Difference Between Lee Straberg And Clurman

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

I’ve adored theatre for as long as I can remember. From writing plays throughout elementary school, to being involved in Drama Club in middle school, to performing in community theatre in high school, and to visiting the theatre as often as I could from the very beginning, theatre has always been a part of my life. Every aspect of it engages me: the directors working to bring their vision of the show’s scenes, choreography, or music to life, the actors transforming into different characters through their expression of dialogue, song, or dance, the costumers and set-builders transporting the audience into the setting and time period with their artistry, the backstage tech and crew working quickly and precisely to keep the show flowing to curtain call, and the orchestra bringing the show to life through music. There is nothing like the experience of live theatre, both as a member of the audience and as a member of the cast and crew.

Above all, I wouldn’t be where I am today without theatre. Without the chance to perform throughout my life, I would be disconnected from the wide array of communities and histories that’s been imbedded in my daily routine. Unfortunately, it’s speculated that the theatre is a dying art form, because of the expanding popularities of movies (“Is”), but I think that it’ll remain a well renowned part of expressing imagination and interpreting history as years pass; it only takes cooperation with school faculty and young students that go above and beyond to change their

Theatre has evolved over the many years. As it has grown, it moved to include more diverse performers, crew, producers, and audiences. This is an exploration of the expansion of diverse theatre.

The film industry operates in a continuous cycle, searching for the newest and best pieces to make their movies creative, interesting, and marketable. Historically, the film industry attempts to follow a set structure in an attempt towards success in such a volatile market, however, this approach creates a system much like that of Ford’s Model-T production line, invented in the 1910s, which involved each worker on the line doing a single job. Only a few years later, during the 1920s and 1940s, the film industry showed that they adopted a similar approach to their industry, with each person—actor, director, producer, writer, etc.—performing a distinct role. In the late 1920s, as Hollywood transitioned from silent films to “talkies”, actors and actresses were met with the challenge of adapting to a new role and many of them no longer fit the role required by the growing Hollywood machine. The film Sunset Boulevard (Billy Wilder, 1950) explores and critiques the landscape of the hierarchy and harsh realities of Hollywood. In the same vein as many films of the film noir style, the mood of pessimism and fatalism reflected in the form parallels the reality of many people in Hollywood during the 1900s.

The outstanding component of acting is that it is an aspect that calls for a wide variety of skills. A single person to form a totally different personality from that possessed by the acting person must synchronize these skills. Some of the most common skills necessary for an actor are vocal projection, physical expressiveness, speech clarity, well-developed imagination, emotional facility drama interpretive ability. Also not to forget mentioning other important capabilities that an actor must have are; utilization of accents, body languages, dialects, improvisation, mimicry, emulation, stage combat and observation (Jurkowski and Francis 44). Another fascinating fact about acting is that it combines both talent and special training programs. Due to this fact it offers opportunities to any person who has an interest in becoming a theatre performer. The training has as well availed a chance for the emergence of professional actors who never seize from learning new elements from now and then. These people are among those who undergo training in various sub-disciplines making them diverse and multifunctional. An actor can be good at singing, dancing, partner work, scene work among others. Bundling all these qualities into one single person is a fascinating element which makes them fit for any duty that might be availed to them. Therefore acting as

“I really started dreaming... and broke out of my shyness when I got to Howard University. My first acting class was an Intro to Acting class with Professor Bay, who really broke me out of my shell, encouraged me to follow my dreams and make them a reality” (Gross). I’m going to talk about how to open the door of show business into Hollywood and show you how to potentially reach success. Many talented actors don’t succeed in show business because they forget the first rule: show business is a business. So what I’m going to tell you here briefly covers the business details behind the world of film, television, and theatre. In order to better understand your role in the larger scheme of show business, you need to understand the wants and needs of the wealthiest people in the industry. The business of acting is simple. You help others make money, and they’ll help you make money. But first, you need to figure out how show business really works.

Would you rebel for something you believe in, but everyone else does not? Would you die for the cause of something good and helpful to the world? This is exactly what Harrison did. In Chandler Tuttle’ 2081 and Kurt Vonnegut’s “Harrison Bergeron,” Harrison's appearances, beliefs, the equipment used on him, and the responses he receives and produces are important aspects to both medias. Though, the short story and film both have its own unique features that help us connect to his personality. Harrison from “Harrison Bergeron” is a considerate, ignored hero, but also an outsider to the people for his beliefs; since he uses the threatening and self-centered words to express his bitterness and words, many feel he is egocentric, but he has only said this to get his word across, although, in 2081, Harrison is a wise, intellectual, mature, and a Christ-like figure, who appeals to our senses in a better way than Harrison from the short story does explaining why the current system is not effective.

Ever since I can remember I have loved theatre. It’s been a constant presence, and an important touchstone, in my life. However, for as long as I’ve loved theatre, I have also been ridiculed for my enjoyment of it. As a child, my interest was tolerated as something precious, something I was bound to grow out of. My parents and teachers would sit in the audience, clapping and cheering me on, all the while thinking to themselves “I bet she’ll make a great lawyer one day.” They thought, like most of society, theatre was an unnecessary luxury; a pastime for the rich and powerful, for those who didn’t have to worry about putting food on the table, or clothes on their children’s backs. Certainly not

A major court issue has dominated the national headlines in America. The battle over state execution in Arkansas ended on Thursday night as the state carried out its first execution since 2005.

David Edwards is a stage and film acting veteran from Las Cruces, New Mexico. He has performed in countless stage performances and several onscreen acting jobs during the last four decades. Mr. Edwards employs both practical and magic rituals to the preparations for his stage performances, and he keeps a good luck charm on his person. His rituals are less extreme than many other stage performers who are extremely observant of superstitions and adamant about preshow rituals. Anthropologists would take note of the greater ritual associated with stage acting than with film acting, as performers feel a lesser need for luck in the mistakes- forgiving world of film. This parallels the dichotomy between hitters and fielders in baseball.

Running, wrestling, singing, forging, and working with my hands to create works of art are all interests that contribute to who I am. But any description of myself would be incomplete without discussing my involvement in theater. Over the last four years, I have had the amazing opportunity to become adopted into a family of loving, talented actors, who make up the Nooksack Valley Drama Department. This has been the greatest influence for growth in my life to prepare me for college and my future. It has directed me on my current path to becoming a confident leader and a reliable worker.

There were many acting idols in the 1920's that left their mark. If it weren't for those actors and actresses there wouldn't be great movie stars today. There's this one actress that made a mark at young age in the acting industry and he name is Anna May Wong. Anna May Wong was the first Chinese American movie star. Wong was not supposed to make it in the acting field. Anna's father didn’t want her to act he wanted he to focus on her school work because he didn’t want her to get her hopes up because many women her race do not get acting careers. Anna didn't let this get her down, in fact she let this encourage her. Anna begged directors to give her roles. Her dad friend helped her get one of her first acting roles. Sooner after

alive when actors do their own thinking brings a point of view. One of her most frequently

The strengths and weaknesses of a committed actor can be paradoxical. For this area I chose to consult with an acting colleague of 17 years. I thought it was necessary to have an objective perspective to honestly describe what has been observed from someone that knows me, personally. The following paragraph from a close friend and veteran actor explains this quandary in her description of me.