Difference Between Conceptualism And Conceptual Art

Margaret Lazzari (Author),. "Exploring Art: A Global, Thematic Approach 5th Edition." Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 29 June

"Exploring Art: A Global, Thematic Approach, 5th Edition. "Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 11 July

Throughout history, many different cultures illustrate their history and their beliefs through various artistic objects that they create. These artifacts allow historians to better gage their lifestyle, their beliefs, and how their society operated. One example of this is the “Drum Beater” sculpting created by Karoo Ashevak that is especially famous for its illustrations of the shamans and the spirits. In this research paper, Karoo Ashevak’s “drum beater” will be dissected and analysed; from the Inuit culture itself, to the physical features of the sculpting, as well as the significance and symbolism of the sculpting as it relates to the Inuit culture.

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

Students through the process of art appreciation will build connections through the exploration of textures, lines, colour and shape when describing, analysing, interpreting and judging the artworks before them (3 chosen images). They are asked to describe what they see, the artist’s use of colour, lines, shapes and texture. They then move onto analysing; what catches their eye, is the composition balanced and do the paintings look flat or do they have depth. The discussion then progresses onto interpretation where students are able to express what type of emotion they feel when looking at the pictures, perhaps the kind of sounds they might hear if they could step into it, and why they think the artist chose this particular subject to paint and what may have inspired the artist.

For this essay, I decided to analyze the art collections of the Fowler Museum at UCLA, more specifically in the Jerome LioMel Joss Gallery. The Jermone LioMel Gallery contains the arts works of Africa, and the Pacific Islands so I will be analyzing arts from the two areas from Papua New Guinea and Nigeria. These arts pieces are the Veranda posts (opo), and the ornament for a sacred flute.

Just like everything else in life, art has its critics. Art criticism is the expression used to describe the act of making selective judgments, both positive and negative, about an art piece. Just as art is so diversely expressed and interpreted, those who critique it also have various methods and use various standards when criticizing an art piece. There are many theories critics use to evaluate art but there are three basic theories most commonly put to use by professionals. The three basic theories are: formal theories, contextual theories, and expressive theories. Formal theories focus on the formalities of art. Critics using formal theories pay close attention to the making of a piece, how each section of the art piece works to form a visual experience that may or may not attract the attention of those who come across it. Formalists’ attention is centered on the formal organization rather than the themes, which they deem irrelevant. Contextualists, on the other hand, value the theme and its relevance to the times in which the artwork was created. The contextual theories deal with the context in which an art piece is used; what it symbolizes concerning the culture and values of the environment. Lastly, there are the expressive theories. Expressionists are more concerned with the artist and the personal expression put into the work. Also, because art is a method of communication, expressive theories

Art is the theme of art, this means that the main reason artist design different types of art works is to bring about the visual satisfaction. One of the major reason as to why artist paint, draw or design their works is to have something to have look at. Therefore, before a viewer analyses a piece of art, he or she has to look at it as the first and foremost

From the different pairs of artists that were given to do this research paper on I have decided to compare and contrast the pieces of Andy Warhol’s “Coca-Cola” and El Anatsui’s “Between Heaven and Earth”. I decided on writing about these two artists that of which both of their pieces caught my most attention because of their spirited and diverse works of art. Both, Andy Warhol and El Anatsui are prominent artists in their own fields and have made many more renowned pieces. The two artists, Warhol and Anatsui, have different techniques of expressing art, but can in some ways be comparable.

Concept on the other hand is not equated with an object, more a deep -thought out, intellectually conceived idea that only the creator could ever truly understand and a stabile medium needs to be poured inorder to convey these concepts. You could argue that yes an artist will always find an item or a variety of pre-made objects in order to convey their concepts but it is a skill to

The second chapter aims to examine more closely the understanding of readymade forms in the art world. Particularly, it focuses on two art movements that come to challenge the notion of art: found art and conceptual art. Both conceptual art and found art challenge the unity between form and content in art. Both seek the superiority of the one in opposition to the other, that is, form in found art and content in conceptual art. But could art survive merely as form or concept? According to Danto, the meaning of these works and their art identity does not depend on their formal properties but comes through an interpretation or theory. The problem with Danto’s approach is that it marginalises the role of the perceptual and of the experience of art. The chapter considers Seamon’s thesis on the modern theory of artistic value and Fowkes’s discussion of found art and conceptual art. Both suggest an understanding of these movements in terms of the internal or conceptual dimension of art, that is, the metaphorical function of art. This study aims to examine the notion of the conceptual in found art and conceptual art and the art identity of these works. Duchamp’s polished urinal calls the viewer not to see it as an image of something else, but rather to gaze it as an interesting construction. His Fountain (fig. 7) provokes the viewer to think the image of the urinal as a readymade object in the art world. It was this ‘objectiveness’, Bolge remarks, that pushed artists to abandon the

However, Lewitt departed theoretically from other artists who were working in a Reductivist manner by placing his emphasis on the ideas from with the work derives rather than on the work’s physical presence. For Lewitt, the concept itself drove his work, which he categorized as “conceptual art”, to the extent

The folkloric festival in Casamance is a timely occurrence that gives insight into the regional cultural qualities of a people in transition. In seeking to penetrate into this subject one has an opportunity to: 1) better understand the subject of Identity from a universal perspective 2) notice the 'spectra' of correspondence qualities that allow for 'genesis associations' as 'experienced from responses from actual events in progress- as a 'point of focus' to speculate on the larger question of African aesthetics and value systems 3) look at the subject of form and interaction dynamics (and what value a given formal state might have as for 'inquiring into a unified African vibrational and mental disposition- that could also assist the effort to better understand the subject of Africa from a continental and universal perspective) and finally 4) to better understand the special role of music, and what I call 'vibrational dynamics', in composite African culture and what this subject could mean to trans-African 'vibrational-radiance' as we approach the new millennium. In the first category, the challenge of identity for this paper will involve an attempt to isolate the kind of 'event-action

The artwork is in 2D and shaped more like a square with rough edges. It contains colorful and bright figures ranging from the primary colors red, blue and yellow to secondary colors such as green, purple and orange. The artist uses thick, thin, straight, rough and diagonal lines to allow some figures like the clothes on the human figures to stand out. This artwork is made by a combination of figures that together build the story and has a focal point, which is emphasized by the use of a large picture of T Mbeki. Most of these figures are accompanied by descriptive captions. These attributes allow unity of the artwork making it easier for the viewer to look at the figures and relate them to the central subject matter.

Artworks are those that use natural tools in an aesthetically pleasing way, to express some deep meanings desired by the artist, for which this art is found. These works can be analyzed by looking at a variety of aspects individually and these elements are often called elements They are very useful for criticizing or understanding any artwork as a whole. The materials used by the artist creating the artwork in the documentary "Mystery Masterpiece", the shape of the work is the shape of which it is, including its size or its volumetric perception, and the artwork has three dimensions; the depth as well as the width and height, the three-dimensional form is the basis of sculpture, yet the two-dimensional artwork can achieve the illusion of the