Differences Of Beethoven And Rossini

When we talk about Beethoven people often recall him as one that was great. When you think of Beethoven you can consider him a transitional composer and that is mainly because he is the crucial transitional figure linking the Classical and Romantic eras of musical history. Beethoven's innovation was the ability to briskly establish imperishability in bringing together different keys and unexpected notes to join them. Beethoven's music was correspondent to the agreement of the music in literature. Most of his music focused on life drama of one or more individuals through hard life circumstances. Beethoven’s role as a transitional composer between the classical and romantic periods took

As noted by Robert Hughes, "Beethoven was not only the embodiment of all that was before him, but also of that which was yet to come" (Hughes 486). The truth of this may be seen by comparing Beethoven's 5th Symphony in C Minor to Haydn, the father of Symphony, and his 95th in C Minor. While Haydn's symphony is both playful and dramatic, Beethoven's symphony is grander both in terms of scale and vision. He expands the size of the orchestra to incorporate the sounds swirling around, underlying, and depicting the arrival of Fate in a rhythm-driven, thematic symphony that takes Haydn's form and runs with it as though to the top of a mountain peak. This paper will analyze the symphonies by movement, according to form, size, structure, tonalities, melodies, orchestral sound and overall mood and effect.

The development of symphonic music during the Classical Period is greatly responsible for shaping today’s orchestral music landscape. Beethoven’s Fifth Symphony is often considered to be the cornerstone of the symphony genre evolution. While his grand gem is somewhat revolutionary and unique to a certain extent, such as ‘expanding the brass section in the final movement.’ [1] On the other hand Berlioz’s Symphonie Fantastique is filled with minor references to Beethoven’s Fifth Symphony

This article discusses the world’s need for classical music and why it will always be relevant. The author explores what makes certain things “art” and why certain other things are simply entertainment. He claims that classical music can never die because it is fundamentally different from many other types of popular music. It defines what makes art different from entertainment and answers the age old question of who gets to judge between them. In an age that dooms classical music to inevitable failure, this article offers a refreshing different perspective in a much more hopeful light.

Only a few composers in the history of time have ever successfully left their mark throughout our musical world we live in today. It’s been over two hundred years since the birth of Beethoven and his music still speaks to us today as he originally expressed and composed it. Ludwig Van Beethoven was born in the city of Bonn Germany on December 16th 1770 and has since been one of the most influential composers known to man. A common theme of early age learning and mastering seems to emerge in Beethoven’s life because while living in a musical family as a child, his father taught him how to play the piano, violin and in addition how to compose musical pieces since he was four years of age. A few short years later, he gave his first public piano performance at the age of seven. While Beethoven certainly gained a lot of knowledge from his peers, he also supported his family by giving music lessons and also by playing in the court orchestra. In the year 1792, Beethoven worked under an Austrian composer Franz Joseph Haydn and by the year 1800, his compositions established him as a strong Mozart successor.

Beethoven was most well known for his nine symphonies, while Wagner was best known for his operatic works. Beethoven was a heavy innovator of the symphony, most evident in the final movement of his ninth symphony with his incorporation of a full choir. Wagner was one of the first composers to completely drop the idea of tonality, which became very popular during the advent of twentieth century music. Wagner also created the Leitmotif, which is used heavily in the scoring of movies. Also, while both were German born composers, Wagner was heavily nationalistic to the point of denouncing the musical works of those without german heritage, and being anti-semetic.

One myth about Beethoven involves the rumors around his deafness. It is true that by the time he finished his last symphony he was deaf, but he had a lifetime of writing music to develop the skills necessary to write, even when he could no longer hear. Beethoven began losing his hearing in 1801. Musical Style Beethoven was one of the greatest composers of the Classical period. His music overlaps two time periods, as he helped to define and expand the Classical period into the Romantic period.

Ludwig van Beethoven once said, “Music, in truth, is the mediator between intellectual and sensual life”. Though he and his music were from an entirely different era, both still have relevance in our lives today. Music from the past is all around us on the radio, in commercials, and on the big screen. For example, one of Beethoven’s most famous symphonies, “Symphony No. 9”, makes an appearance in many movies. It even makes an appearance in Die Hard. Though we like to think that which is old is obsolete, we are everyday reminded that this is not true.

In 1795 Beethoven was pleased with his brother's decision to take up residency in Vienna. Also in this year, Beethoven began to play in public concerts. This concert was organized by his mentor Haydn. His music selections included Mozart, Haydn, as well as his own. Amazingly, Ludwig was not keen on performing publicly. As a matter of fact, Beethoven only gave one more public appearance in the "early" period and declined numerous other offers to share with the audience his musical skills. It has been postulated that the composer may have already suffered minor hearing loss, as well as having an "overly suspicious" personality that caused him to hide from the public eye. (Stanley 17) Beethoven's "early"

Beethoven is one of the most famous music composers not only of his time but as of today also. Although he suffered from loss of hearing, he has composed some of the most beautiful pieces of music we can still listen to today. After reading Beethoven’s testament, I have more of an understanding of what he was and had to go through due to his deafness. The correlation I found between his lack of hearing and his music is the emotion he put into his Fifth Symphony. Different from the Baroque style a symphony expressed multiple moods because of the movements used in a symphony making it more “real”. Because of Beethoven’s tragedy, his music displayed emotions parallel to what he felt, making his music more relatable and memorable. The complexity

Playing for kings and royalty, Beethoven’s talent was immediately recognized from a young age by his father and other fellow musicians. By his early 20’s, he had composed 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, and a full opera - clearly a stupendous feat by itself, but tragically, a couple years later, he had begun strenuously overworking himself to the point of becoming deaf through idiosyncratic acts like dumping cold water on his head in order to stay awake. However, this did not stop him; "Live alone in your art! Restricted though you be by your defective sense, this is still the only existence for you” (Beethoven). For the rest of his life, Beethoven sacrificed his hearing for his undeniable - and even obsessive - passion for music - ultimately leading to the creation of some of classical music’s greatest compositions of all time. Ergo, with enough dedication and that 1% of talent, anyone - from an everyday student to the legends of the past - can truly be a “genius”.

Beethoven was born in Bonn, Germany on December 16, 1770. Beethoven’s parents were Johann and Maria. He had two younger brothers, Casper and Johann. His father was a court singer but he wasn't very good. As a child Beethoven was taught by his father to play the piano with ambitions

Rossini is probably the most popular composer of this era. His works are many and are extremely popular. Rossini was born in Pesaro in 1792 and on December15th, 1815 when he was only twenty-three years old, he signed a contract to write an opera for a theater in Rome (Weaver, 11). His childhood friend, Gertrude Righetti Giorgi, premiered as Rosina in Rossin’s Il barbiere di Siviglia, on opening night for the Nobile Teatro di Torre Argentina (Weaver, 19). Il barbiere di Siviglia went on to become one of the more famous operas of Rossini’s. This opera went through many struggles, however, because of the similar story

This is also the time when the middle period starts. From now up until 1813, Beethoven develops and enhances the high classical style into a more dynamic and individualistic style. It is now that he writes symphonies Nr. 3 - 8, piano consert Nr. 5 and a lot of chamber music. But as he learns to control his craft and develop the music into new undiscovered grounds, he also suffers from reminders of the pains of real life. He has early in life discovered that his hearing wasn't what it should be, and the disorder gets worse as time goes by. It gets to the point where Beethoven is thinking of ending his life as he sees no way out of his despair. That fact is documented in the letter he wrote to his brothers in 1802, the so called . This hearing disorder seems to have affected his social life to a great extent. He became difficult to handle in social interactions and could suddenly burst into outbreaks of anger and show bad temper where he usually insulted someone. If that is the reason for his troubles with women, or if their is something traumatic hidden in his childhood, I don't know, but the fact is that he never got involved with a woman in a normal relation. Beethoven seems to have been attracted to women he couldn't get, or at least was hard to get. An example is Antoine Brentano, with whom he had a relationship, but who broke up with him to marry a friend. It is

Music in the nineteenth century was starting to become recognized as one of the major arts. No longer seen just as a casual form of entertainment, musicians and composers began to gain respect in artistic circles. One of the key figures to help bring up this new reverence for music was Beethoven, with his sonatas and symphonies impacting the public massively. Not only where his musical works perfect for the Romantic ideals of the time, but his personal afflictions, especially his deafness, fit perfectly into the Romantic archetype of the suffering artist. Beethoven literally became a figurehead of Romanticism in a much admired painting of the time depicting Franz Liszt at the piano, surrounded by other prominent artists, fixated on a bust of Beethoven in the windowsill. This painting perfectly depicts the new respect music had gained within the artistic community of the nineteenth century largely through the life and works of Beethoven.