Dichotomy In The Godfather

There are numerous themes expressed in Francis Ford Coppola’s The Godfather. Through the use of cinematography and mise en scene, one of the most dominant themes expressed throughout the film is power. Though, only possessed by few, power is an important aspect of progress and growth in this film. Specifically, the development of power demonstrated through Al Pacino’s character: Michael Corleone; transforming himself into the succeeding Don after his father. The fight for power, as shown in the in the baptism scene and the Italian restaurant scene in the film, exemplify the idea of ‘getting rid of the competition’ and fighting for the power to control.

Since it is known that the mafia is a criminal organization, but is also, and above all, for many, a way of understanding life, a kind of fundamentalism that cancels out the individuality of its members, whose identity is no longer belong to the member in order to be part of the new identity of the society in which the member will belong to. In fact, every member that was going to be part of that organization had to understand the term of family and had to live as a family. As brothers, the Flenory founded their organization of drug distribution in Detroit at the end of the 90s and gave it that name especially because of their family relationship.

Notably, the film Goodfellas is a classic film that is recognized as one of the greatest films of all time in regards to the crime genre. Indeed, the film Goodfellas is about American citizens who partake in criminal activity in order to make money. Furthermore, another film was made, shortly after Goodfellas achieved great success in the box office. Additionally, another film titled “The Real Goodfella” is the uncensored documentary explaining the reality behind Goodfellas, and gives a practical insight of the real dangers that could not be shown in Goodfellas. Also there are two articles that explain the explicit truth behind the criminal activity that mobsters justify as work. These sources show that mobsters have a hard time. Mobsters classify as above working class because they constantly have to steal, murder, and deal drugs just to stay alive and have money.

One of the greatest films and novels of all time, The Godfather by Mario Puzo is the book that I chose to write my report about. This book falls under the drama and crime fiction genres, due to its dramatic story of people being shot and murdered. The Godfather takes place in New York during the years 1945-1955, right after World War II. Most of the story is written from a narrator 's perspective, save for two points in the book in which the story becomes a first person point of view. One of the themes portrayed in the novel is that family always comes first, even if it isn’t a blood-related family, but a crime family. The novel’s theme is primarily that of loyalty, which is a crucial plot device because some of the Corleone family

The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American

Mafia bosses often start out as street thugs. But over time, the ones who make it to the top transform their appearance. They take to wearing impeccably tailored suits and owning legitimate businesses.”

Great actors like Pacino, Deniro, who both played in the Godfather and Pesci also had an influence in making the gangster/mafia culture what it is today, by playing their parts so unbelievable well that their attitude, dialogue, and cold hearted cruelty on the screen transforms the modern day image of the culture of the gangster. The Godfather had many messages; one message that is usually shown is the importance of choosing your business partners wisely. The people you do business with are in business to make money, not to be your friend. Be careful whom you collaborate up with and always keep one eye open at all times, even when you sleep. Another message that was well known in the Godfather is to do not trust any body but yourself and whoever betrays you should be treated accordingly the way the deserve. You are in a race against the world and if you are stupid, enough to give a lot of your trust and that trust is betray, take no prisoners. Do what you have to do.

Carlo Gambino, the man who is the family namesake, never served a day of jailtime in his life. He liked to keep low key, but many things are attributed to this family. Murder Inc., an infamous group of talented, for-hire hitmen, was started by Albert Anastasia, member of the Gambino family. While this was well publicized and talked about, perhaps the most publicized and talked about Mafia happening recently was the John Gotti case. John Gotti, Don of the Gambino family, was “ratted out” but one of his underlings, Sammy “The Bull” Gravano. Sammy, in return for this favor to the police, served only five years in jail for twenty murders. However, this offense, breaking the “Omerta” is one of the worst possible things any member of the Mafia could ever do. As Michael Corleone says to his wife Kay, “Don’t ask me about my business, Kay.” (Godfather) Everyone in the Mafia must learn many, many rules and live by all of them. Of most importance is Omerta, as stated before, but many guidelines are set for way of life as well. Members cannot show signs of weaknesses. Crying and wearing glasses are two such things. Also, women are looked upon as inferior and a couple that is unable to produce sons is frowned upon. Since power is very influential in how this business is run, members must know their place because “someone always wants more, that’s how wars start.” (Anonymous) Making reference to the movie “The Godfather” is

The American films The Godfather I and II directed by Francis Ford Coppola, included mise-en-scene to emphasize certain characteristics and themes during both films. In this essay I will discuss how mise-en-scene was used to portray the lives of the Mafia families in the 1940s and 50s.

The Godfather is the story of a Mafia family. It follows the rise of Michael Corleone within the family. Michael was once a war hero and did not want to be involved in the family business. When his father is shot though, Michael takes revenge on the people who did it and becomes a part of the Mafia lifestyle. When his older brother is murdered, Michael ascends to become the boss of the family, and proves to be more ruthless than his father and brother combined. The scene that I am analyzing is one where Michael is becoming his nephew’s godfather at his baptism.

A blurb by Frank Lentricchia on the back of Chris Messenger's book calls it "a landmark in the study of popular culture." Most readers recognize academic hype and know that even the most cautious of scholars will risk indiscretion on a book jacket. But in this case the hyperbolic claim may be understated. Messenger's book is a phenomenon. I am at a loss to think what manifestation of The Godfather narratives (book, film trilogy, related movies, television programming), or what aspect of authoring, filming, marketing, or what theoretical perspective or intellectual framework Messenger overlooks in this comprehensive, intelligent, and definitive study of what is surely the twentieth century's most telling fable of the complex intersections of work and family in American

Despised by many, admired by few, but known by all, history had never seen an outlaw quite like Al Capone. Capone rose to his notorious fame during Chicago’s 1920’s Prohibition era through organized crime and extreme celebrity status. Though his legacy today remains one of violence and murder, Capone’s heyday was full of glamour and good deeds. Due to his staunch pursuit of the American Dream, charitable nature, and effective business tactics, Al Capone’s legacy should not only be a violent gangster but additionally as an ambitious businessman on his own unique path to success.

Michael Corleone, the youngest son of Vito Corleone, initially doesn’t want to have anything to do with his family. He is apparently a law-abiding citizen and is evidently a war veteran. He seems to be a good-natured and tries to avoid identifying with Corleone activites, yet is fiercely loyal to his family, especially to his father. He is called by his peers as a civilian and refuses to acknowledge him as a criminal. Wnating to live an ordinary life was his choice, until an incident where he botched an assassination attempt on their patriarch; Vito Corleone, led to Michael trying to return the favor to Sollozo and McClusckey. This will eventually lead him entangled with the family affairs. With the family trying to prevent a war between other families, Michael starts to become more and more involved. His vengeful nature, coupled with his ruthless intellect earned the respect of his followers. He ordered the hit

The two major themes in this movie is friendship and greed, and the two themes often come in conflict with each other. The mafia is made up of a very select few individuals, who are together all the time and don't affiliate with outsiders. This makes them grow strong bonds and develop friendships with each other. According to Jimmy Conway, the two most important things to remember is "to never rat on your friends,

THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family