Difference Between Oratorio, Cantata and Opera

The Opera is described as the relationship between words and music. Opera is dramatic staged secular vocal work with orchestral accompaniment .Consisting of alternating recitatives, arias, and chorus numbers. Soloists, solo ensembles, choruses, dancing, dramatic action, costumes, staging are all components of opera. It was important because it added interest in dramas and music and it created interest is homophonic texture. Cantata was another important Baroque style. Cantata extended solo or choral work. It was created for Lutheran worship service. Cantatas include harmonized chorales, polyphonic choruses, arias, recitatives, solo ensembles, and instrumental accompaniment. Oratorio is dramatic work for chorus, solo voices, and orchestra. It is similar to cantata except it is longer and to a larger scale. Most were based on biblical texts to teach and entertain. Chamber music works for solo instruments performing together in small ensembles. Trio Sonatas were important chamber music pieces during the Baroque Period. Church sonatas would be performed in church. Chamber sonatas were meant for concert performance. Finally, orchestra varied in size and instrumentation. This style was favored by royalty and wealthy families. Most court orchestra were made up only bowed stringed instruments although woodwinds and others were gradually

Many musical scholars believe that J. S. Bach and G. F. Handel are the two most important, influential composers of the Baroque period. Both of these men were born in Germany in 1685, and since they came into existence around the same time, they share some similarities. As an introductory statement, Bach and Handel were born into two very different families. Handel did not come from a musical family; his father wanted him to study law. By age nine, his talent was too obvious for his father to ignore and Handel began to study with a local organist and composer. On the contrary, Bach came from a long line of musicians. Bach also had four sons which became gifted composers, in their own right. Bach, like Handel, also started as an organist

When Bach was in Arnstadt when he was younger, the organ ordinarily lacked a 16-foot register on the keyboard; consequently, it sounds an octave lower than the normal 8-foot register. Accordingly, in order to create the effect, Bach used octave doubling; consequently, he continued the resounding effect of the opening bars; conversely, there is no octave doubling in any of Bach’s later organ works; moreover, the fugue sounds furious with its uninterrupted series of fast notes. Also, Bach felt embarrassed about his crude style, and he put the work aside; consequently, Bach lost a lot of his other early organ work completely. Conversely, the Tocca and the Fugue has an unstructured form, and that means that keyboard players can let their imagination run wild; as a result, Johann Gottfried Walther described the Toccata as a long piece in which both hands alternate, sometimes accompanied by long pedal notes. For this reason, Bach connected the Toccata’s freedom to the stylus phantasticus; moreover, stylus phantasticus was popular in North Germany from the seventeenth century; in addition, people described this style of composition as “freed from all constraint”. Moreover, it’s remarkable that Bach paired the toccata with the prelude and the fugue because it’s subject to strict compositional rules; nevertheless, the fugue derives its thematic material from the preceding part.

George Frideric Handel is generally considered the second most important Baroque composer after Bach. Unlike Bach's nearly complete focus on church music in Germany, Handel more openly embraced the French, Italian, and English secular music. Also unlike Bach, Handel did not come from a long line of musicians. When he was born on February 23, 1685, Handel's family had no idea that he would rise to a legendary status in music. Handel's father began to see his son's desire to compose at an early age and violently objected. His mother was responsible for nurturing and continuing his musical education. At the age of seven, Handel was asked to give an organ recital for the Duke of Sachse-Weissenfels. The Duke was very impressed and awarded the family with a generous amount of money. This event persuaded his father to allow Handel to pursue his musical career. When his father died in1697, Handel was freed from his father's will. He studied with numerous organists and gained minor fame.

This piece is based upon the scriptural text from the King James Bible it was first performed in Dublin in 1742; Handel makes use of the renaissance technique of word painting and multi-part polyphony. It uses fascinating word painting and is repeated throughout the piece. This piece comes from the oratorio called Messiah; it is the third piece of Messiah. It is the combination of homophony and polyphony with the addition of two trumpets. There are also two oboes, two violins, a viola, and a basso continuo. The use of basso continuo (instrumental accompaniment) requires a chordal instrument and a thoroughbass.

Oratorios were performed in prayer halls, which was a sacred setting similar to the cantata. Oratorios were recitative and contained de capo arias and chorus, like the Italian opera. It was sung drama performed without staging or costumes. “The catholic church saw the power of operas and was quick to take on operas for sacred subjects, such as the lives of saints. However, the church also condemned operas for its power to seduce and dazzle, banning the performance of opera during Advent and Lent.”3 George Handel, an opera composer also composed Messiah, which was one of the best-known oratorios. Another important composer of this genre was Giacomo Carissimi, who wrote many early

Handel and Bach are considered two of the greatest composers of all time. However, when comparing the output of these two musicians, the diversity manifest in music in the era when they wrote immediately becomes apparent. Handel, although he used religious subject matter, is usually characterized as fundamentally a 'secular' composer. He composed for the concert hall, not the church, and primarily as a result of royal commissions. His music is strident, powerful, and large in scope. It is designed to entertain, rather than to spur contemplation (The pure power of Handel's 'Hallelujah Chorus', NPR, 2008). Bach, in contrast, often created music designed to be performed in sacred spaces. His music is more fluid and nuanced in style and designed more to spur contemplation and devotion rather than excite people's interest as a piece of entertainment.

As stated by Burkholder, Grout and Palisca, Weber’s Der Freischutz’s “rustic choruses, marches, dances and airs”; multisectional aria form (influence from Rossini) and florid vocal lines were all common characteristics of the Italian Opera. Meanwhile in Verdi’s Otello, Wagnerian influence could be seen. Verdi used melodic motives to show the characters’ emotions. In Act 4 scene 3, the orchestra was used to heighten the dramatic moment instead of the voice, which was a breakthrough in the history of Italian Opera. It is apparent that both Italians and Germans knew how to blend the musical elements and text well to demonstrate the Romantic traits in their opera.

Orfeo ed Euridice by Gluck, was written in 1762 and The Marriage of Figaro by Mozart was written in 1786. It is interesting to analyse the changes and developments from opera seria to these two examples.

Georg Friedrich Händel, a Baroque composer, born in Halle ‘an-die-Saale’, Germany on February 23, 1685 primarily performed as a keyboardist and had begun to compose music as a juvenile (Cudworth 7). At the age of 19, Händel’s initial opera Almira premiered in January of 1705 in Hamburg, Germany. Soon after the completion of the aforementioned work, he would voyage to Florence, Italy (upon the invitation extended to him by Prince Ferdinand de’ Medici) to master the Italic form (Cudworth 12). Moreover, in 1709, Händel had constructed his first prodigious opera, Agrippina and premiered it during the Venetian celebration of Carnival. Consequently, after the debut of this piece he felt that he had learned vastly from his Italian mentors and friends

Haydn began music at a young age, singing with the choir of St. Stephen’s Cathedral in Vienna, Austria at only eight years old! He studied music and sang with the choir for many years before supporting himself through violin and keyboard. Haydn served as a teacher directly to Beethoven, but would also leave a musical impression on later composers Mendelssohn, Schubert, and Brahms. One of his more notable symphonies, “Surprise,” interrupted the relaxed style of most long, legato symphonies by intermingling startling fortissimos to awaken those audience members who were soothed by the quiet, piano sections. He wrote two oratorios: The Creation and Seasons, in addition to six masses, and several

The Baroque time period was a time of artistic style extravagant motion and clear, simply interpreted detail to produce drama, tension, excitement, and magnificence in sculpture, painting, architecture, literature, dance, theater, and music. Opera is an arrangement in which singers and musicians perform a dramatic work combining libretto (text) and musical score, typically in a theatrical setting. Opera came out of the baroque period of people wanting to make music that was more expressive. A group of people in Italy decided that a single line of melody with simple accompaniment would be much more expressive than words. This caused the creation of recitatives, which early operas consisted entirely of. This also caused arias, duets, and

George Frideric Handel was a German-born composer whose specialty included operas, instrumentals, and oratorios, who eventually found fame in England. Johann Sebastian Bach, like George Frideric Handel, was also born in Germany and was revered as one of the most famous composers who lived during his time. Both George Frideric Handel and Johann Sebastian Bach were considered to be among the great musical pioneers of the Baroque musical era and, according to the text, Enjoyment of Music, are considered to be two of the giants of the baroque style of musical composition. Both Handel’s Messiah and Bach’s Wachet Auf were compositions centered around events which relate to the New Testament of the Christian Bible. George Frideric Handel’s Messiah

I found it very interesting that Bach died in 1750 since I thought he died much more recently then that. I also didn’t know he wrote church music and that he was very religious. I also never heard of a fugue and found it interesting that it was a polyphonic composition about one subject and I also found it fascinating that each of its four voices starts off higher and then progressively gets lower. I also never heard of George Frideric Handel prior to this class. I found it very intriguing that at twenty-one years old he wrote widely acclaimed operas and that he was Queen Anne favorite composer. I also did not know what an oratorio was and found it interesting to learn that it is a large-scale composition of vocal soloists, chorus and an orchestra.

Two of the greatest Baroque Era composers that still influence music to this day with their compositions are Johan Sebastian Bach and George Fredrick Handel. The influence of Bach and Handel’s music is found in mainstream media throughout the world. Their compositions are still played in modern times by tribute bands, television commercials, operas, concerts and even sound therapies by relaxation therapists. It is evident that their music has touched the lives of many people throughout the centuries. Bach and Handel both have unique styles of music. Even though they are similar in some ways, they are rather different in other ways.