Devotio Moderna And Its Influence On The Ghent Altarpiece

Personally, when thinking of the middle Ages, I tend to have the misconception that it is a period of darkness with no progress. However, R.W. Southern’s book, ‘The Making of the Middle Ages’, offers an in depth study of the development of history in the world today. Observing that this book was published during the 1950s, Mr. Southern’s interpretation of the ‘Middle Ages’ was very distinctive in comparison to other historians of his time. He explores the significance of the Middle Ages as a separate sector in the study of history by which the audience will notice that previous categories of studied history is set aside, as we are no longer focusing on the usual ‘Classical Greece’ and ‘Rome’

McGrath’s Christianity’s Dangerous Idea attempts to tell the story of Protestantism from its early beginnings up to its present-day form. A similar and parallel story is found in Justo Gonzalez’s The Story of Christianity in which he also gives a narrative of the origin, growth and development of the Protestant movement from the Reformation to the present day. However, Gonzalez not only gives an account of Protestantism but of Christianity as a whole while McGrath concentrates his study on Protestantism alone. In addition, McGrath not only narrates but also gives a prophetic

Additionally, Davis’s monograph explores detailed information regarding the shift of many people at the time from Catholicism to Protestantism, which is extremely important to the

In the early stages of Catherine's life the surfacing modern age was bringing with it social turmoil which spread throughout Europe (Giordani 3). During Catherine's lifetime, according to Mary Ann Sullivan in her essay “St. Catherine of Siena,” the center of Catholic rule

Towards the end of the Middle Ages and into the duration of the Renaissance, the Medieval Church’s social and political power dwindled. Centuries prior the Catholic Church gained a surplus of control, largely due to the stability it maintained during the chaotic breakdown of the Western Roman Empire . Yet toward the end of the Middle Ages the Church set in motion factors that would ultimately lead to its downfall as the definitive figure of authority. However, despite political and social controversy surrounding the church, the institutions it established cleared a path for a new way of thinking, shaping society in an enduring way.

In William Manchester’s “ A World Lit Only by Fire: The Medieval Mind and the Renaissance: Portrait of an Age” He demonstrates the change in the "Dark Ages" from the dependence on religion to independent thinking. Ancient concepts were questioned and proven wrong after thousands of years, and the power of the what finally surpassed the authority of the Pope. Manchester expresses the transition within Europe from the Medieval Times to the Renaissance that included multiple changes in the intellectual, religious, and political aspects of life.

The central Middle Ages was a period of time from the 11th century through the 13th century that was characterized by prosperous economic growth in Europe. The lead of economic growth in Europe was the movements in the Christian communities. Christian movements in the central Middle Ages included Knights Templar, first Crusade, the Franciscans, and pilgrimages. Not only were the movements in the Christian communities made changes in the economy, but they also influenced the challenges against traditional authority. Some challenges of traditional authority were the Dominicans and the Franciscans. Guibert of Nogent’s description of the Revolt in Laon will be examined in this essay. Robert the Monk’s version of Pope Urban II’s speech from 1095

13. ‘01 Discuss the political and social consequences of the Protestant Reformation in the first half of the sixteenth century.

In the 16th Century, Europeans had their faith shattered and were forced to realize that there was doubt in what they believed in. From the countless wars being fought in the name of religion, to the once great and wealthy countries that needed to reaffirm their place in the world, ‘all that they had once taken for granted was suddenly cast into doubt’ (446). Europeans were desperately searching for new foundations to put their faith in ‘in the face of intellectual, religious, and political challenges’ (446). This period is an example of the expression “Age of Doubt, Age of Uncertainty”.

Jan Van Eyck’s, The Ghent, and Giovanni Bellini’s, San Zaccaria, are both altarpieces. The Ghent altarpiece is located in Saint Bavo’s Cathedral in Ghent and it is a private chapel. The period style of this piece is northern Renaissance and its medium is oil on wood. The San Zaccaria altarpiece is located in Venice and it is also a church. The period style is Italian Renaissance and it is also made out of oil on wood.

In this research paper I will be looking at two different artworks by the same artist. The two I will be looking at are the Sistine Chapel Ceiling (1508-1512) and The Last Judgment (1534). Both of these painting are painted in the Sistine chapel which is located in the Vatican. I am going to attempt to evaluate these two pieces of art painted by Michelangelo and explain the cultural and religious aspects of them. I will also look to other scholars to get their perspective and their reactions to the paintings. The last step of my research will be to formulate a theory about the relationship between culture and religion and use my topic to help defend my theory.

The painting The Holy Family with Saints Anne and John the Baptist, 1592 (oil on canvas) was created by Italian painter Sofonisba Anguissola (c.1532-1625). It is currently held at the Collection of the Lowe Art Museum, University of Miami, as a gift from Mrs. Forbes Hawkes and Bridgeman Images. This painting is among the unique pious narrative paintings by Anguissola. “The Holy Family” is the last dated painting by the artist. It was executed when she had just returned to Italy after spending 14 years working for King Philip II at the Spanish court. By this time, she had already married to a Genoese ship captain. Her various visits to court and her personal contacts with great painter at that time largely inspired herself. Through these contacts, she successfully stayed in touch with current developments in art. By closely observing this masterpiece, I argue that the artist perfectly sustain the beauty of counter-reformation arts in her work by use of light and shadow, delicate brushwork and accurate proportions of each subjects.

Within Yves Congar’s The Meaning of Tradition, he sets out to define the traditions of the Catholic Church. Congar begins his analysis of the role of Tradition in the Catholic Church by defining it; his definition states that Tradition is a gift from God that is passed down subsequent generations. According to Congar the Church’s tradition involves sharing Christ’s revelation, so that God’s revelation can be passed down throughout space and time. Congar devotes sections of his book to the role of magisterium in the Church. The magisterium has a pivotal role in analyzing the doctrines of the faith and providing the people of God with an explanation of its meaning. By doing this, the magisterium is exercising its role as the successors of Jesus’ apostles in guiding the faithful. The Magisterium is essential to ensuring that the faithful create a personal relationship with God. Congar, attributes the magisterium’s role in the Tradition of the Church is guided by the Holy Spirit. According to Congar argues that the Holy Spirit has inspired the Church throughout history. The Holy Spirit also works through the people, giving them the gifts necessary for understanding the word of God. Congar continues to ascribe the Church’s tradition to its familiar atmosphere that allows faith to grow in believers. Congar goes on to state that the Church’s tradition does not stem from Scripture alone, the uniting force of God’s word. Scripture needs to come from an inspired source, alone it can

The Isenheim Altarpiece was made by Matthias Grunewald. It took many years to complete the isenheim Altarpiece. Grunwald actually went off of someone else work and built from their work to create his own. These painting in the Isenheim Altarpiece are references to things that have happened in the Bible.

When one thinks of the word medieval, there appear to be almost an instantaneous reaction. Some may see the period associated with the gothic architecture, Crusades, brutalism, death, the Black Plague, illiteracy, or the Dark Ages. Others may interpret the period as one full of valiant knights, princesses waiting to be saved, jousting, castles, and noble kings and queens. From video games such as The Legend of Zelda and the popular HBO television series A Game of Thrones, to accounts of medieval torture or treatment in the newspapers, the Middle Ages seems to be more relevant than ever. However, it can be argued that much about what we know about the real Middle Ages was constructed in the nineteenth century due to a comparative lack of records and the imaginative portrayal of the period by the Victorians. Due to the tumultuous period that was the Industrial Revolution, many social critics and artists turned back to the Middle Ages in order to reflect their anxieties of the present and the hopes and expectations of the future. I began to note that the medievalist movement was built upon medieval studies through a desire to create, rather than retrieve the past, which in turn lead to academic debates about authenticity and furthered the tension between the two fields leading to an almost insurmountable break. Those in medieval studies look towards medievalism as a misguided attempt to contemplate history which in turn changed the public’s understanding towards the era away