection to the country. There is also this engagement of hers with the Aboriginal community here, in Victoria, as well as her engagement with items in the museum.

Upon entering the museum I was bombarded by this 12 x 45 ft. architectural painting. Almost resembling the museum building itself. With sharp horizontal and verticals lines, this multi colored piece reminded me of our last piece from project 8. Using a variety of colors with no obvious correlation, the clash of colors instantly made me reflect on how I could improve future and previous projects alike. The amount of straight lines in different lengths and widths, also reminded me of our piece from project 1. With no curves and lines going every which way, its amazing how a piece made entirely of lines with no figures could be so captivating.

“On the Waterfront” was photographed in such a captivating way. Boris Kaufman had a vision ahead of his time. Many scenes in the movie are understood, not just through the script, but from the cinematography as well. Three scenes in particular catch my eye. It is the artistic style and flare of conveying the same idea in multiple mediums. The first scene is when Terry and Edie are on the rooftop at Joey’s pigeon coup. This scene portrays the moment in which I believe was the catalyst for Terry that lead him to be truthful to Evie and stand up to Friendly. The second scene that I will speak about is when “Kayo” Dugan is killed. When the preacher is giving his speech to all the longshoremen. That speech was a testament of one man speaking out for what he knew was right. The third scene that I will choose for this essay is where Terry walks to Friendly’s dock office. After the fight, Terry’s march to work puts you on the edge of your seat. Each scene has depth that few movies achieve.

Brown, Deidre. 2009. Maori architecture : from fale to wharenui and beyond. Rosedale, N.Z: Penguin.

In many places throughout the world many buildings, monuments and sculptures have been made. Some were made centuries ago, and some were made recently. Many works of arts are significant or a great part of history. Some of the many buildings that have been made throughout time could have also been dedicated to someone or something. For example, the Arch of Titus was dedicated to Titus. Another example would be the Arc de Triomphe which was dedicated to soldiers. Many buildings can have a very significant meaning behind them, in the following essay I will be speaking about the importance of both of these works of art, which are the Arch of Titus and the Arc de Triomphe.

Revitalization efforts in downtown areas have gained momentum over the past few decades, this paper is focused on revitalization strategies, recognizing the process of decline, while identifying key strategies used in downtown revitalization efforts over the past fifty years (Faulk 2006). Downtowns, unlike suburban shopping malls or office complexes, evolved slowly over time, responding to changing technologies, social and economic patterns. A city’s identity relies heavily on the image of its downtown, so inevitably cities of all sizes commit themselves to achieving successful downtown redevelopment (Robertson 1995). As I have been reading literature on downtown revitalization a number of strategies and principles have surfaced. Many of

Urban Regeneration in the London Docklands The London Docklands Development Corporation is located along the River Thames Estuary 2.a) The London Docklands had to close for many reasons. The main reason was the Second World War. The area suffered substantial bomb damage in the Second World War, which lead to the need for a substantial rebuilding programme.

"Rotterdam is known as the Netherlands ' number one city for architecture" (Groenendijk, 2015, p. 114). It is easy to see why when one considers the overwhelming number of iconic buildings in the city, and how those individual buildings, while creating a cohesive city, have managed to and continue to transform Rotterdam. Markthal Rotterdam, one of the iconic buildings, is an award winning combination of open-air market, department store, shopping centre and residential building. It won the 2016 Rotterdam Architecture Award and the German Council of Shopping Centres award for European Innovation ("Rotterdamer architekturpreis für die Markthal," 2016, 126). Markthal Rotterdam was designed by