Difference Between Horror And Horror Movies

The great director clouded his intent and motives by reportedly stating that the entire film was nothing more than one huge joke. No one laughed. Instead they cringed in their seats, waiting for the next assault on their senses. The violence and bloodletting of PSYCHO may look tame to

Psycho a film directed by Alfred Hitchcock was created for the purpose of inciting fear and suspense to engage its audience.

Shocking audiences of the 1960’s, Alfred Hitchcock’s ‘Psycho’ is one of the most influential films in motion picture history, often being referenced to as the the origin of thriller films. Hitchcock successfully incorporates cinematography, music, and multiple techniques, rendering the perfect amount of tension and suspense right until the climax of the film. Thus, evoking the thrill after which the genre is named.

Hitchcock’s Psycho is a great representative of horror and thriller genres. The director masterfully creates an atmosphere of suspense and creates tension. Hitchcock blends characteristics of a thriller with horror, making the audience terrified. The director creates situations that can happen to anybody of the viewers, and thus, makes such scenes even more scaring and disturbing. For instance, the scene of the murder in a shower impresses the audience to a

Out of the 326.1 million people in the United States, not everyone is going to enjoy the same things (United States Census Bureau). When it comes to movies, not everyone is going to enjoy the same genres; it has been statistically proven. Although it does not rank the highest on the charts, comedy movies are much more enjoyable than horror movies for many reasons.

The movie Psycho was directed by Alfred Hitchcock in 1960. When Psycho was first released they implemented a rule that no one could come into the movie late, and I guess that was a thing that happened a lot back then. People were just like “I got a few minutes, let me go into this movie, I don’t care if it started.” But they were having none of that with Psycho. Once the movie started the doors were closed, no one was allowed in. In the previews they asked the audience to not divulge any of the secrets of the movie to their friends or family after they see it. And audiences obeyed, they didn’t go out and blabber about it like people do these days. You could not get away with that today, but audiences were cool back then. Because they didn’t let the audience in after the movie started, they didn’t allow critics to watch the movie ahead of time either. The critics had to go with the audiences on opening day to see the movie. They were not happy about that because they were being treated like peasants, like any other viewer. I guess they thought they were better than everybody else, as some critics actually gave them bad reviews basically because they didn’t get a special screening. Even before audiences watched the movie, their psychological needs start to be met as hype and suspense is built with the secrets people need to keep. The suspense is kept up throughout the movie from Marion’s get away and death, to the twist at the end.

Long before we find out about Norman's split personality, we see glimpses of a darker side. When Norman has dinner with Marion, he leans forwards as he speaks about putting his mother in an institution. The lighting of his face at an angle to illuminate the area around his eyes but casting a shadow on the rest of his face, creates a sinister, weird look, that hints at his true character. While we see this view of Norman, the background shifts to a more fierce-looking bird on the wall. Another visual technique used in the movie was the actual casting of the character Norman. A fairly small, slim man was used to portray a weak looking man who could pull off the mother's boy role realistically. Norman looks incapable of large amounts of strength as well as a character wise, unable to kill a person, let alone be a serial killer. The shower scene was a very good visual example of how the idea of schizophrenic murder was successfully dealt with in the film. The shower scene showed Marion Crane, a young woman who had just been subtly persuaded by Norman to repent of her recent crime, and so was washing herself physically and symbolically in the shower. Washing away her sin and guilt, because in the morning she would own up to her crime, pay for it, and start again, guilt free. This worked well to add greater emphasis on the shower scene, because at this turning point in the plot we see she has made a good decision to set things right. It is almost unbelievable that Marion could be murdered at this high point. Nonetheless, the film goes on with her murder, which is a very shocking sequence because it happens quickly; as the knife stabs Marion, we see the figure of Mrs. Bates a figure in a dress with a woman's hat on. We are led to assume it is Mrs. Bates, and we are given a big surprise at the end when we find out it was actually Norman wearing her dress. The

Psycho illustrates a very psychological part in the film with Norman playing two characters due to the loss of his mother and not wanting to let her go; therefore, he would keep her alive by becoming her. Normans effectiveness to switch between himself and her was impeccable, because in his mind he knew when his mother would be jealous of his love life if he felt a certain way towards somebody else that wasn’t her. From the viewers point we can see the Psycho side of Norman playing his mother and not wanting to let her go but allowing her to take over and make decisions as him. This film definitely appeals to the thriller views, suspense viewers, and any viewer with an open

Alfred Hitchcock’s horror film, Psycho, gives the audience insight on characters who display dual personality traits. The audience gets to see changes occur within Norman and Marion throughout the film. These two characters share nothing in common except for the fact that they are a capable of being normal and committing crimes, showing that they have two different sides to themselves. Hitchcock uses film techniques such as lighting, camera angles, and costume change to demonstrate the duality of human nature. When the film first starts off, Marion Crane is shown lying on a bed in her white underwear in a romantic scene along with her boyfriend Sam Loomis.

A good movie starts with the setting; in a horror movie the setting is key. In Psycho the setting is a small motel right off the highway. Behind the motel is a big, old, eerie house that Norman Bates and his mother live in. One of the main characters, Marion Crane is a young woman who is working for her boss, who sells houses. When Marion goes into work she does not feel well, and asks her boss if she can go home early. He says yes but asks her to do one thing before she leaves. Her boss makes a sale on a home and is paid, up front, forty thousand dollars in cash. He asks Marion to take the money to the bank before she goes

Norman Bates (Anthony Perkins) kills Marion Crane (Janet Leigh). Marion who wanted to lead a happy family life with her boy friend Sam Loomis (John Gavin) after marriage and hence steals money and flees Phoenix and becomes a prey for the psychopath Norman Bates. Norman Bates overpowered by his dead mother’s personality kills the woman who comes in between the relationship with his mother. Norman has no other motive. Only his frustrated sexuality when he meets a woman can be the motive. As the case of a split personality syndrome Norman takes the role of his dead mother, and targets those women who come to his motel. Possessed by his mother, he dresses like her and here he slashes Marion on the shower. When Lila Crane (Vera Miles) along with Sam comes in search of

Psycho’s success was partly due to its cultural invisibility at the time. Many of the characters and challenges were a reflection of the challenges that many people faced during the time the movie was first released. The article highlights the many parallels in the movie and the culture in the sixties. Marion was portrayed as a “social deviant” and Norman was seen as an extreme version of a social deviant. Norman is also seen as a reflection of people who were effected by cold war. During that time a psychopath was distinguished by quickly oscillate between two different behaviors (Genter 147). This was one of the things that began to show Norman’s mental state. Norman was also verbally abused by his mother before she was murdered. This is

The classic film Psycho, directed by Alfred Hitchcock was a film very influenced by Marxist idealism. This film deals primarily with the economic and feministic aspect of women in the 1960s. It centers on a young woman named Marion and her struggle with life. After certain circumstances she flees her home when she stumbles upon a rickety old motel, which will ultimately end up as her grave thanks to a psychotic murderer. The overall aesthetics of the film are not overly done with exception of the editing, which was cut rapidly and severely in order to convey the thrilling tension and action happing in the film. There are underlying themes that are derived from Marxist ideals in that the main character within this film is trying to climb the social economic classes in order to enter the ranks of high society through immoral means.

In the movie Psycho a secretary is on the run after she stole $40,000 from her boss in order to run away with her boyfriend. Later on, she stops for the night at the Bates Motel, which is owned by a man named Norman and his mother. As the story plays out the viewer is able to see that Norman and his mother has a unique relationship with each other which can also be seen as difficult and complicated. The secretary soon dies in the movie and so does a private investigator. As investigation is going on about the disappearance of the secretary it is soon discovered that Norman’s mother has been dead for a while and that Norman has a personality disorder. With this personality disorder his jealous mother side comes out and kills people. The director

Before the Psycho by Alfred Hitchcock made its way into theaters across the world, film was produced in a completely different way. Some of the elements that were in Psycho were things that nobody saw in movies before. According to Entertainment Weekly’s Owen Gleiberman, when the movie came out, it took place in “an atmosphere of dark and stifling ‘50s conformity” and that the elements of the film “tore through the repressive ‘50s blandness just a potently as Elvis had.” (Hudson). Alfred Hitchcock changed the way that cinema was made by breaking away from the old, “safe” way of creating a movie and decided to throw all of the unwritten rules of film making out the window. The main ways he accomplished this task was by adding graphic violence, sexuality, and different ways to view the film differently than any other movie before its time.