Differences Between Horror Movies And The Babadook

Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.

The 1992 movie adaptation of Dracula is quite loyal to the book. However it made quite an exaggeration in Dracula and Mina’s connection. Also there are fabricated parts in the movie, particularly the way it begins having the origin of Vlad the impaler that is not technically found in Stoker’s writing. Character of Dracula is not that scary as it was in the book than being projected visually in the screen. Perhaps to have a more impact in viewers’ emotions. Some scenes were also fractured in the movie, for instance is Mina’s and Lucy’s stay in Whitby which never occurred in the book. Even so, the film had interpreted the book well and it although some scenes were fractured, it did not depart much

Creepy settings, monsters, victims, murders, weapons,eerie vibes, and creepy music are what define the horror movie genre. Two films that belong to this category are Frankenstein directed by James Whale 1931 and Psycho directed by Alfred Hitchcock 1960. They both properly represent the horror genre because they follow it’s characteristics. These two movies compare and contrast in their settings, characters, plot, iconography, mood, and cinematic style.

Horror is the genre that keeps the reader on their toes for nights upon end. It keeps them thinking. Thinking about how cruel and disturbing someone, or something, could possibly be. Thinking about what in the world happens to a character after the story drops off in a cliffhanger. Thinking about the probability that the events in the narrative could transpire in real life. Thinking about how likely it is for those things to happen to the reader. Refusing to look out their window in fear of seeing the glimpse of a murderous face, and listening to every sound with acute accuracy, praying that the noise is not one of a stranger creeping up the stairs. Scary accounts make the reader live in fear whenever the

Although the violence in both films is quite obvious as the films progress, both film’s psychological horror is present in the early stages of the films, this form of horror is essential to both films in gaining the audiences attention and developing their own horror. This is portrayed effectively by the use of bland, uninteresting isolated settings. This isolation establishes the tense atmosphere of the films, and the everyday settings of a small village and a block of flats gives a sense of reality to the horror. This creates a relationship between the audience and the setting of the horror, and this is developed to create some effective jolts as both films progress. Characterisation can be used to isolate the audience from the horror, or develop a relationship with it, depending on how the characters are established.

Since it’s infancy at the beginning of the eighteenth century, horror has followed certain conventions that results in an awakening of the senses, evoking intense emotions of fear and terror in the audience. Horror feeds off triggering the primal fears embedded within all of humankind, creating a sense of menace that is the very substance of this genre. Furthermore, the central menace of a piece tends to enlighten the human mind to the world of the paranormal and the enigmatic, dark side of the unknown. The movie “Psycho” directed by Alfred Hitchcock is a perfect example. Infamous for its shower scene, but immortal for its contribution to the horror genre, “Psycho” was filmed with great tact, grace and art in regards to horror conventions.

Me being a total horror movie fanatic and with the remake craze taking the horror genre by storm, we all compare the remake to the original while we’re watching it. One of the most classic horror films of all time, Nightmare on Elm Street, was originally made in 1984 and later got remade in 2010 after a slew of sequels. When Nightmare on Elm Street got a remake, everyone at that time had split decisions about the new movie. Me personally, I am not a big fan of remakes, but since I am such a fan of scary movies, I went in with an open mind and actually liked it a lot. I have seen this movie hundreds of time since the movie came out and my sentiments

Williams Trowbridge begins his poem with a poetic perspective regarding three exclusive films: Frankenstein, King Kong, and Shane. According to Trowbridge, King Kong, and Frankenstein are portrayed as the two ugly looking monsters who are actually fragile inside, and Jack Palance from Shane as the normal quiet guy who is full of evil However, this poem overall message is not about how looks can be deceiving, in fact, this poem theme is about how humans come to nothing when trying to understand nature. In the novel, the heart of Frankenstein, Victor, led the results of his desire of being a god-like gets out of control. First, his attempt to go beyond nature’s limit fails, but also he led nature influence his mood, which at the end resulted with a total catastrophe.

The comparison of the two films is pertinent to understanding the shared audio-visual elements and the horror tactics, yet it also emphasizes how The Babadook differs not only from the films dealing with mental illness but also from the films in the postmodern horror genre. The two films share common elements of the postmodern horror with gothic elements. The setting of a large, mainly empty house, the focus on the mother-child relationship, and the play on disgust are reflected in the visual elements of lighting, framing, and dominating colors and the thematic motifs of the precocious child, the imaginary friend, and the possessed woman.

A girl runs frantically through the woods trying to escape an axe wielding villain. The defenseless victim suddenly trips and collapses to the ground. The villain laughs wickedly as he lifts the axe above his head. The girl releases a final scream as the weapon quickly ends her life, causing the audience to go silent as they watch the villain drag away the lifeless body. Death, blood, guts, suspense, screaming, and terror are all just a few things to expect when watching a modern day horror film. What is horror? Horror can be defined as an intense feeling of fear, shock, or disgust. (Wilson) The description of horror is not very pleasant, but for some reason horror films are extremely popular. Why is this so? People are addicted to the

The Babadook is a haunting film filled with twists and turns that leave the audience terrified without ever utilizing a single cliché jump-scare. The audience is constantly in a state of dread and fear along with the protagonist. One of the final scenes in the movie shows the protagonist walking into her basement to feed the monster that she keeps down there. The scene is a unique ending that is not commonly seen in horror films. It revolves around implicit meaning and the interesting point-of-view editing. Without the implicit meaning of the film and the point-of-view editing in this scene, the emotional impact of the film would have been much weaker.

Dracula was an outstanding book to read. At first, in the beginning of the book I wasn’t a huge fan of the book, but once the book got a little more exciting and eventful I started to get really interested. The book starts off slow with Jonathan traveling to Dracula's castle. I think Stoker drug out Jonathan traveling to the castle because it seemed like it took him a million years to get there. Once Jonathan got to the castle a bunch of different events started to happen. When one chapter ended I would want to keep reading on because I wanted to know what was going to happen next. The author did a great job at describing things and the people in the book. The book had a lot of different surprises throughout the story. I wasn’t expecting

These days scary movies have many things in common, including events, settings, and characters. Of course, there are just as many differences used to keep the audience interested. Two horror movies “Let the right one in” and “twilight” are taken for comparison and tried to prove that “Let the right one in” has more depth and meaning of human spirit, invokes feelings and thoughts that stay with you, long after the movie is over. These two movies have many similarities, but they also have characteristics to make them unique. Both movies are based on superficial acts, but “Let the right one in” has much better effects as compared to Twilight. “Let the right one in” is life changing in composition to “Twilight” because it shows remarkable acting

Horror is designed to scare, cause alarm and dread, while also entertaining the audience at the same time in a cathartic experience (Dirk, 2016). Horror films are meant for a specific type of audience that enjoy scary films. Dirks (Tim, 2016) approach to genre horror, is that films went back as 100 years ago, from the earliest days our vivid imagination in seeing ghosts in the shadows to be connected emotionally of the unknown, and fear things that are improbable. You watch a horror film, it makes you aware of the scary surroundings, the essence of fear itself, without actually being in any sorts of danger. Dirks argues that there is a fun and thrill factor in being frightened, or watching something disturbing. It gives you that feeling of an adrenaline rush, as well as having that feeling someone is actually next to you lurking in the dark (Dirk, 2016).

Calling The Babadook “true horror” is subjective; though to a certain extent true. It utilizes an extensive list of terrifying tropes, whilst also shaping them into images that are fresh. A key aspect of the movie is the attention to color and its effect on the viewer. With a grey tone to the colors, the movie makes use of an atmospheric suffusion of solemnity. Subsequently, The Babadook removes the “pure” or “light” from objects and people alike, resulting in the “dark side” pervading most scenes. An illustration of this is a children’s book Amelia reads to her son; the shadows are deeper and darker when paired next to the muted palette. By taking the color and, by extension, even the life out of the movie as a whole, the audience is left with decayed mise-en-scene. What remains is the grim “evil” of the world. With regard to the assertion that film creates true horror, the cinematographic choice too mute the tone of the entire production is the foundation causing the intrinsic anxiety. For that reason, it can be argued The Babadook creates “true horror.”