1. Dionysus Spirit and Apollo Spirit
Nietzsche has pointed out in his maiden work that the continuous development of art is under the restraint the duality of Apollo Spirit and Dionysus Spirit in the way bearing under the duality of sex, which endlessly fights with one another with seasonal compromise. From the angle of Nietzsche, Apollo art is fine arts while Dionysus art is musical art, obviously, there is a great opposition between them. Dionysus and Apollo Nietzsche has mentioned originated from Ancient Greek Mythology. In the Birth of Tragedy, he used symbolism to express Dionysus and Apollo in Greek mythologies: Apollo represents as the magnificent icon of “Individualization principle”, which means “Individualization principle” is just phenomenon, “Will” is the essence that control individuals, therefore individuals are in eternal pain. How to avoid this pain? Nietzsche found in mythology Apollo, the God of light who gained the upper hand of the elegant
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Due to the amendment to mythology by history and religions and itself development, the version vary. One version is: He was son of Zeus and mortal Semele. When he was fetus, Hera instigated her to require Zeus to show his true appearance. But after Zeus came to meet her with light and thunder, she couldn’t bear the power of Zeus and was turned to dust and ashes. At the same time, the only thing Zeus could do was to take out Dionysus, cut off his own leg and put him in. Therefore, Dionysus was reborn. Another popular statement is that Dionysus was son of Zeus and Demeter. Hera demanded Titan to arrest him and tear, swallow, with only heart left and looted by Athena, by which Dionysus was reborn. Afterward, the tales of the immortal Dionysus soon went virus everywhere in Greece. Even after he grew up, Hera still refused to let him go. She made him insane, roving around, during his journey, he taught peasants to vintage, by which he became Bacchus, one of the welcomed
Hades was born from Cronos and Rhea. Like his other brothers and sisters, hades was eaten by his father but did not die. Although, one baby was hidden away by Rhea, Zeus. Zeus, once grown up, came back to attack Cronos and the titans. He freed his brothers and sisters, letting them escape beginning the war against Cronos and his titans. Once the war was over and the Olympians had won, Hades became the Ruler of the underworld watching over all mortal who had died.
In the myth of Dionysus there isn’t exactly a conflict between two sides of people battling for good or evil, its more as a battle between the two sides of Dionysus’ inner self. Unlike most examples of good versus evil, there isn’t a triumphant side. Just the personality switches between Dionysus being the joy-god or the heartless, savage, brutal-god. The reason for this change is due to the fact that he is the vine god; Wine is bad as well as good. He’d bring up peoples hopes and make them believe that they were capable of anything, but once they were sober again
her to give him the baby so he could swallow it. She hid Zeus in a
Greek drama was performed in the late 6th century BCE in ancient Greece. Tragedians like Euripides wrote very influential and popular plays such as the Bacchae. Greek tragedies lead to Greek comedies such as Aristophanes’ Lysistrata. Many of the Greek dramas have similar concepts, one of being duality. Without duality, the nature of our lives and the environment around us remains unbalanced.
Dionysos is defined as the god of wine, festivity, vegetation, pleasure, and divine intoxication. In the Hope Dionysos, he is depicted as a peaceful and joyful figure that represent happiness in Greek mythology. The statue is sculpted from marble as its medium and is classified as a stone
The patterns of culture are associated with the characteristics in the distinction between the gods Apollo and Dionysius. Apollo was the god of light and Dionysius was the god of wine. Therefore, the characteristics are referred to as Apollonian and Dionysian. During the Mesolithic, Dionysian tendencies gave way to Apollonian tendencies.
The chosen art piece, from Roman origin, is titled “Dionysus” and portrayed Dionysus, the god of wine, with his follower Pan. This artwork is a great example of Greek art’s influence in Roman artwork. The main elements of Greek’s naturalistic art, specifically of High Classical period, are rendered beautifully in this piece combined with distinctive elements from verism, unique to Roman art. So, the idealism of Greek art and the individualism of Roman art come together to create an art piece that is divine, mythical, and yet very human and therefore, relatable.
I chose to compare and contrast two works of art that featured the god Dionysos. Dionysos was a god of celebration and wine, promoting both the intoxicating power of wine and its social benefits for bringing people together. He was an advocate of peace and a promoter of peaceful civilization. Both The Hope Dionysos and the Triumph of Dionysos and the Seasons Sarcophagus represent why Dionysos was such an important and celebrated figure in mythology, which is why I chose to analyze two works of art that centered on him. My first impression of each piece was of Dionysos as a peaceful, benevolent and joyful figure. I was struck by the calm peacefulness he embodied in The Hope Dionysos and the happiness he shared on the Triumph of Dionysos and the Seasons Sarcophagus. Though there are many elements to compare and contrast, my analysis will show that both pieces are tributes and representations of Dionysos meaning and purpose in Roman art.
Dionysus is an important figure of Greek mythology. He is the Olympian god of wine, vegetation, festivity and pleasure. He represents humanity’s longing for pleasure and desire to celebrate. Dionysus is also the god of hallucination, theatre, reincarnation and homosexuality. He is called: “the youthful, beautiful, but effeminate god of wine. He is also called both by Greeks and Romans Bacchus (Bakchos), that is, the noisy or riotous god…” (Roman 201).
Zeus was birthed by the Titans Cronus, the god of time, and Rhea, the goddess of female fertility. He was the youngest of six siblings, which were all consumed by his father, who out of his fear of one of his children overthrowing him, “swallowed every child Rhea…[had given] birth to” (Gods, 2017). He was able to grow up without his father devouring him since his mother and Gaia had tricked Cronus into believing
Dionysus is the god of wine and fertility, however also became considered a patron of the arts. Along with the variety of things Dionysus was associated with, he is associated with some important concepts. These are, being able to bring a dead person back from the underworld, rebirth after death represented through the symbol of his tending to vines to bear fruit for the making of his wine. There is also the feeling of being possessed by a greater power – which he demonstrated via the influence had from wine. This means that the greater power is the wine – that at these times a man might be greater than himself and do works he otherwise could not.
Zeus was birthed by the Titans Cronus, the god of time, and Rhea, the goddess of female fertility. He was the youngest of six siblings, which were all consumed by his father, who out of his fear of one of his children overthrowing him, “swallowed every child Rhea…[had given] birth to” (Gods, 2017). He was able to grow up without his father devouring him since his mother and Gaia had tricked Cronus into
Dionysus was a wanderer. During these journeys he explored the world. On these journeys he came across many different people and taught them how to keep their vines healthy. On one of his journeys he was captured by pirates. While he was in bondage of these pirates they tried to tie him down. Wherever the rope would touch him it would fall apart. In
In The Birth of Tragedy, Nietzsche explained Greek culture as a battle between what he called the Apollonian and Dionysian forces (Campbell 334). The Apollonian, named after the god Apollo, is “order, lawfulness, perfect form, clarity, precision, self-control, and individuation” (Schact). Fiona Jenkins describes it as “an art of the visible: it is linked to the power of dreams, illusion . . . Through the Apollonian moment of art the individual is reconstituted as a product of his own ‘dream.’” Joseph Campbell adds that Apollo is the god of prophecy, light, and the sky (336). He is also associated with purification of guilt and error (Fagles 17).
Dionysus, son of Zues and Semele and Apollo, son of Zues and Leto, both were born under strange conditions. Dionysus was born from the thigh of Zues after being fully grown, and Apollo's mother, Leto, was in labor for nine days with him because Hera did not want him to be born and would not give Leto a safe place for the child to be