Diction Of Memory In Billy Collins's 'Once More To The Lake'

E. B. White's story "Once More to the Lake" is about a man who revisits a lake from his childhood to discover that his life has lost placidity.  The man remembers his childhood as he remembers the lake; peaceful and still.  Spending time at the lake as an adult has made the man realize that his life has become unsettling and restless, like the tides of the ocean.  Having brought his son to this place of the past with him, the man makes inevitable comparisons between his own son and his childhood self, and between himself as an adult and the way he remembers his father from his childhood perspective.  The man's experience at the lake with his son is the moment he discovers his own

The memories in the poem maintain a cohesiveness and continuity of experience through repeated motifs such as the violets and the ‘whistling’. Memories also give us a recovered sense of life, as shown through the final line of the poem ‘faint scent of violets drifts in air’. This example of sensory imagery also creates a rhythmic drifting sense linked closely to the “stone-curlews call from Kedron Brook”. It echoes images of the speaker’s mind drifting into reflection and aurally creates transience between the present and the past.

In Father and Child, as the persona moves on from childhood, her father becomes elderly and is entertained by simple things in nature, “birds, flowers, shivery-grass.” These symbols of nature remind the persona of the inconsistency of life and the certainty of death, “sunset exalts its known symbols of transience,” where sunset represents time. Both poems are indicative of the impermanence of life and that the persona has managed to mature and grow beyond the initial fearlessness of childhood moving onto a sophisticated understanding of death.

Although ethos and logos are important modes as well, this text is most effective due to White’s continuous use of pathos. His thesis statement suggests the urge to return to his childhood memories, “…this feeling got so strong I bought myself a couple of bass hooks and a spinner and returned to the lake where we used to go, for a week’s fishing and to re-visit old haunts” (“Once” para. 1).The audience is also evoked with anticipation to what will happen later. A good example of this is “I took along my son, who had never had any fresh water up his nose and who had seen lily pads only from train windows” (“Once” para. 2). The audience is left asking how the trip with his son will compare to his own memories. White goes on to describe in intricate detail his memory of the lake, cabins, and scenery. He uses visual imagery to allow the audience to place themselves in the setting he has described. “White wants to emphasize the permanence of some things, or at least the memory of some things, despite the continual change that happens in the world”

A shift in focus from the students to himself creates an interesting structure in the poem. Collins began discussing his disinterest of his students and their laughable yet pathetic lifestyle. Then toward the end, the author shifts to speak about himself. He expresses the impact of being a long time teacher and the loneliness that comes along with it. Collins creates the detailed image of his colonial house, the deflated car, and vines growing on the porch swing, revealing his depression and sense of being trapped. Therefore, the author connects how past students have driven him to insanity and caused him to create a false reality in his head.

Both texts and their authors talk about the memories assiciated with the objects that they had or meaned something to them. One of the examples of an object's memory was, "a piano brought down from syracuse, the one my mother played as a girl. This shows how the narrator associates the piano with the memory of their mother playing it as a child. An example of a memeory from passage 2 is, "tin box, oh how you remind me of the swell of other seas, the roar of

First off, “Once More to the Lake” and “Forgetfulness” each utilize nostalgic diction in order to generate the theme of annihilated time. In “Once More to the Lake,” the narrator takes his son to a lake in Maine that he always went to as a child. Throughout the story, he mentions how he sees himself in his son, hence getting him caught up with how quickly time flew by. In more detail, he chooses specific words to describe these feelings, such as “sustain the illusion” (White 2) and “revisit old haunts” (White 1). By using these specific words to explain his experience with his son, it makes it seem both natural and unnatural, similar to the passing of forgotten time. Moreover, these specific

First and foremost, authors E.B. White and Billy Collins both use exceptional repetition to portray the themes of their writings “Once More to the Lake” and “Forgetfulness”. In the essay “Once More to the Lake,” the main character expressed his connection to the lake from a young age. Later in life he brings his son and begins to be at a loss for his identity while being at the lake. Similar in theme, the poem “Forgetfulness” is a tale describing the loss of parts of one’s life that used to be known, much like identity loss. Repetition is a major key in both texts for pushing the theme of identity loss. During “Once More to the Lake,” E.B White experienced many moments that

Sarah sat in the corner of her room extremely upset staring down at a piece of paper. She recently failed a math test, and without enough time to bring up her grade, reality sunk in that she would not be receiving honors this semester. Feeling as if her world was crumbling, Sarah suddenly realized that this is just one grade and that she would hardly remember why she was so upset in a few days. The two sources, “Once More to the Lake” by E.B White, and “Forgetfulness” by Billy Collins contain many similarities within the texts. At first glance, they might not seem to have a lot in common, but upon further analysis, it became clear that these two texts share an overarching

As the poem progresses, the misplaced or forgotten items become concepts such as names and ideas, and therefore carry more of an impact. For example, forgetting someone’s name, however not uncommon, can be associated with feelings of embarrassment from the forgettor, and annoyance from the forgotten when they discover that they were not important enough to be remembered. The speaker simply shrugs off these losses because “None of [them] will bring disaster,” as mentioned in line 9. Emotion, often associated with memories is introduced in line 10 when the speaker announces, “I lost my mother’s watch.” An item such as a mother’s watch holds sentimental value, unlike the previously mentioned keys; however, the speaker repeats, “I miss them, but it wasn’t a disaster,” (line 15) indicating that the watch was merely a material possession crowded with memories. At this point, the reader recognizes the feeling of missing something associated with greater losses of objects and ideas the speaker regards with more emotional attachment.

In the poem “Alzheimer’s”, Kelly Cherry has written about her father. It begins with an old man trying to make sense of the things around him. He is obviously confused, but tries to hide it. She writes that he carries with him, “A book he sometimes pretends to read” (Line 5). The man seems to identify with the struggle of the flowers as they fight for space on the brick wall, just as he is struggling with reconciling this house with the one he remembers (Lines 6-7) (15). Alzheimer’s

The theme of emptiness is seen throughout Thomas’ poems. The wartime poet writes of his memory of livelihood and activity in villages, such as the one described in ‘Aspens’, and then how it begins to disappear as a result of war. This is shown as the village is left with a ‘lightless pane and footless road’ causing the village to appear as ‘empty as sky’ and this simile gives a sense of vastness of the effects of the war, emphasising on the emptiness in the poem. Further, the mention of the ‘cross-roads to a ghostly room’ explicates that the village is so empty that it is leading nowhere. This metaphor is ironic as cross-roads are suggestively open gateways and a sense of choice in direction. However this connotation is altered as Thomas uses the metaphor ‘ghostly room’, to portray the vacant village and this is supported by the cross-roads as they lead to emptiness and isolation. This is also seen in ‘Old Man’ as the paradox ‘only an avenue, dark, nameless, without end’ gives a sense of no lead despite the fact that an avenue should lead somewhere. It is clear here that Thomas’ state of depression is

You selected a few different poems to interpret this week then my self. You have a marvelous post summarizing each peculiar one. I likewise read Nostalgia by Billy Collins this week. My conception of the author is he practically ridicules the diverse periods of time as they were portrayed. I enjoyed this poem considering the composer certainly drives the point home with this topic. An abundance of humanity complains about past generations although trends were not the greatest it's persistent rebalance of pros and cons about all aspects of life. I couldn't agree more with you that the theme of the poem demonstrates that humanity wishes regression to the way life once

Collins uses words that are fused with loss and melancholy when he says “night” and “war” which indicate a tonal shift. He then also mentions the moon “drifting out of a love poem,” an emotional memory that one will never be able to recall again. The tone shift is also seen specifically through the words denoted in the poem; such as “slip” and “float” which imply a sense of a gradual and smooth process of forgetting.