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Devil In The White City Nonfiction

Satisfactory Essays

“This book is boring.” “This book is full of facts.” “I fell asleep reading this book.” These are the nonfiction genre stereotypes that most people think. Erik Larson changed that stereotype and wrote a nonfiction book with real characters and overall facts. The Devil in the White City does not only tell an elaborating true story, but it tries to grab the reader to believe that they are actually living in 1893 during the Chicago World’s Fair trials and tribulations. To tell this story, Larson combines qualities of a nonfiction book and a generic novel to successfully craft a narrative built on historical facts, therefore developing distinct persons in the cases and elaborating on what their possible feelings were. The Devil in the White City is extended biographies of Daniel Burnham and H.H. Holmes that show the hectic troubles that happened during the World’s Fair in the nineteenth century. Novels tell fictional stories with fictional characters. Instead of making up a story, Larson emphasizes Burnham and Holmes’ true stories. Anyone could have wrote about the Exposition, but that would have been a bore. …show more content…

No one knew exactly how Burnham felt when Root died, but “Burnham kept silent. He considered quitting the fair” (Larson 108), like a novel, Larson included how Burnham thought and felt. Holmes’ murders in the book shared the victim’s anxiety and emotions including Holmes’ calm and vile thoughts. When Anna was trapped in his vault, “the panic came, as it always did. Holmes imagined Anna crumpled in a corner” (Larson 295). Novels extently describe character reflections and have in depth storylines, nonetheless The Devil in the White City follows these attributes of a novel, while being a nonfiction

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