Differences Of Poverty In Richard Rodriguez's Hunger Of Memory

“A Question of Class” focuses on Dorothy Allison’s struggle of identifying herself as a poverty stricken individual, and breaking free from her predetermined destiny while simultaneously accepting her past. Allison understands the prejudice that comes with being poor with the statement, “I have learned with great difficulty that the vast majority of people pretend that poverty is a voluntary condition, that the poor are…less than fully human…” The quote fundamentally means that society does not view the poor as their equivalents to the world, and one chooses to live in such conditions. Although the remark was made in the 1950’s, it still rings true in the societal ideology of present time. Changes have not been

In Ruby Payne's “A Framework for Understanding Poverty” she endeavors to provide educators with strategies to teach children from poor families, but Ruby Payne went wrong when she just took a mental image from a classroom and began analyzing on what she saw without enough evidence, her principal message was that poverty is not simply a monetary condition. She describes it to her audiences as a culture with particular rules, values, and knowledge transmitted from one generation to the next.

In Hunger of Memory, Richard Rodriguez situates his individual experiences with education in such a way as to expose what he sees as the fallacious logic behind bilingual education and affirmative action. He uses arguments to propagate the systematic problems with such programs. His autobiography explains in great detail the entangling problems all American children face by instituting bilingual programs and affirmative action endorsements.

As a child, Jeannette’s sense of wonder and curiosity in the world undermine the need for money. During her young adult years, a new wave of insecurity associated with her poor past infects her. Finally, as an experienced and aged woman, Jeannette finds joy and nostalgia in cherishing her poverty- stricken past. It must be noted that no story goes without a couple twists and turns, especiallydefinitely not Jeannette Walls’. The fact of the matter is that growing up in poverty effectively craftsed, and transformsed her into the person she becomeshas become. While statistics and research show that living in poverty can be detrimental to a child’s self-esteem, Jeannette Walls encourages children living in poverty to have ownership over their temporary situation, and never to feel inferior because of past or present socio-economic

In professor and editor Diana George’s article, “Changing the Face of Poverty: Nonprofits and the Problem of Representation,” published in the printed book Popular Literacy: Studies in Cultural Practices and Poetics, in 2001, she insists that representations of poverty in the media, only reveal of a small percentile of everyone impoverished, which makes them counterproductive. Opening with a brief anecdote about donation appeals made by nonprofit organizations, George directs her article towards the organizations themselves offering a suggestion to maximize the impact of their work. That suggestion is that representing poverty in a wider light, helping to display the more complex ways individuals are considered to be in poverty. The examples that George provides, become a pillar for her thesis that these current representations of poverty, while emotionally capturing, work against themselves.

I find it interesting that while Rodriguez and Anzaldua came from comparable backgrounds they feel very differently about similar issues. Rodriguez believes that education should not be bilingual for children who come from Spanish speaking homes. Anzaldua on the other hand thinks that people should not be squashing the culture of these people, and should do what they can to help them preserve it. I think that in that sense one could compare Anzaldua and Rodriguez to the idea of American culture, as each are one extreme of how we view it. On the one hand we have Anzaldua, the idea that America is a melting pot, combining all of the different cultures of the different people living here to come up

In “Changing the Face of Poverty”, the author Diana George shows different ways poverty is advertised and displayed. She disagrees with the way poverty is addressed and visually represented, in a limited way. I agree with the way she wants people to acknowledge how poverty is being misunderstood.

Poverty is a main part of life for many people in the world, more importantly the United States. Jeanette Walls shows how big of a problem poverty is in her memoir “The Glass Castle”, with her stories of how she grew up and her family’s struggles. How her family was treated along with what the people living around them found important clearly shows their economical class. The problem of food scarcity, or not having the bare necessities are some of poverty’s main problems. In “The Glass Castle”, the issues of poverty are displayed through not having the basic necessities, not being able to provide for children, and how there is not always enough food to feed everyone in the family.

The author uses a seemingly endless cycle of poverty to emphasize the cage in which the characters are trapped. As Lizabeth muses over her childhood, she recalls the daily cycle of how “each morning our mother and father trudged wearily down the dirt road and around the bend, she to her domestic job, he to his daily unsuccessful quest for work.” (1). Every morning began the same way, passed the same way, and ended the same way. Lizabeth feels trapped, forced to go through the same series of events for what seems to be the rest of her life, with the same people, in the same place. When the author pairs this with the “dusty” setting of the town and the time placement of the Great Depression, it creates an effect of hopelessness for the first part of the story. This is only furthered by Lizabeth continually returning to the idea that “Poverty was the cage in which we were all trapped.” (1). Lizabeth opens the story by first giving a description of her hometown as “dusty”, remembering the poverty and hopelessness. She then continues by referring to the cage of not having enough money, and the cycle that it put them through, and ends by alluding to her future being limited to her poverty.

Imagine: A young boy scavenges for food to provide for his impoverished family which was composed of his ill mother and starving siblings or a homeless, single mom desperatley seeking for shelter. These synopses from "Angela's Ashes" by Frank McCourt and "The Street" by Ann Petry share a common theme: perseverance through hardships. In "Angela's Ashes," a memoir by Frank McCourt, he stells about the harships he endured through his childhood, such as, struggling to assist his family in the midst of poverty by stealing food to provide for them. Futhermore, in "The Street," a novel by Ann Petry, tells the story of young Lutie Johnson, a homeless single mom who is seeking shelter for herself and her children. In these two excerpts, the authors use the characters, settings, and events to develop the theme, which I've identified as perseverance through hardships.

Author Bryan Stevenson (2014) writes, “The true measure of our character is how we treat the poor, the disfavored, the accused, the incarcerated, and the condemned”(p.18). According to the non-profit, Feeding America (2016), in 2015, 43.1 million, or 13.5%, of people in the United States were impoverished. Poverty is a vicious cycle, trapping people and families for generations. The inability to escape poverty is due in part to difficult class mobility in the U.S. but also because certain factors reinforce the idea and state of poverty. Bryan Stevenson’s bestseller Just Mercy, Lindsey Cook’s article “U.S. Education: Still Separate and Unequal”, Michelle Alexander’s excerpt “The Lockdown”, and Sarah Smarsh’s “Poor Teeth” all explore the idea of poverty and the systems that sustain it. While all four readings focus on poverty differently and explore it using different techniques, they all share similar big picture ideas about how poverty is fortified through systematic, societal, and psychological efforts.

Originally published in 1975, Nora Ephron’s essay “The Boston Photographs” is both still relevant and controversial almost forty years later. It deals with the series of three photographs that were published in newspapers across the country. The most important one shows a mother and child falling off a collapsed fire escape. Both have their limbs outstretched. If both had survived, maybe the reaction would have been different. The child survived by landing miraculously on the mother, but the mother ended up dying. The question on everyone’s mind was why the photographer, Stanley Forman, decided to take the photographs instead of trying to help the falling

Words provoke preconceived ideas and images in the mind, when it comes to a situation like poverty these preconceived notions can have undesirable and unintended consequences. Diana George examines the semantics and the imagery of the word poverty in her article titled “Changing the Face of Poverty; Nonprofits and the Problem of Representation. While also addressing the issue of the perception poverty and what someone in poverty truly looks like (676). Prof. George is arguing that organizations like Habitat for Humanity, which are created to help people in poverty actually perpetuate the wrong image of what someone in poverty looks like (678). Most organizations created to help those in need, especially those in the US tend to portray poverty as what is seen and thought of as living conditions in Third World countries (683). In reality, poverty is all around each and every one of us in this country on a daily basis, and people might not always recognize it for what it is (681,682). Furthermore, the majority of people living in poverty in the United States do not live like or look like someone living in a Third World country. But in reality they are still living in poverty nonetheless (682,683). Organizations that portray people living in poverty here in the US as totally devastated and completely impoverished are doing a disservice to the people they are attempting to help. Consequently, by doing this they are giving a limiting idea of what someone living in poverty

In Hunger of Memory, author Richard Rodriguez describes his experiences as a Mexican immigrant. He tells anecdotes about his childhood in order to analyze the pressures which culture change imposed on him. Rodriguez also experienced guilt because he felt he had abandoned his Mexican roots by learning English, ceasing to speak Spanish. He then comes to the realization that intimacy is found in the feeling between two people conversing, not in the language in which they are conversing. Richard in the process of self-visualization becomes annoyed with himself and certain things that he sees around him.

Family and heritage are very important aspects to human life. To begin, this is what is addressed in the poems,”Freeway 280,” by Lorna Dee Cervantes and Simon Ortiz’s,”Hunger in New York City.” Both poems share a great amount of similarities like the way they address the importance of family and heritage and the message of both poems. They address the importance of family and heritage by using objects or feelings, metaphorically, to express their family or heritage. Not only that, but both poems share the message that a person’s past stays with them no matter where or how far they go. Ultimately, both poems address the importance of family and heritage the same way and also share the same message.