Devil on the Cross by Ngugi wa Thiong’o Essay

Washington Irving’s “The Devil and Tom Walker” illustrates how an individual’s corruption results from their ability to resist temptation, the virtue to act generously, and the self-discipline to perform genuinely. Temptation, symbolized by the Devil and characterized by desperation in this prose, is that catalyst that forces Tom’s proverbial ball to roll. First and foremost, Tom chooses a shortcut home out of ease and lack of time that “like most shortcuts... was an ill-chosen route (280);” along his path of “smothering mud (280)” and “half-drowned, half-rotting [hemlocks and pines] (280)” –likely representative of the comeuppances of giving into temptations–Tom confronts the Devil for the first time and eventually ends up selling his soul

Dante's use of allegory in the Inferno greatly varies from Plato's "Allegory of the Cave" in purpose, symbolism, characters and mentors, and in attitude toward the world. An analysis of each of these elements in both allegories will provide an interesting comparison. Dante uses allegory to relate the sinner's punishment to his sin, while Plato uses allegory to discuss ignorance and knowledge. Dante's Inferno describes the descent through Hell from the upper level of the opportunists to the most evil, the treacherous, on the lowest level. His allegorical poem describes a hierarchy of evil.

H.W. Brands' book was a pretty solid read. It provided a different outlook on the Cold War, as it sought to show that it was not merely an American victory over "communism" and the Russians. There was far more to the Cold War than most Americans would care to admit, but Brands puts it out there for the reader to take in.

Jonathan Edwards's sermon, "Sinners in the Hands of an Angry God" is moving and powerful. His effectiveness as an eighteenth century New England religious leader is rooted in his expansive knowledge of the Bible and human nature, as well as a genuine desire to "awaken" and save as many souls as possible. This sermon, delivered in 1741, exhibits Edwards's skillful use of these tools to persuade his congregation to join him in his Christian beliefs.

A minor message that Jackson conveys is the idea that men treat women as subordinate in their society. In the story the men always draw from the box for the families. Jackson proves how men treat the women like objects when Tessie, the women who in the end gets stoned, questions the fact that the drawing wasn’t fair and her husband just told her to shut up.

In 1949, many African nations began their surge for independence, and the native people did not accept the social modifications forced upon them. The revelation of the setting comes through the name “Ndume Central School” which is a school located within the African nation of Nigeria (595). Later, the setting reveals the deep divisions that take place in Africa at the time and allows the reader to understand why the villagers resists change. The separation between the school and village symbolizes the division, and this separation captures a modern school fighting a traditional village. Obi enforces the separation with the moving of the path and states that this new path should “[skirt] our premises” (597). The setting enhances the conflict between the villagers and Obi because the Africans at the time resisted the change that Obi enforced within the school. The setting of the school and village enhances the conflict because the school represents the transformation of society, while the village captures the stubborn, old way of living.

• Writes about James, brother of Jesus, who was called the Christ. Stoned to death in A.D. 62. Pg.78

Edwards' creative choice of words that he uses describes the power of God and the terrible Hell awaiting sinners. These words easily infiltrate into the minds of his congregation and frighten them beyond belief. These choices of words and his use of such vivid images are mostly successful in their intent, to scare and put fear into his audience. Edwards held his audience locked up with his promises of eternal damnation if proper steps were not taken. The congregation felt the intense impact of his rhetorical strategies and lived on the fear of the power of God. In this way, he was able to keep his followers from sin and away from the fiery pits of Hell.

7a. In the sermon, “from Sinners In The Hands of an Angry God”, by Jonathan Edwards, there is passion within the text that he believes strongly about the multiple tenets of Puritanism, one of the Puritan philosophical beliefs can be seen as Backsliding. As explained, it would not really matter if compared a person who strayed from the path or a person who has “reformed life in many things, and may had religious affections, and may keep up a form of religion in [their] families, and closets, it is nothing but [God’s] mere pleasure that [kept] them from being swallowed up in everlasting destruction” (Edward 108). Even though an prestigious church member respects and have an all love towards God, there is no confirmation that one can be truly safe from His wrath. Edward’s sermon brought on, and is repeated of, that people should be aware of their situation in the eyes of God, with metaphors, and a literal sense, the dangers a person could face, and only to be saved through an Irresistable Grace, a slight opening in which one could be saved from their damnation, by denying the call of their true nature. The warning of Backsliding inside the sermon comes from the his own belief that no one is perfectly safe from God, for there is the chance backing away from their beliefs, tempted to disobey, or fall out of place, because in the eyes of Jonathan Edwards, it is but everlasting wrath to everyone.

Jesus Christ sought to improve the individual, the component of society, and as result, his teaching ideally aims to advance the well-being of society as a whole. The four Gospels and the book of Acts thoroughly demonstrate the extensive sociological knowledge that was present in Jesus’ teaching. His message facilitates personal reform, rather than change in the social structure alone. Although Jesus establishes the church as a social institution, he does so, only after a number of individuals become his followers.

The concept of suffering plays an important role in Christianity, regarding such matters as moral conduct, spiritual advancement and ultimate destiny. Indeed an emphasis on suffering pervades the Gospel of Mark where, it can be argued, we are shown how to "journey through suffering" (Ditzel 2001) in the image of the "Suffering Son of Man" (Mark 8:32), Jesus Christ. Although theologians have suggested that Mark was written to strengthen the resolve of the early Christian community (Halpern 2002, Mayerfeld 2005), the underlying moral is not lost on a modern reader grappling with multifarious challenges regarding faith in the face of suffering. In his article "A Christian Response to Suffering", William Marravee (1987) describes suffering

When discussing and proving the person of Christ, there are two basic laws that must be addressed and proven. First you must prove that Christ is one hundred percent human (humanity), then you must prove that at the same time Christ is one hundred percent God (deity).

Art is something that can only be achieved with the manipulation of the imagination. This is successful when using objects, sounds, and words. Richard Wright and Amira Baraka brought the power of art into the limelight. Wright’s perception of art was for it to be used as a means of guidance, one that could uplift the Negro towards bigger and better goals. Baraka’s perspective of art was for it to be used as an active agent, one that could kill and then imprint society permanently. Baraka and Wright both wanted the Negro to see that there was a much brighter future ahead of them. Both wanted art to leave a stain, a stain that could not be easily erased, washed, or bleached. Both believed that Black Art had no need to be silent but instead daring.

Christ in Majesty is a Romanesque fresco secco from the 12th century that was transferred to plaster and wood. It was originally located in the apse of the Church of Santa Maria de Mur in Catalonia, Spain but now is located in the Museum of Fine Arts in Boston as a gift from the Maria Antoinette Evans Fund. The fresco is a transition from Roman and Byzantine Art to Gothic Art. The artist of Christ in Majesty utilizes his art to educate people in the doctrines of the Christian faith.

Through out history, as man progressed from a primitive animal to a "human being" capable of thought and reason, mankind has had to throw questions about the meaning of our own existence to ourselves. Out of those trail of thoughts appeared religion, art, and philosophy, the fundamental process of questioning about existence. Who we are, how we came to be, where we are going, what the most ideal state is....... All these questions had to be asked and if not given a definite answer, then at least given some idea as to how to begin to search for, as humans probed deeper and deeper into the riddle that we were all born into.