In Andy Fickman’s adaptation of She’s the Man and Shakespeare's Twelfth Night there are a lot of not only similarities but many differences. The main character have the same names and are both in a similar love triangle. In the movie She's the Man and the play Twelfth Night both Viola and Cesario play men and change their characteristics to fool others into believing they are men. There are a lot of names from the play that are taken and in some way mentioned in the movie, These names are: Malvolio(Malcolm's tarantula), Feste( Malcolm's last name), Valentine( Monique's last name), Maria( Olivas friend), Antonio(Paul's last name), Andrew and Toby( Dukes soccer buddies). In She’s the Man Viola decides she wants to disguise as her brother and
The movie She’s the Man is similar to Shakespeare’s play The Twelfth Night because they both share themes focusing on gender equality, identity, and relationships.
Another way that they are very similar is that in twelfth night sebastian goes out to sea and people believe that viola is dead and is never coming back. In shes the man sebastin tells his parents
She’s the Man is an adaptation of Shakespeare’s Twelfth Night.and has some common lessons we could use today. Like gender equality, misused identity, and relationship issues. Stuff like these are really good lessons we could use today.
In the She’s The Man (2006), Viola Hastings (Amanda Bynes) cross dresses for the majority of the film, pretending to be her twin brother Sebastian. She does this in order to play for Illyria’s men’s soccer team as her school, Cornwall, cut the women’s soccer team and wouldn’t allow her to play for the men’s team. Her main motivation is to beat her former schools team and prove to them that even though she is a girl, she can play on the same field as the boys. While pretending to be Sebastian, Viola initially struggles to hide her femininity, such as when it is discovered that she has tampons in her bag. As the movie progresses her ability to hide this femininity and express masculinity becomes easier. Her cross dressing has an effect on everything and everyone around her and it pushes the line on the comfort people feel when stereotypical gender norms are challenged/ She becomes interested in her roommate, Duke (Channing Tatum) and throughout the movie the two become closer on an intimate level even though Viola is still masked as Sebastian. Duke is obviously uncomfortable with this as made evident by the end of the movie, when it is revealed that Viola was pretending to be Sebastian the entire time. His look of relief reinforces this idea of stereotypical, heterosexual gender roles, as now that Viola is revealed as a female, it is socially acceptable to be attracted to her. She’s The Man reinforces the stereotypical gender roles that society expects out of
Viola’s characters in the film shows the most power as she repeatedly switches from female to male and represents herself different ways. The film shows that being a female you can’t join the men’s soccer team no matter how good you are, which takes away Viola’s power to be able to play soccer. As Viola disguises as her brother she struggles with the social and soccer life because she is always having to prove her manliness, in order to fit in and receive respect from the other males. When she finally proved how manly she was through a series of tough actions, she then gets accepted and makes first string for soccer.
A major similarity between She’s the Man and The Twelfth Night is the love triangle that
Can a play written in the 1600s be turned into a modern film, yet still share important similarities? Twelfth Night is a play written by William Shakespeare in which a female, Viola, conceals her identity and pretends to be a male, Cesario. A modern adaptation of the play is the film She's the Man in which Viola, a soccer player, disguises herself as her brother Sebastian. In the play, Viola disguises herself as Cesario in order to have a place to work and for protection as it was not acceptable to be a female traveling alone at the time. On the other hand, in the film Viola feigns that she is Sebastian in order to play soccer for the boy's team at Illyria since the Cornwall girl's soccer team has been cut. She’s the Man is a suitable representation of Twelfth Night because in both the film and the play Viola has to overcome obstacles, and Malvolio or Malcolm are overconfident.
Viola contributes a great deal to the theme of Disguise versus Identity in Twelfth Night. Viola must bundle up her personal emotions which she has for
All throughout Illyria, there is romance, passion, royalty, and an immense amount of gender stereotypes. William Shakespeare imagines the kingdom of Illyria to have very traditional norms for both women and men in his play Twelfth Night. In Scene 2 of Act 1, Viola, recently rescued from a shipwreck, hears about a duke named Orsino and instantly comes up with a plan to get closer to him. Her plan is to disguise herself as a boy who she will name Cesario and become one of Orsino's’ attendants. Right off the bat, we begin to see gender stereotypes. Why must Viola become a man in order to work for the duke? Elizabethan society “molded women into the form of the dutiful wife and mother” (Elizabethan Women). Viola could not have served duke Orsino as a woman because as a woman she was expected to work at home and be either a “dutiful wife [or a] mother”. Scene two prepares the audience for the idea of gender throughout the rest of the play. Shakespeare's Twelfth Night is very traditional play due to its ideas of gender stereotypes in Elizabethan society.
William Shakespeare play Twelfth Night (What You Will) and the movie She’s the Man are two tricking stories that are related but told in different and amazing ways. The two are in a difficulty reading but have a sort of same meaning at the end. Because the show contrasting aspects of identity switch, they could be used interchangeably in the same play. The two accounts are given in two different ways; each way is amazing and interesting effective.
In Twelfth Night, the protagonist of the story, Viola, is displayed as a rational, sacrificial, sincere, strong, witty woman, who disguises herself as a man, to become a faithful attendant of Orsino. Viola is one with sacrificial and patient love, willingly loving Orsino, and attending to his every need. Orsino, on the other hand, is shown as an emotional man, who has superficial and transient love for Olivia. This love is very abruptly shifted to Viola at the end of the play, when Viola reveals her true identity. Through this contrast of these two individuals, we can see that Shakespeare makes a distinct different between genders, and allows to draw a contrast between characters to think deeper into their characters and purpose in the story, beyond their surface appearances.
Cross-dressing in ‘Twelfth Night’ makes Viola 's gender identity ambiguous, Viola is both a man and a woman, possessing both masculinity and femininity, therefore cross-dressing helps to break down renaissance gender stereotypes and eventually, the patriarchy. The 'original practice ' of ‘Twelfth Night’ was reconstructed in a 2012 globe production which replicated the way in which the play would 've been enacted in the Elizabethan era, by having an all-male cast. This added to the madness of the
A Twelfth Night was created hundreds of years ago but in 2006 a modern remake of this play was made. She’s the Man stars famous actors and actresses such as Amanda Bynes and Channing Tatum that play Duke Orsino and Viola. Olivia is also in the movie and is portrayed by Laura Ramsey. In the movie Olivia is very similar and still important in moving the plot. Duke Orsino is still shunned by her beauty and innocence while she does not feel the same. She wants Sebastian Hastings who is actually Viola. This movie has created an interesting, exciting, and enjoyable spin-off of the famous play by William
The instances of mistaken identity are related to many disguises in the play. Viola, who puts on male attire, begins to have everyone believe that she is a man. By
Two of Shakespeare’s works, The Merchant of Venice and Twelfth Night, both have a parallel plot structure which involves a woman disguising herself as a man in order to accomplish some goal. In the former, Portia disguises herself as a lawyer so as to enter the Duke’s court and help her husband’s friend, Antonio, avoid having a pound of his flesh cut off. In the latter, Viola disguises herself as Cesario so she can enter Duke Orsino’s court and work as a page. This parallel structure is further strengthened by the fact that in both plays, the woman in disguise has to perform some task that (during Shakespeare’s time) was usually performed by a man. Portia has to defend her husband’s friend, Antonio, in court, while Viola has to engage in a sword fight with Sir Andrew. Despite the many similarities, there is a subtle difference: Portia seems much more confident in her role as a man when compared to Viola. We see when Portia is effective and confident as a lawyer but Viola is reluctant to spar with Sir Andrew in a sword fight, and also when she is weary that the Fool has caught on to her disguise. This difference reflects the theme of challenging prejudice in The Merchant of Venice, and also reflect the theme of highlighting gender difference in Twelfth Night, which reveals a lot about both plays as a whole.