Differences Between Haydn And Mozart

The emphasis on individualism and passionate expression of the self during the late 18th and early 19th century is also exemplified in the musical realm through the revolutionary work of one of the most highly influential musicians, Wolfgang Amadeus Mozart. At the time of Mozart’s birth, the most popular and conventional music was created in the style of the Renaissance and Baroque periods. After the discovery of Mozart’s prodigal musical genius and honing his skill through several positions of employment, Mozart began to realize his individualism as a gifted artist. Mozart became aware of his potential for greatness and used his gift not to conform to the style of music at the time, but to use his music as a form of passionate self-expression. Mozart would not let anything extinguish his passion and freedom to create, even if it caused him great financial struggle throughout most of adulthood. The musical pieces Mozart created differed from that the music of the time in the sense that his work was highly driven by passion and emotion. Rather than focusing solely on the structure and the elaborateness of the

As noted by Robert Hughes, "Beethoven was not only the embodiment of all that was before him, but also of that which was yet to come" (Hughes 486). The truth of this may be seen by comparing Beethoven's 5th Symphony in C Minor to Haydn, the father of Symphony, and his 95th in C Minor. While Haydn's symphony is both playful and dramatic, Beethoven's symphony is grander both in terms of scale and vision. He expands the size of the orchestra to incorporate the sounds swirling around, underlying, and depicting the arrival of Fate in a rhythm-driven, thematic symphony that takes Haydn's form and runs with it as though to the top of a mountain peak. This paper will analyze the symphonies by movement, according to form, size, structure, tonalities, melodies, orchestral sound and overall mood and effect.

Wolfgang Amadeus Mozart had endless ideas for writing piano sonatas and like his other works, his sonata style has evolved dramatically over the years. His early works have been constantly compared with other well-known composers at the time. For example, it has been suggested that Haydn’s F Major Sonata, Hob. XVI: 23 as a model for Mozart’s K. 280 in the same key.

Composing works derived from styles already in existence, he created an extremely unique and unprecedented genre of works. Thus Mozart became a trailblazer of the classical age. Music from this period consists largely of a lighter and clearer texture than the preceding Baroque music and is less intricate. One trademark especially evident in Mozart’s contribution to the classical period is the use of homophony. Examples of the homophonic effect are displayed in his piano concerto No. 23 and sonata No 16 in C. In these, the distinct pattern of an indubitable melody can be distinctly and easily recognized above the adjunct chordal accompaniment. Although Mozart contributed primarily to the growth of the classical era, he was also influenced by the works of Handel and Bach. Both were prominent composers of the baroque era. In some of his later works, Mozart indulged more in the incorporation of the previous baroque

PDQ Bach - Beethoven Symphony No. 5 I was able to hear his use of themes. My overall impression was that it was hilarious and educating at the same time. At first I was a bit confused on why I was listening to this, but then I heard it all and it made sense. Also, we normally do not listen to these songs, but it was more entertaining because it made me laugh. The keys used in this theme was still in C minor. How it relates to the works of Mozart is they both use the same instruments in the theme such as the winds family.

Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and

     Wolfgang Amadeus Mozart’s style unlike anyone else. Mozart was a master of counterpoint, fugue, and the other traditional compositional points of his day. He is also considered the best melody writer the world has ever known. Wolfgang perfected the grand forms of symphony, opera string quartet, and concerto made the classical period. “Mozart’s music is characterized by lucid ease and distinction of style....”2 Wolfgang wrote over 600 works which consisted of 21 stage and opera works, 15 masses, over 50 symphonies, 25 piano concertos, 12 violin concertos,27 concert arias, 17 piano sonatas, 26 string quartets, and many more. His operas range from comic baubles to tragic pieces. In his Requiem it illustrates the supreme vocal sounds in any of his work.

Music has become such an important part of people’s lives today. One cannot walk down the street without seeing earbuds in a person’s ears or hearing the bass to a radio in someone’s car. But how did music become such an important and constant part of the lives of so many? What do artists have to go through to reach their audience? At the beginning of musical development from the medieval Georgian chant to the arias of Mozart and fugues of Beethoven, people could only listen to music in a live setting. This is how most performers would make their money. According

He raced to finish it but in the end only completed a few movements and a sketchy outline of the rest of the piece. He died probably from poor health when he was just thirty five years old. The Requiem was completed by one of Mozart's pupils, Sussmayr.Mozart was apolitical. He was very classical. He appreciated Bach and had a large output: 49 symphonies and 18 operas.

When he returned to the piece in 1791, Mozart decided to change the key and the instrumentation of the piece. The key was changed from G major to A major and the instrument of choice was the basset clarinet in A. Stadler designed the basset clarinet. Compared to the current clarinet, the basset clarinet had a range that was 2 whole tones lower than a normal clarinet. Francoeur’s Diapason general gives tonal qualities of various clarinets and describes the G clarinet’s sound as “sweet, sad, and lugubrious” (Lawson, pg. 29). When describing the tonal quality of the A clarinet, it I said to have “a very sweet sound, [that it] much less somber than the G and with a great range” (Lawson, pg.

"Wolfgang Amadeus Mozart Symphony No. 40 in G Minor, K. 550." All Music. All Media Network, LLC, 2015. Web. 23 Nov. 2015.

Even though the two pieces were composed in different centuries – Mozart’s piece in the 18th century and Strauss’ piece in the 20th century – some of the musical elements that they share transcend both time periods. The characteristics of music in the classical period had to do with the new view of human psychology. Mozart was one to introduce contrasting moods within movements or even within a theme. He was able to infuse strong contrasts of moods within the style of his music (Burkholder, Grout, & Palisca 475). In Figaro, Mozart includes an overture which is a piece in sonata form despite its lack of a development section. In Act I cavatina, “Se vuol ballare”, Mozart whimsically makes changes to the character of his music so as to correspond to Figaro’s machinations (Hambrik n.p). By doing so, he musically

Joseph Haydn was born in a small Austrian town named Rohrau. His mother was Maria Koller a cook, and his father was Mathias Haydn who was a step under the village mayor in Rohrau. His Parents were hard working people his father would be the one who did have interests similar to his Mathias enjoyed performing folk music. Haydn would also discuss memories of his family singing and being very musically inclined with one another. He was very shart and extremely talented in the Musical Arts and his parents would notice and knew he needed a change of scenery to help him attain a better career in the art. Haydn's parents would send him with

As the exposition begins the piece starts in C major. In the primary theme, there is a triplet motive that is automatically established. In addition, the dotted rhythm of m. 3 is also motivic and used through the entire movement. Mozart uses very contrasting dynamics in the first couple of measures. The piece opens at forte, but then dies down to piano in m. 3 only to return to forte in m. 5. Mozart also uses silence at the beginning of the movement to emphasize how highly articulated the movement is. As the primary theme continues to be established m.9 introduces a march like quality to stress the

Several of his twenty-two operas gained worldwide recognition soon after his death, and they still please audiences all over the world. The Marriage of Figaro (1786) and Don Giovanni (1787) are operas he composed with words in Italian. The Magic Flute (1791) has German words. Each of these contains arias (beautiful melodies for singers), recitative (Rapidly sung dialogue), ensembles in which several people sing at the same time, and choruses. The orchestra provides an ever-changing expressive accompaniment. The drama ranges from comedy to tragedy. Mozart wrote over forty symphonies, many of which are performed today. Some originally were overtures (orchestral introductions) for operas, and last only a few minutes. His later symphonies, which are the most popular, are full-length orchestral compositions that last twenty to thirty minutes. Most of them consist of four sections. Mozart’s last and most famous symphony, Number 41 (1788), is nicknamed the Jupiter.