Diction In Araby

James Joyce’s short fiction, “Araby”, speaks of the loss of innocence when one enters adulthood. The narrator of “Araby” reflects back to his childhood and the defining moment when he reached clarity on the world he stood before. The young boy, living in a world lifeless and religious influence, becomes consumed with the lust of a neighbouring girl. The girl, Mangan, is symbolically the narrator’s childhood obsession with growing up. As she resembles the desire to become an adult, the Araby is the enchanted vision of adulthood. By the end of the short story, he realizes the bareness of everyday life. In fact, the disappointment that is Araby awakens the boy to the fact that his immature dreams have blinded him to the cold and stagnant

In "Araby" by James Joyce, the narrator uses vivid imagery in order to express feelings and situations. The story evolves around a boy's adoration of a girl he refers to as "Mangan's sister" and his promise to her that he shall buy her a present if he goes to the Araby bazaar. Joyce uses visual images of darkness and light as well as the exotic in order to suggest how the boy narrator attempts to achieve the inaccessible. Accordingly, Joyce is expressing the theme of the boys exaggerated desire through the images which are exotic. The theme of "Araby" is a boy's desire to what he cannot achieve.

The narrator is deeply infatuated with Mangan’s sister and she is always on his mind. He states, “Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (I could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom.” (Joyce 2). The quote talks about the narrator’s smitten feelings for a girl only referred to as Mangan’s sister. It is evident that she is always on his mind and she naturally flows through his mind unconsciously. He is also very grief-stricken at times, which surprises him. The fact that Mangan’s sister does not have a name clearly reveals that the narrator is in love with what she represents, physical beauty. This is something rather mutual for any adolescent boy experiencing sexual beauty for the first time. He is stuck in his own little world of infatuation where she is always present and he also feels sad as he cannot convey his feelings of love. Also, after the narrator decided that he will bring something for Mangan’s sister as a gift from the bazaar, Araby, he is overcome with joy. He states, “What innumerable follies laid waste my waking and sleeping thoughts after that evening! I wished to annihilate the tedious intervening days. I chafed against the work of school.” (Joyce 2). The quote

The boy also hid his inner self from the truth, like the house, because of his own lust for Mangan’s sister. He, being a boy, did not understand what love was, yet pursued it trying to gain inner happiness. “Each morning” he would lie “on the floor in the front parlour watching her door. The blind was pulled down to within an inch of the sash so that I could not be seen. When she came out on the doorstep my heart leaped” (para. 4). He lusts after her thinking that is was pure love.

The narrator “Araby”, an unnamed young Irish boy, living with his aunt and uncle on North Richmond Street, residing in a house once occupied by a now-dead priest. The narrator, an orphan, spends his days attending school, spending time with his friend Mangan, and pining after Mangan’s sister. The narrator lives a relatively normal live, although he gradually becomes more consumed with the idea of Mangan’s sister, “I could not call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child’s play” (Joyce, 124. The narrator idealizes Mangan’s sister, barely speaking to her, yet he

With religion being a very prominent factor in the lives of the characters in this story, the narrator neglects to realize that this factor will make it nearly impossible for them to be together. With the inability to realize this, mixed with his teenage hormones, this causes him to be engulfed by his objectification of Manegen’s sister. “My body was like a harp and her words and gestures were like fingers running along the wires” (Joyce, 217). He allows her to control him so heavily; simply by the way she moves or speaks, he doesn’t allow himself to live his own life as the person he truly is. By not allowing himself to see anything else past this girl he is idealizing, he shuts himself off from the rest of the things in his life, the more important things, such as work and school.

"Every morning I lay on the floor in the front parlor watching her door...At night in my bedroom and by day in the classroom her image came between me and the page I strove to read." This shows the extent to which the narrator desires to be with Mangan's sister.

In the short story Araby by James Joyce, the story is told in a unnamed first person narrative of an adolescent boy who is infatuated with the

The boy's manner of thought is also made clear in the opening scenes. Religion controls the lives of the inhabitants of North Richmond Street, but it is a dying religion and receives only lip service. The boy, however, entering the new experience of first love, finds his vocabulary within the experiences of his religious training and the romantic novels he has read. The result is an idealistic and confused interpretation of love based on quasireligious terms and the imagery of romance. This convergence of two great myths, the Christian with its symbols of hope and sacrifice and the Oriental or romantic with its fragile symbols of heroism and escape, merge to form in his mind an illusory world of mystical and ideal beauty. This convergence, which creates an epiphany for the

In James Joyce’s short story "Araby," the main character is a young boy who confuses obsession with love. This boy thinks he is in love with a young girl, but all of his thoughts, ideas, and actions show that he is merely obsessed. Throughout this short story, there are many examples that show the boy’s obsession for the girl. There is also evidence that shows the boy does not really understand love or all of the feelings that go along with it.

The story “Araby” as told by James Joyce is about a young boy that is fascinated with the girl across the street. But deeper down the story is about a very lonely boy lusting for her love and affection. Throughout the story, we see how the frustration of first love, isolation and high expectations breaks the main character emotionally and physically. James Joyce uses the first-person viewpoint to tell this story which helps influence the plot, characterization, themes, and understanding of the main character.

Although "Araby" is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce's uses the boy in "Araby" to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.

“Araby,” is a story of emotional passion carefully articulated by the author, James Joyce, to mark the end of childhood and the start of adolescence. It is told from the perspective of a young boy who is filled with lust for his friend, Mangan’s, sister. He lives in a cheerless town on a street hosting simply complacent families who own brown faced houses that stare vacantly into one another. The boy temporarily detaches himself from this gloomy atmosphere and dwells on the keeper of his affection. Only when he journeys to a festival titled Araby, does he realize that his attempt at winning the heart of Mangan’s sister has been done in an act of vanity. Joyce takes advantage of literary elements such as diction and imagery to convey an at times dreary and foolishly optimistic tone.

James Joyce’s short story Araby delves into the life of a young adolescent who lives on North Richmond Street in Dublin, Ireland. Narrated in the boys’ perspective, he recounts memories of playing with friends and of the priest who died in the house before his family moved in. With unrestrained enthusiasm, the boy expresses a confused infatuation with the sister of his friend Mangan. She constantly roams his thoughts and fantasies although he only ever catches glimpses of her. One evening she speaks to him, confiding that she is unable to visit Araby, a bazaar. Stunned by the sudden conversation, the boy promises he will go and bring her back a small memento. In anticipation, the boy launches into a period of restless waiting and distraction

Roses are red, violets are blue, sugar is sweet, and so are you. Love is in the air like the aroma of a fresh lit candle lingering in a room. People are consistently looking and finding love each and every day, in all sorts of ways and places. In Araby written by James Joyce the story of a boy who falls in love with one of his playmate’s sister. Love is seen all throughout the book, making this book have relatable connections to the reader; due to its relevance in the world today. Araby is a prime example of a child hitting puberty, and starting to fall in love. In this book, Joyce shows us how love can make one change their ways and give someone purpose.