Differences Of Shakespeare And Much Ado About Nothing By William Shakespeare

Much Ado about Nothing is a famously known comedy, by William Shakespeare. This novel features two characters, who are to be wed, but because of a wacky plot and deceit these married to be couple takes a surprising turn. There are two weddings, however, there is nothing similar about these weddings. These weddings both have different moods, different outcomes, and different plans.

The play Much Ado About Nothing by William Shakespeare consists of many themes which grow out of the ‘game of love'. The two main themes consist of perception and deception. Through the plot complications, character development and dramatic techniques these themes can be explored. In the play deception is shown on both good and evil sides, the game of love between Beatrice and Benedick and the Don John plot to split up Hero and Claudio. Perception is a theme used in most of Shakespeare's plays. Perceptive views by the characters help portray the game of love. Hero is perceived as dead which then Claudio is sorry and feels for her. Beatrice and Benedick's loved is clouded by each other's perceptions and arguments.

Deceit and trickery play a huge part in the play Much Ado About Nothing by William Shakespeare. Deception is a key theme in the play, it also moves the plot along. Trickery and deception is used in the love stories of couples Hero and Claudio, and Benedick and Beatrice, with opposite results. This play demonstrates two different kinds of deceit: the kind whose only purpose is to cause trouble, and the kind that is used to form a good outcome. In the relationship of Hero and Claudio, deception nearly succeeds in breaking them apart forever, while in the case of Benedick and Beatrice, it brings them closer together.

On the other hand, the infrequent dialogue between Hero and Claudio could be seen as less interesting in terms of language. Hero doesn’t speak much – in fact she only speaks one line in the opening scene where she is present throughout- “My cousin (Beatrice) means Signor Benedick of Padua” (1.1.35) - this is to help the messenger understand what Beatrice has just said. It is also significant due to the fact that Hero only speaks in relation to Beatrice and Benedick, as can be seen by the quotation above.. Although it can be argued that the silence creates interest in the couple and that Hero’s silence is typical of traditional Elizabethan courtly love, this can be seen as unoriginal and stereotypical. Another part of the play that shows this is in Act Four, during her wedding. The number of lines she speaks is minimal, and where she does it is mysterious and can be seen in many ways. “One Hero died defiled, but I do live, and surely as I live, I am a maid.” (5.4.63).This

Shakespeare has demonstrated the ramifications of human nature that have arisen through the misunderstandings of the characters. Shakespeare does this by effectively conveying the dramatic technique reversal. The purpose of the technique is to show the reader the complexities of human nature by demonstrating that even a common example of misunderstanding could change the direction of one's life, and the perception of an object. This is evident through the quote “That I love her, I feel” in Act 1 scene 1, said by Claudio about Hero, which is later contradicted with the quote “There, Leonato, take her back again. Give not this rotten orange to your friend”, who is referencing Claudio’s betrayal. Claudio believed that the person Borachio was making love to was Hero instead of Margaret, due to the succession of Don John’s master plan. During this scene, Claudio displays a sense of misunderstanding by falsely concluding that his fiancée had been ‘unfaithful’ to him. Reversal is shown when Claudio is enraged by the fictitious actions of Hero when he abandons her at the day of their wedding. Shakespeare has demonstrated misunderstanding through the dramatic technique, reversal to explore the complexities of human nature.

Drama text, Much Ado About Nothing by William Shakespeare is a romantic comedy revolved around marriage, dishonesty and love. In 2007, the original play had been interpreted and adapted into a new film text; Much Ado About Nothing Shakespeare Retold. This new film version is an adaption for the modern audience who’s views around love and marriage have changed since Elizabethan times. Brian Percival ‘Retold’ the original play, first published in 1623 by reinterpreting it into his own understanding of modern society with the focus of women’s roles nowadays. Whilst doing this Percival has maintained many of Shakespeare’s intentions.

In William Shakespeare’s play Much Ado About Nothing, love has played a major rule as theme in this play. Shakespeare discussed different kinds of loving relationships; romantic love, family support and loyal friendship, and he shows how different characters react to love in many different ways. The main plot of Much Ado About Nothing is that of the relationship between Claudio and Hero, and the hidden love between Benedick and Beatrice. Similarly, deception is a big concept to consider as a theme in this play. Each of the main characters being the victim of deception; Shakespeare in this play shows that deception is not inherently evil, but can also be pure.

When Hero has been humiliated by Claudio, her father instantly says, "Do not live, Hero; do not ope thine eyes"(4.1.121). He would rather she were dead that have this kind of shame brought on the family. He doesn't even consider once, until the friar speaks up, that Hero could be innocent of Claudio's charges. And then if this isn't enough, she (as her cousin) has the audacity to take Claudio back after he has publicly humiliated her just because her father tells her to. This is another example of how tightly women were trapped under their father's rule.

Hero, the unfortunate damsel in distress, sacrificing her own marriage and pretending to perish in order to ameliorate the reputation of her family, compelled to work upon the words of other’, Hero is actually a hero according to the denotation of the word “hero” in “Much Ado About Nothing.” Born into royalty, Hero endures a traumatic incident, but eventually achieves her destiny. One of Shakespeare’s major themes is deception regarding gender roles. With his use of characteristic archetypes, he evokes that deception is what lies between perception and reality, which in this case drives Claudio to misconstrue the reality. A man’s superiority towards a woman is prominent throughout the play and Shakespeare recognizes that a woman’s place in society is much more than standing inferior to men. By portraying Hero’s death, he shows the immense guilt Claudio suffers form and merely suggests that Hero is more than just an object. She is a hero, who, with her sacrificial death, cleanses her family’s reputation and marries the man of her drema. Overcoming the abominable deception imprinted upon Hero, she proclaims herself a hero by fulfilling her goals and through her role, Shakespeare portrays the role of women via society’s views on gender roles.

“Good comedy is tragedy narrowly averted”: these words were spoken by Jonathon Bate and Eric Rasmussen in their publishing of ‘William Shakespeare: Complete Works’. They show how many elements of comedy could be interpreted as almost tragic. The comedy in Much Ado About Nothing is often created when the audience can see that something could go horribly wrong, however it is saved in the nick of time. A sense of relief and light-heartedness is created, as customarily comedy is known to end in a meeting of characters at a gleeful point in time or occasion; most frequently with a wedding.

There are many perspectives on how Much Ado About Nothing can be read. The uncertainty is common in all of Shakespeare’s plays, however, it is different compared to ‘Much Ado About Nothing’. It is fair to say that Much Ado About Nothing is a sexist play. The mistreatment of women seems to be a common problem and is present in the arranged marriage between Hero and Claudio, Margaret not knowing what Borachio intended, and the idea becoming unsexed by Beatrice. The misinterpretation of Shakespeare’s liking to focus mostly on male characters must be thought carefully.

Act 2 of Much Ado About Nothing is divided up into a set of 3 scenes and it’s plot is quite distinct from the previous act. The first scene of Act 2 is quite longer than the rest and it starts of with a amicable conversation between Hero, Beatrice, Leonato, and Leonato’s brother. Beatrice and Hero discuss about their ideal example of a husband and the conversation leads off to a tangent and they talk about if Beatrice will ever get married. In the meantime, the party is starting and the people are ready to start dancing. Don Pedro dances with Hero and Beatrice and Benedick also together. Once again Beatrice insults Benedick while having no knowledge that she is talking to him because his face is hidden behind a mask. In addition, a little bit after Beatrice and

 Much Ado About Nothing is one of William Shakespeare’s best comedies and love stories.  What is not to like about a play that is hilarious, romantic, and has a happy ending?  In this play the foremost and most intriguing character is Benedick, a man who is a devout bachelor and who does not believe he will ever find the perfect woman; --because perfect is exactly what he must have.  This may seem to be a harsh and pessimistic outlook on life, but the way Shakespeare brings this character to life portrays Benedick as a funny and caring man who really is not that certain about what he wants for the future.  Benedick’s counterpart in the play is Beatrice who is an independent woman

Much Ado about Nothing predominately revolves around the endeavours of two couples, the younger of which in more distinction; Claudio and Hero. As many could say that another element of Shakespearean comedies could be love, it would seem a more defined term is the love between two younger people, this young couple in particular then faces hindrances that are thrown their way, eventually working through them. Whereas there is still Beatrice and Benedick who work to overcome their egomaniacal ways and eventually initiate a romance, it would seem Claudio and Hero’s complications seem to have more significance to the storyline of the play. This is also due to the fact that the elements of comedy and key plot points are in relation to their complications, such as being the younger couple and facing the mistaken identity ordeal. Nevertheless, Hero and Claudio, being the young couple, face a string of tribulations in which define them as a couple, the majority of these, come from Don John’s

William Shakespeare’s Much Ado About Nothing isn’t new to the big screen. Many different directors have taken on the task of this comedic play. Joss Whedon’s 2012 adaptation is the newest addition to this list of films. While the script was already spelt out for him, Whedon did interject some of his own directorial choices into the film.