Essay Development of the Renaissance Centralized Church Plan

During the Renaissance, a change in man’s view of man could be seen through anatomy. For example, “a woodcut from the Anatomy book On the Makeup of the Human Body” Doc D) depicted a human body with muscles, bones, organs, and other body parts. The Middle Ages saw humans as being controlled by constellations, such as Aries the Ram controlling the head. Advances made during the Renaissance in anatomy indicated a rise in scientific theory, and a rejection of traditional teachings. As these teachings were being rejected, the Church lost some of its influence. Additionally, “Andreas Vesalius […] dissected human corpses to better explain the human body […]” (Doc D). Vesalius had taken matters into his own hands, and he created a detailed engraving of the human body that challenged Church authority. His findings showed that people had control over themselves and their health, and that they could live their lives how they wanted to. All in all, man’s view of man was changed during the Renaissance, through anatomy, by showing that people had control of their lives.

The Catholic Church during the early 16th Century was rooted throughout Europe. The Church influenced every country and its respective monarchs through the Church’s wealth and power. The Catholic Church placed a tight hold on the general populace with individuals who went against the Church being branded as heretics and excommunicated. The wealth and power of the Church eventually caused the quality of the clergy to deteriorate. Priests became corrupt and subjected to their physical desires. They frequented taverns, gambled and kept mistresses. The reputation of the clergy were horrid as the general populace was relieved that “their priest [kept] a mistress” because it “[secured] their wives from seduction” The knowledge of the clergy degenerated as well as they were no longer required to learn and teach the Holy Scriptures because the Church dictated their actions. The pinnacle of the Church’s corruption was the sale of indulgences. An indulgence was the “extra-sacramental remission of the temporal punishment” sold by priests as a temporary relief from sins. The indulgences were then sold to the general populace for money as the monetization of a priest’s services. Johannes Tetzel was a prominent preacher of indulgences who relied on the money from the sales to subsidize the rebuilding of St. Peter’s basilica in Rome. The corrupt sales did not go unnoticed as Martin Luther, in an effort to stop the corruption of the Church, posted the 95 Theses on the door of a Castle

During the 16th century, Protestantism emerged as a new sect of Christianity. This process was not calm or peaceful in the slightest. Protestant leaders like Martin Luther and John Calvin fiercely attacked and denied traditional Catholic beliefs, causing much controversy and debate upon religion. Many regions of Europe as a whole were converted to Protestantism, and many more Protestants emerged in areas where Catholicism remained the state religion. The Catholic faith became less and less appealing to people as the abuses of the clergy were now publicly addressed by reformers and a new, personal approach to religion was offered in Protestantism. In addition, rulers favored Protestantism as a state religion because it meant that no power

Throughout history, the makings of an architect have changed by stark proportions and so did the requirements of the finished creation. Marcus Vitruvius Pollio (80 B.C.E), famously known as Vitruvius, wrote in The Ten Books on Architecture of how the architect must possess wide knowledge and expertise in many fields of study, and that his buildings must encompass firmitas [durability], utilitas [usefulness], venustas [beauty] (Vitruvius, 33) and harmonious symmetry that of which is found in nature and in man. Leon Battista Alberti (1407-1476), however, stresses in his book Art of Building in Ten Books that the

The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people

In the Medieval times, the Roman Catholic Church played a great role in the development of England and had much more power than the Church of today does. In Medieval England, the Roman Catholic Church dominated everyday life and controlled everyone whether it is knights, peasants or kings. The Church was one of the most influential institutions in all of Medieval England and played a large role in education and religion. The Church's power was so great that they could order and control knights and sends them to battle whenever they wished to. The Church also had the power to influence the decision of Kings and could stop or pass laws which benefited them in the long run, adding to this, the Church had most of the wealth in Europe as the

Critics argue that such funds, which are often used for the purpose of constructing or decorating extravagant cathedrals, ought to be used solely for the benefit of the poor and needy. In contrast, Fr. Havens expressed that all things which are good and beautiful glorify God and He has given us talents of creativity and craftsmanship that we may glorify Him. In other words, places of worship are constructed and beautified so ornately, not necessarily to be lavish or to abuse donations, but because giving and doing one’s best represents strong devotion to God and willingness to remember Him always. Our best and most beautiful creations can emphasize God’s eternal capacity to create, to organize and create life and meaning where there was only unorganized matter

By The Middle Ages, one understands a relatively long historical period extending from the end of the Roman Empire to the 1500's. The conquest of The Roman Empire by Germanic tribes, and synthesis of Germanic and Roman ways of life formed the civilization which we call medieval (medieval-from Latin words; medium (middle) and aevum (age)). Medieval civilization was greatly influenced by the Muslims in Spain and The Middle East, and by Byzantine Empire and Christians in Southeast Europe.

Many architectural and urban forms and elements that we witness today are largely influenced by how buildings were design and laid in Rome. Not only in terms of its external design that brought upon important messages but the design of interiors and the significance of spatial arrangement of spaces exist within them has created the sense of physical experience in the buildings as well. Rome’s urban development and the rise of architectural movement began during the time of Augustus

The Renaissance also brought drastic changes to the artistic world. The decisive break with medieval tradition occurred in Florence, Italy in 1420 with the invention of linear perspective. This innovation made it possible to represent three-dimensional space on a flat surface. In previous years, objects had been represented on the canvas as one-dimensional. This paralleled the one-dimensional thinking of the time and served to create rigid and unrealistic portrayals in art. Another ideal that evolved was the culmination of harmony and proportion. The human form was seriously analyzed for the first time. Careful attention was payed to minute details such as the shape of muscles and how they looked as they moved. This led to a more realistic and accurate reproduction of the human body. During the Renaissance "...the medieval aspects of the Christian religion were swept away, especially by the violent surge of the Reformation: No other artist managed, as Michelangelo did, to portray this change in his works..." (Heusinger 3).

By the late 1500s, Christian denominations had been popping up all over Europe. This was in response to the reports of indulgences (selling of freedom from purgatory), clerical immorality, abuse of money, along with many other bad actions that were rampant among the Church. It was these problems that Luther and others rebelled and created their own religions. With the rising of these Reformation movements, the Church needed to make some reforms itself. These reforms took the form of educating the clergy, opening monasteries, the Inquisition, and the organizing of councils. In fact, even though Protestant attacks brought these reforms, many of these reforms were needed anyway. The problems in the Church were so bad that the Church would not

This essay starts with the use of Roman architecture to practice Christianity. Then I will write about how the image of the Roman emperors became the inspiration for the image of the Jesus. Finally I will discuss the way Romans used the same iconography and narrative they already had as a formula to image the bible.

In this essay, I will not only be discussing at the connections between Renaissance architecture and cosmology as well as music, but also the what Renaissance architecture is and how it played a key part in architectural design today. The Renaissance period took place during the early 15th century to early 17th century, the age of Leonardo, Michelangelo, and Raphael. Architects of the time took inspiration from classical Roman architecture. This means it is an analysis of architecture in the ancient world, especially ancient Greece and Rome. What the Renaissance learnt from the Romans has how they used the space, looked at the form and had somewhat accurate measurements. And so, they copied elements and modified it, for example, many columns having a slightly intruded appearance on walls to give decoration to the building. They loved looking at the design and proportions and the mainly thrived in Italy during the early semester. It wasn’t until the latter years where Renaissance architecture started to spread throughout Europe, where many architects were fading from the gothic style previously used. However, large numbers of buildings incorporated a mixture of Renaissance and Gothic styles. A famous building built during the Renaissance period is St Peter’s Basilica, made in Rome, which was designed by many

Historical buildings play an important role in describing the social and cultural beliefs and values of a place of its establishment. People visiting the historic buildings are able to develop a proper insight into the community beliefs and practices that exist at the time of construction of a building (DuTemple, 2003). In this context, the present essay examines and evaluates the way in which the architectural building of ‘The Colosseum’ describes the societal and cultural values of Rome. In addition to this, the essay also demonstrates the technical and spatial features of the buildings and illustrates the way through the building is able to develop a language of classical architecture in Rome. The thesis statement of the present essay can be stated as ‘The extent to which the architectural building of ‘The Colosseum’ in Rome depicts the cultural and societal values and principles practiced in Ancient Roman Society’.

His goal was to create a building that was timeless, that could last without any imposing function. Stripping back the building to its essentials of structure, craftsmanship and style, he created not just objects, but symbols of everything Meis stood for in design “If buildings may be judged as embodiments of a viable system of ideas, the buildings of