Diagnosing And Treating The Ophelia Syndrome

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

“Hamlet’s relation to the maternal has often turned on a psychology complete with Freudian repressed infantile fantasies and adult son’s fears and revulsion of complex female relationships and interactions” (Kumamoto 4). This insight into Hamlet’s behavior, and how deeply seated (yet, possibly unconscious) his revulsion of Ophelia’s desires may have been makes it easier for the reader to understand how his almost intuitive reaction to Ophelia is what, in turn, provokes her madness and thereby, her death. Hamlet could not, from a psychological standpoint, have loved Ophelia genuinely or pursued a life with her if he was fixated on his mother and at the same time, repelled by her blossoming sexuality and what he feels is her (his mother’s) impiety and harlotry.

Ophelia is accustomed to having her father speak on her behalf, as well as being dependent on him for emotional support. Her absolute dependence means Ophelia does not know how to cope and reason on her own. Being left to grieve alone, she does not have an objective perspective or someone to bring her back to her senses, and therefore becomes overwhelmed by her emotions. Having no control over the intensity of how to feel and act is a very unhealthy way to cope. Her grief makes her speak “nothing”, and those who hear her are left to doubt and “think there might be thought”, although they cannot be sure about what she really means.

However, I wonder if Ophelia’s drastic actions stem from something other than obedience-- such as her character. Her compliance seems to go deeper than her trying to please her father, and her thoughts and actions show what a weak character she really is. For instance, when Hamlet bullies her and tells her to retreat to a nunnery where she could no longer harm anyone, she does not defend herself. Instead, after he stalks away from her, she is filled with self-pity. “O woe is me t’have seen what I have seen/ see what I see…” (Act III, Scene I, lines 154-155) Ophelia does not appear to be a strong enough person to come to her own defense, even when Hamlet is mocking everything that she is. Her “woe is me” shame comes from the fact that she is rarely reprimanded since she always strives to please. Furthermore, when Polonius dies, Ophelia loses her primary guidance and, instead of trying her hand at thinking for herself, she appeals to her brother for help in solving her problems. “My brother shall know of it/ and so I thank you for your good counsel…” (Act IV, Scene V, line 69) She recognizes that she is not strong enough to survive by herself without constant leadership and direction.

Midway through Hamlet, Ophelia is well under the control of Polonius and Hamlet. They are both manipulating and using her as a pawn as to get what they want and she has little to no say about it. Act 2, scene 1 serves as a turning point, as it is when Ophelia begins to realize the manipulation she faces at the hands of both her father and Hamlet, and that she can only truly gain her freedom when she herself descends into madness. Polonius’ manipulation, Hamlet’s control and Ophelia’s own thoughts and actions demonstrate her descent, and the aftermath.

In William Shakespeare’s tragic play Hamlet we are introduced to the young prince’s lover, Ophelia. Ophelia is a young noblewoman of Denmark. She is a very beautiful young woman who’s in love with the prince Hamlet and a potential wife for him. She is the daughter of the chief counsellor of the king, Polonius. She is also siblings with Laertes who dies trying to avenge his father's death and protect his family's name, by killing Hamlet who he wounds with a poisoned sword. With no mother to guide poor Ophelia, she becomes dependent on what the men who surround her, Laertes, Polonius, and Hamlet, tell her. She ends up going mad, singing songs about flowers, and finally drowning in the river surrounded by the flower garlands she had gathered. Ophelia was an obedient and was lovestuck on prince Hamlet in this tragic play. She happened to just need some help or advice in this fairly mere of a romance she had going on in her life.

Many parents can only wish to have a child like Ophelia. A child that obeys their every command without back talking. Ophelia is the obedient daughter of Polonius. In Act l Polonius says, “I would not in plain terms, from this time forth/Have you slander any moment leisure/As to give words or talk with the Lord Hamlet” (I,iii). In this quote Polonius orders Ophelia to stop seeing Hamlet. Then without hesitation Ophelia says, “I shall obey my lord” (I,iii). Ophelia does what she is told

Ophelia is Hamlet’s love interest throughout the entire play. However, in an attempt to be strategic, Hamlet feigns insanity in order to be deceiving and in turn breaks Ophelia's heart. His sudden disinterest towards her coupled with her father Polonius and brother Laertes’ commands to stay away from Hamlet composes a dire internal conflict within Ophelia's mind. She is torn between her undying love for Hamlet versus her desire to be an obedient daughter and sister. In addition, Hamlet unintentionally murders Polonius rather than Claudius, which also adds to Ophelia's insanity. To make matter worse, Ophelia has no mother figure within her life. So taken all together, she is stuck in a constant battle within herself with nobody who is there for her. “I hope all will be well. We must be patient/ but I cannot choose but weep/ to think they would lay him/ i' th' cold ground” (Hamlet v, iv). This quote from Ophelia demonstrates her deep sorrow towards her father's death, as well as the start of her path to insanity. Her lack of a maternal figure leaves her with nobody to discuss her feelings and troubles with. Because of this constant battle within her life, Ophelia finds herself in a confrontation with her emotions, which ends in her official decision of suicide. Which one could argue makes her decisive in the end which may be true, but her internal struggle leading to her choice of suicide is what makes her a great example of a character struggling with uncertainty during times of

Ophelia’s role in Hamlet is a very tragic one, because in all honesty, she was one of the most innocent characters of them all. She loved her father dearly, but he was taken away from her by complete accident. As Ophelia’s story progressed, her composure slowly started slipping away from her when she sang to Gertrude and Claudius about her father’s death and starts taking off her clothes (Act 4, scene v). When

In the wake of Polonius’s death, her behavior meets criteria for PTSD. Because of the unique origin outside the mind, she’s crazy but can be helped. Instead of being irrational, Ophelia becomes human, a person of conflicting emotions who cracks under stress. She talks back to her brother, writes love letters to a guy, and fights with her father. However, details of her life show factors associated with developing PTSD. Her mother is not mentioned in the play and has likely died. Since Ophelia is only a teenager, her mother’s death could only have happened recently or in her childhood. As research reveals, such an early experience “of separation and loss [seems] to push the subject toward developing avoidant behavior…and an increased feeling of insecurity” (Miller 148). Ophelia’s lack of a maternal relationship predisposes her to suffering later.

           Ophelia allowed herself to become a sort of marionette in Polonius' schemes toward understanding the seemingly mad prince. While her relationship with Hamlet was on the line, she allowed Polonius to commandeer the strings that determined her actions. Polonius was determined that Hamlet's supposed madness stemmed from lovesickness for Ophelia. He convinced Ophelia that her betrayal of Hamlet was a necessary evil and she began to relay all of Hamlet's messages and attempts at communication to him. He told the king and queen:

Ophelia is shortly affected by the protagonist’s mad conduct. And immediately she goes to her father, Polonius, to explain how she is “so affrighted” as a result of Hamlet’s visit:

“I do not know, my lord, what I should think. POL: Marry, I will teach you. Think

When Polonius finds out that Ophelia has been conducting a romance with Hamlet, he insists that she no longer have contact with the prince: ‘I will teach you. Think yourself a baby.’ (1.3.105) Polonius convinces Ophelia that she has been naïve and stupid to believe Hamlet’s professions of love: ‘Affection? Pooh! You speak like a green girl.’ (1.3. 101) In Polonius’s dialogue, Shakespeare repeatedly employs images of Ophelia as a child to portray how her father psychologically controls her, by making her dependent on his commands, as a young child would: ‘I shall obey, my lord.’ (1.3.136)

As a result of spending her life under the protection of her father and his orders, due to her submissive nature, Ophelia remains naive and unaware of the deceit and bitterness surrounding her which renders her incapable of facing the harsh realities of life once her father dies and Hamlet leaves her. After the death of her father and with the absence of both Laertes and Hamlet from her life at the time, Ophelia is driven to madness and Gertrude explains it the King: “She speaks much of her father, says she hears there’s tricks i ' the ' world, and hems, and beats her heart, spurns enviously at straws, speaks things in doubt that carry but half sense.” Finally seeing the grim reality of her surroundings without her father to hide behind, Ophelia loses her sanity and eventually end her own life as she no longer knows how to lead an independent life. In conclusion, Ophelia is portrayed as a puppet on strings being pulled around by the males in her life, making all her decisions and controlling what she can and can’t do, and once all the men are gone, she no longer able to function on her own and she ends her life as a result.