Diction In Once More To The Lake, By Billy Collins

In the play “A Raisin In The Sun” Hansberry uses abstract diction and dialogue to support the argument of when life doesn’t seem to give you an answer, create one. The play is a very powerful play with many life lessons and truths about our state in the 1950’s, it also shows our growth from then to now, I will show you how this play supports the argument when life doesn’t seem to give you an answer, create one. The characters in the play start to give up around the middle, as it seems they have else they can do and no way for them to make more money to move to a better house, I think Hansberry is saying that despite all your setbacks and downfall that you must continue to reach for the stars. In the play, Hansberry uses abstract diction,

E. B. White's story "Once More to the Lake" is about a man who revisits a lake from his childhood to discover that his life has lost placidity.  The man remembers his childhood as he remembers the lake; peaceful and still.  Spending time at the lake as an adult has made the man realize that his life has become unsettling and restless, like the tides of the ocean.  Having brought his son to this place of the past with him, the man makes inevitable comparisons between his own son and his childhood self, and between himself as an adult and the way he remembers his father from his childhood perspective.  The man's experience at the lake with his son is the moment he discovers his own

The father does not like “the sound of the place, an unfamiliar nervous sound of the outboard motors [that] sometimes break the illusion and set the years moving.” He always talks about how “there were no years” and how everything was so constant. However, he is getting to the point where he is starting to know that his future is near. He starts to realize that when a thunderstorm comes. This brought the father “the revival of an old melodrama that [he] had seen long ago with childish awe.”He is no longer confused about who he is anymore, and he knows that he is getting old. As he starts to accept this, the lake which he saw was “infinitely precious and worth saving [is now] a curious darkening of the sky, and a lull in everything that had made life tick.” Although he realizes that it is what it is, he knows that this is something he will have to accept, and his son is the new generations who is going to hold the future. His son, whom he always got confused as himself, now sees his son for his child. When the son goes swimming, the father “languidly, and with no thought of [swimming]. . .saw [his son] winch slightly as he pulled up around his vitals the small, soggy, icy garment.” Seeing how his son is strong and independent gives him the “chill of death.” He finally realizes that he is no longer a child, he is an adult who is going to die. A new generation will take his place, and

The idea of death can be, and is an enormously disturbing, unknown issue in which many people can have many different opinions. To some individuals, the process of life can progress painstakingly slow, while for others life moves too fast. In the excerpt We Were the Mulvaneys, by Joyce Carol Oates, a innocent farm boy named Judd Mulvaney has an eye-opening encounter by a brook near his driveway. During this encounter, Judd faces a chain of feelings and emotions that lead to his change of opinion of the issues of life and death, and change as a character. This emblematic imagery of life and death, as well as jumpy, and retrospective tones benefit the development of Judd as an innocent child as he begins to change into a more conscious and aware adult.

Memory is used as a powerful conduit into the past; childhood experiences held in the subconscious illuminate an adult’s perception. Harwood uses tense shifts throughout her poetry to emphasise and indicate the interweaving and connection the past and the present hold. By allowing this examination of the childhood memories, Harwood identifies that their significance is that of an everlasting memory that will dominate over time’s continuity and the inevitability of death.

Sarah sat in the corner of her room extremely upset staring down at a piece of paper. She recently failed a math test, and without enough time to bring up her grade, reality sunk in that she would not be receiving honors this semester. Feeling as if her world was crumbling, Sarah suddenly realized that this is just one grade and that she would hardly remember why she was so upset in a few days. The two sources, “Once More to the Lake” by E.B White, and “Forgetfulness” by Billy Collins contain many similarities within the texts. At first glance, they might not seem to have a lot in common, but upon further analysis, it became clear that these two texts share an overarching

This line is the epitome of remembrance. We all look back on our childhood and reminisce on the joyful moments in our life. We cling on to the details, remembering what the scene smelled, tasted, and looked like. This is exactly what E.B White is portraying in his passage “Once More to the Lake.” This line is a

First and foremost, authors E.B. White and Billy Collins both use exceptional repetition to portray the themes of their writings “Once More to the Lake” and “Forgetfulness”. In the essay “Once More to the Lake,” the main character expressed his connection to the lake from a young age. Later in life he brings his son and begins to be at a loss for his identity while being at the lake. Similar in theme, the poem “Forgetfulness” is a tale describing the loss of parts of one’s life that used to be known, much like identity loss. Repetition is a major key in both texts for pushing the theme of identity loss. During “Once More to the Lake,” E.B White experienced many moments that

A main theme of this book, is the importance of living in the present, instead of dwelling on the past. Many of the characters in this novel carried a nostalgic perspective on life, and it influenced their attitude towards the present. It was very common for the characters to tell stories from their past. Jim often relates incidents in the present, to things that happened to him in the past. Jim is not the only one focusing on the past, however. For example, Peter, one of the Russian immigrants, has a very romanticized idea of the past, which causes him to have a depressed attitude towards the present. Jim observed this on one particular meeting, “Once, while [Peter] was looking at Ántonia, he sighed and told us that if he had stayed at home in Russia perhaps by this time he would have had a pretty daughter of his own to cook and keep house for him.” Peter allowed the idea of ‘what if I had...’ to interfere with his future. Because of the adults "what if" attitude, the teens of this novel have a sense of urgency in their lives. They witness how nostalgic the adults, and they themselves, are becoming, and come to a realization. The good days are the first to pass, and the most fleeting. Jim takes this as an excuse to be nostalgic on the past, a past he was not even there to witness. He looked at the wilderness of his new home, and fantasized about how wonderful it’s past was, “Beyond the pond, on the slope that climbed to the cornfield, there was, faintly marked in the grass, a great circle where the Indians used to ride. Jake and Otto were sure that when they galloped round that ring the Indians tortured prisoners, bound to a stake in the centre; but grandfather thought they merely ran races or trained horses there. […] The old figure stirred me as it had never done before.” Jim looks at the past with wonderment - it is a place that was much more ideal than his present. Unlike him,

“As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else.” -Patrick Rothfuss. In The Devil In The White City Erik Larson inserts the reader in the shoes of two very antonymous characters. Larson’s diction enables him to create vivid pictures and descriptions, so the reader can immerse him/herself in the plot. With John Root, he uses phrases that give background to his past and his positions, but with H.H. Holmes, he allows the representation of a maniacal individual by giving the reader insight into the his sadistic ways. Erik Larson utilizes diction to instill fear, while also adding thought provoking scenarios that leave the reader mystified and pondering the different approaches they would take if put in these deep situational instances.

The diction Rossi uses in the novel Riders is very informal and casual, so the reader might relate to the main characters. Rossi chooses the diction in Riders very deliberately to create an accurate portrayal of an eighteen year old boy in the military that has just died, come back to life, and found out he was a horseman of the apocalypse. An example of the laid-back diction style Rossi choose to use in the novel is when Gideon is retelling and reliving the memory of when he found how he truly was a horsemen; moreover, Gideon is also having to cope with his reality of being detained and drugged by the U.S. government, so Gideon will remain calm in his retelling of his memories.

There are many people who travel a distance in life to find the path they should take or to remember the path they once took. In the poem “The Path Not Taken,” by Robert Frost and the short story "I Used to Live Here Once" by Jean Rhys there are many similarities and differences. The authors’ use of describing a path helps them personify life’s journeys and self-reflection.

The paper’s centre of interest is on the narrative of ageing and how memory, metaphor and meaning are interconnected and inter-related to its discourse.

Often times in life, people begin to appreciate relationships when reflecting on one’s previous actions and regretting what one has done. In “Those Winter Sundays,” Robert Hayden describes how a son remembers his father’s sufferings and sacrifices that he did not appreciate in the past. Hayden uses visual and auditory imagery, personification, alliteration, and drastic shifts in tone to show how the son recognizes his father’s physical and emotional pain, and regrets his former indifference.

Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings . . . There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this