Differences Between Bach And Vivaldi

Bach’s pieces “combine profound expression with clever musico-mathematical feats, such as fugues and canons in which the same melody is played against itself in various ways.” There are multiple symbols throughout Bach’s Passacaglia and Fugue in c minor. The two major symbols instituted in the work are the themes of the passacaglia and the fugue. The passacaglia is represented in the first three sections of the piece, while the fugue is present in the last two sections.

Historically in Bach’s day, toccatas often served as introductions Fugues, setting the stage for the complex and intricate composition to follow. “Fugue” can be described as a technique characterized by the overlapping repetition of a principal theme in different melodic lines (counterpoint) and hence the second part of Bach’s composition reflects the particular popularity of this form. Bach made much use of the fugue in his compositions in solo organ pieces as in this particular fugue, with its accompanying toccata, is his best known

The Toccata and Fugue in D minor is a two-part harmonious oeuvre for the organ, Bach composed the composition before 1708, and people recall it because of its magnificent sound, phenomenal authority, and stimulating rhythm. Moreover, the Fugue’s passage is a copy of a phrase in one of Johann Pachelbel’s D minor fantasias; ordinarily, the formation of fugues on other composers’ themes was conventional. Breitkopf and Hartel issued the piece in late 1833; Felix Mendelssohn devised and partly prepared the piece; moreover, he performed it on August 6, 1840, in Leipzig. The performance affected Franz Liszt so much that he decided to add the piece into his organ repertoire in the 19th

Both Vivaldi and Bach were incredibly talented, and both have a distinct sound that is fairly simple to notice. If a teacher were to play one of Vivaldi’s works that had never been heard before, and a work of Bach that had never been heard before, the students could probably tell immediately the composer of each one. Why would it be so easy o tell? Vivaldi had a habit of being more melodic, and focused on shifting rhythms. His main works were concertos, a few choral works, some operas, and a few sonatas. While Bach wrote in a massive amount of genre, his work focuses strongly on counterpoint and polyphony. Bach and Vivaldi composed their music in different styles because of their influences. Some of their work will be discussed so the

The second concert I attended was performed by the Richardson Symphony Orchestra. The orchestra performed “Passacaglia and Fugue in C minor, BWV 582” by Bach, which is part of the Baroque era. The string instruments of the orchestra performed with the hair of the bow, in other words, arco (7). By using lots of motion or most commonly known as mosso (8), the orchestra increased the tension of the piece. The orchestra played at a pretty fast tempo (9), probably allegro. The piece had a distinct part where the harp played. The ensemble was large, in order to attain the full sound of the piece. The instruments played in the orchestra did not comply with the typical orchestras of the Baroque era because it did not have a distinct part where were the main instruments were the piano and the bass, or more commonly known as basso continuo (10).

The Baroque Era started in 1600 and lasted till 1750. Some of the famous composers from the Baroque Era include Monteverdi, Vivaldi, Handel, and JS Bach. Music in Baroque society became amusement for aristocrats, modern orchestra began to evolve, and the idea of opera are beginning to develop. In many Baroque pieces the use of a Basso Continuo, which is played by two instruments typically a keyboard and a member of the strings family was found in many pieces during this time. The Baroque period can be characterized with clear and distinct meter, repeated rhythmic patterns, homophonic texture, and terraced dynamics. The Baroque is also classified by its distinct genres including Fugue, Solo Concerto, and Cantata. The Ritornello form being introduced had an impact on Baroque music because it is outlined using harmonic progressions, key modulations, and motives from the main theme in order to give character to a piece.

Music of the baroque period was considered very complex and similar to the other forms of art of this time. Additional brass, woodwind and string instruments had been created to add additional depth to the works of this time. Composers of this time attempted to give voices to their works and invoke emotions. The works were created to tell a story.

The fugue is often regarded as a genre defined by strict procedural guidelines. It is notable that three historically important composers, Johann Sebastian Bach (1685-1750), Georg Friedrich Handel (1685-1759), and Wolfgang Amadeus Mozart (1756-1791), all employed a closely related fugue subject in three different works. An analysis of each of these works individually, and a comparison of these works collectively reveal numerous latent and salient features, and a reflection of the composers’ style within these works. Analyses also provide an outlook into the fluidity in certain aspects and rigidity in others of the form itself, reflected historically. The three composers analyzed fall closely together in history. J.S. Bach and G.F. Handel were contemporaries, whereas Mozart was born six years after Bach’s death and three years before Handel’s death. Analytically, the angularity of these similar fugue subjects presupposes a treatment regardless of the composer. Because of the shared intervallic content among the subjects of these fugues, despite being written by several different composers, a surprising number of similarities arise. Therefore, it is reasonable to assert that compositional choices made in the construction of the fugue subjects limit the number of results possible.

He was of significance to his pupils and contempory musical connoisseurs in a way that set the foundation for the rest of Western Art music to follow. For many Bach is like coming home, in fact, “…in old Bach there is always something astonishing, and, what is the main thing, there is always something to be learned from

Bach's "Organ Fugue G Minor" manages to sound both melancholy and lively at the same time. Although the texture of the piece is clearly Baroque in its construction, it has emotional depth that anticipates the Romantic period. The fugue is tuneful, partially because of its inventive repetition and expressive use of contrast. As in all fugues, one melody seems to repeat the other, in a kind of a musical dance. But the different voices are multifaceted and complex. The full range of the organ is represented and the textures of the music are complex.

•In the late Baroque, polyphony, as a result of counterpoint, was used in all sorts of compositions, especially the fugue.

The court orchestra consisted of twenty-two players. Bach’s function was mainly a violinist, however he also played harpsichord. Bach, on occasion, wrote some of the music that was played. During this period he wrote strictly for the organ, and he was rapidly becoming known throughout the country. As time went on, people were coming to see him far and wide.

Music during the Baroque era was regarded as a powerful form of communication that could invoke any emotion in the audience members. This philosophical belief was derived from a revival of the ideas of the Greco-Roman culture. As a result of these ideas, composers believed that they could also affect their listeners through the power of melody, harmony, rhythm, and stylistic details. The emphasis on communication was reflected in the major styles and components that were used throughout Baroque compositions. Baroque music is characterized by the composers’ attention to detail, such as contrast in dynamics, ornamentation, and the emphasis on bass line. These characteristics of the Baroque era of music are reflected in Antonio Vivaldi’s compositions. Known as one of the most popular pieces in Baroque repertoire, Vivaldi’s The Four Seasons reveals how composers of the Baroque period used different techniques, such as ritornello and contrast, to invoke emotion through the powerful communication of music. The Four Seasons perfectly represents the Baroque period because of Vivaldi 's style, techniques, and theme.

Baroque music is characterized through contrasts as dramatic elements, monody and the advent of the basso continuo, and different instrumental sounds. Contrast is an essential feature in the production of baroque arrangements. The alternations between bold and flamboyant and soft, solo and ensemble, different instruments and timbres all constitute a key portion in various baroque compositions. Composers similarly created more precise instrumental arrangements regularly stipulating the instruments on a musical piece that ought to be executed instead of allowing the performing musician to select.

The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.