Difference Between Standard English And Creole

A large inaccuracy in the film was the depiction of the Algonqians’ language. In Black Robe, the act of learning the native language of the Algonquians’ is portrayed as a commonality to many of the French. In reality, the native language was extensive and had extremely complicated vocabularies, with many variations, especially among the various tribes.

Eden Robinson’s Monkey Beach incorporates words and phrases from the Haisla language in an effort to reflect the protagonist’s culture while also satiating the cultural curiosity of a non-indigenous audience. The incorporation of Haisla is one of the mechanics of the Glorious Northern Gothic novel, as it provides a reformation of traditional Gothic conventions through an Indigenous lens. The Haisla language is presented through the protagonist’s narration and is usually introduced in an instructional tone or story. Italics mark most of the language in the text; however in some instances the words are not italicized or are only implied. It is through this process of marking that the use of Haisla language moves beyond a mode of integrating the protagonist’s culture into the story and provides a critique on Non-Indigenous Canadians’ appetite for Indigenous stories: what language the text contains and what language is omitted defines what parts of the culture Non-Indigenous Canadians have already consumed or are permitted to consume.

A writer's craft of the English language, is like a spiders web, beautiful and unique. It is necessary so the story can be woven in to create a masterpiece. The author can change the story entirely by changing the way the narrator speaks. In “The Cask of Amontillado”, “The Scarlet Ibis”, and “The Lady, or the Tiger”, each craft of language provides a vivid background for the story to unfold. The way each writer provides certain vocabulary, and way of speaking enhances the reader's experience by giving the reader a chance to guess the time period. Readers also guess the area the story is taking place by using their knowledge that different regions in countries have different slang. The way the narrator speaks and which vocabulary they use creates

Amy Tan’s essay, “Mother Tongue” and Leslie Marmon Silko’s essay, Language and Literature from a Pueblo Indian Perspective”, share similarities and differences. In both pieces of writing they explain the challenges that language has had on their lives but distinct views of how society perceives language.

Conversely, some writers have a rare style of writing that the reader may find it difficult to understand the premise of the writer (Kim,166). For example, Cha starts the book on an unpromising note that can repel a reader especially when they find it uninteresting. For example, the use of foreign languages in a single setting can only attract multilingual people since they can comprehend the information that the author wants to pass. In this context, the author uses French language in a form of writing that can be understood as dictation (Cha, 1). In some instances, she mentions groans and bared noises that can be equated to a character speaking. Evidently, the author spells out Inverted commas and full stops and provides translation to English subsequently. At some point, there is direct translation or mistranslation in distinct paragraphs, and this is of assistance to the reader as they can recollect the information to grasp the

The mother and daughter in the story live in a West Indian town and the author makes many connections to the culture, like talking about singing benna, which is a carnival style song and dance, or referencing two traditional Antiguan dishes (229). The story is written as if the mother was trying to pass of life

Frye begins by exploring the relation of language and literature. “What is the relation of English as the mother tongue to English as a literature?” he asks (p. 16), and before he can give an answer, he has to explain why people use words. He identifies three different uses of language, which he also terms types or levels of language.

In Grenada, Avey Johnson is surrounded by the out-islanders heading to the yearly pilgrimage of the Carriacou Excursion. For those that take notice of her thinks that she is a part of the crowd as themselves making their way on their journey. Avey Johnson looks for a way to escape, she feels at a lost of the unknown, although there is a familiarity to it. “Patois she had heard for the first time in Martinique three days ago. She had heard it that first time and it had fleetingly called to mind the way people spoke in Tatem long ago. There had been the same vivid, slightly atonal music underscoring the words. She had heard it and that night from out of nowhere her great-aunt had stood waiting in her sleep.” (p 67) Even a language that she has not heard but once brings up a familiar memory from her Tatem past. This shows that although

This dialect, Tan says, became their "language of intimacy, a different sort of English that relates to family talk, the language [she] grew up with" (Tan 589). This type of language creates an identity for Tan, one which she was ashamed of growing up. This feeling of shame later backfired as an adult in her fiction writing. She wrote to prove she had "mastery over the English language" with large words, unheard of to the common ear, and sentences she thought were "wittily crafted." But as Tan matured, she realized she should envision an audience for her stories; this audience was her mother. She began to write stories using "all the Englishes" she grew up with. As she found out, this change of her own conception of language enriched her writing and added to her ethos. After all, her mother’s language, as she heard it, was "vivid, direct, full of observation and imagery." "That was the language that had helped shaper the way [she] saw things, expressed things, made sense of the world" (Tan 590). Her "mother tongue" is her identity as a writer, and she learned that someone’s English does not reflect the quality of what he/she has to say.

All parties seem to be agreed on one point, that the dialects commonly spoken among the natives of this part of India contain neither literary or scientific information, and are, moreover so poor and rude that, until they are enriched from some other quarter, it will not be easy to translate any valuable work into them…

Key features of language include its words and their sub structures such as morphemes, graphemes and syllables at the writing level as well as reading or speaking, words, their meanings and contexts in which the words get spoken or read. Language has to be interpreted as a whole, and not just as the specific word. There must be an explicit pattern or structure. In order for language to be understood correctly, the meaning of words must be arranged in a given context. This is what constructs language; even though words are arbitrary themselves, in order to integrate as a language, they must be used in the appropriate context. This pre-established cultural context is what will enable effective communication. (Daniel Willingham, 2007, p. 1).

Throughout twenty-centuries ago, writers thought that ordinary language and literary language were two different languages. But this is an analytical assumption. There is only one language, which

This essay analyses the role of the language in colonized land by English empire. More in specific, how the colonial and post-colonial poems dealing with this powerful tool which is ‘language’. I will take in consideration Derek Wolcott. Drawing thought two of his poems, I am going to point out the way he uses ‘language’,

Language is a system of communication which consists of a set of sounds and written symbols which are used by the people of a particular country or region for talking or writing. It is considered as an art because when used it able to help a person develop or create a certain picture in the mind. Language being an artifact of culture means that it is an interesting thing that is created by the people. It is an aspect of their way of life of the people. It also helps in development of the people as writers and intellects. As a culture it is a people’s way of life and therefore the impact it has to human beings cannot be under looked.