Differences Of Sundiata And The Epic Of Gilgamesh

The story of “Gilgamesh” depicts all of the heroic triumphs and heart-breaking pitfalls a heroic narrative should depict to be able to relate to today’s audience. However, “Gilgamesh” was once considered a lost and forgotten piece of literature for thousands of years, so there is a tremendous gap between the time it was created and the time it was translated into language that today’s audience can understand. That gap in history makes several aspects of the story of “Gilgamesh” strange and unfamiliar because what we now know about ancient Middle Eastern cultures and languages is a lot less than what we know about the cultures that prospered after ancient Middle Eastern cultures. Much of the content in the story of

The earliest surviving literary work, dating from 2100 BC in the Sumerian city of Uruk, The Epic of Gilgamesh tells the story of a hero’s journey to immortality. The Epic of Gilgamesh, written by the Sumerians in their akkadian text and translated by George Smith in the early 1870s, follows the main character Gilgamesh, the unjust and cruel king of Uruk, and his friend Enkidu on their journey to achieve greatness in which Enkidu dies, prompting Gilgamesh to seek immortality. In the story, Enkidu’s character serves as a foil to show and exaggerate Gilgamesh’s immorality and bravery.

The Epic of Gilgamesh was a story completely written in cuneiform. The author for this Epic poem is unknown and remains a mystery. According to, Spar, “Some time in the twelfth century B.C., Sin-leqi-unninni, a Babylonian scholar, recorded what was to become a classic version of the Gilgamesh tale (p.6).”

In ‘The Epic of Gilgamesh’, the protagonist fails to fulfill the demands and responsibilities the gods’ and people of Ancient Sumerian society have bestowed upon him. The duties of a Sumerian king are to honor and best represent the Gods ‘ virtues and principles through his ruling actions over the inhabitants of the kingdom.

This journal article examines 3 versions of the Gilgamesh Epic: the Old Babylonian version; the Eleven-Tablet version; and the Twelve-Tablet version. Though all 3 versions deal with the issues and choices of human beings and also with the inescapable issue of Death, the 3 different versions focus on 3 different aspects of Gilgamesh. The Old Babylonian version is the oldest, probably written during the Old Babylonian Period of 2003-1595 BC, and focuses on the fight of hero vs. man. The Old Babylonian version was circulated in the Near East and underwent many revisions. One of those revisions was the Eleven-Tablet version, which focused on the fight of hero vs. king. The Eleven-Tablet version, written in the later second millennium, adds to the beginning and end of the Epic, plus the Utnapishtim meeting, and shows the Gilgamesh-Ishtar passage that was added in Tablet 6. Another revision of the Epic was the Twelve-Table version, which focused on the fight of hero vs. god. The Twelve-Tablet version adds a translation of the second half of "Gilgamesh, Enkidu and the Netherworld" and changes the nature of the Epic by showing a conflict between Gilgamesh's two identities as god and man, and the rules controlling life in the

The Epic of Gilgamesh is a Mesopotamian myth and the oldest known narrative there is, originally created on clay tablets written in cuneiform. The story focuses on two individuals. Gilgamesh, who is the tyrannical ruler of the kingdom of Uruk. Then his counterweight, Enkidu who resides in the forest and was raised by animals. It may seem that neither would have much in common, considering one is royalty and one is a wild man. However, these two characters balance each other despite their differences, which results in a beautiful friendship, but both will lose as well as gain in the end.

Gilgamesh existed as one of the oldest known Sumerian rulers of all time and is accredited to many accomplishments. Legend has it that he created the first Sumerian civilization, constructing a city with many elaborate temples and immense walls. However, he has also been characterized as one of the cruelest and most self-centered rulers of all. Throughout the course of Gilgamesh’s life he goes from being a womanizing, slave driving ruler to a negligent and stubborn king, who not even god-sent Enkidu could help transform into a better king.

The Epic of Gilgamesh has many similarities to the Bible, especially in Genesis and it’s not just that the both begin with the letter “g”’! One major similarity being the flood story that is told in both works. The two stories are very similar but also very different. Another being the use of serpents in both works and how they represent the same thing. A third similarity being the power of God or gods and the influence they have on the people of the stories. Within these similarities there are also differences that need to be pointed out as well.

While Genesis in the bible and The Epic of Gilgamesh have striking similarities in the sense of creation and the great flood, the interactions between the divine beings and humans differ greatly. One matter that impacts the entire relationship between gods and humans in both accounts is that the gods in the epic are not almighty beings like God in Genesis since they cannot control each other’s domain. Because of this, they must travel from place to place and work with other gods to carry out a certain task. The gods in The Epic of Gilgamesh act very much like humans and interfere more with their daily lives. In contrast, the all-powerful god in Genesis seems distant and far from having human-like characteristics and does not need to interact with other gods. At the same time, both stories display the reverence and fear humans have for the supreme beings because of their authoritative qualities.

(1) The black demon saw a beautiful woman and out of all the nobel women. He picked the one that was about the be married. He kidnapped her on her wedding night. It shows that the black demon does things impulsively. He does not care of the consequences. It shows that since he is a demon. He does not fear the consequences of men. When he saw her he could not longer live without her. When he kidnap her. He locked her in box showing that he does not trust the women he kidnap with other men. It also means he wants to keep her pure. She was kidnap on her wedding night so she did not have sex yet so the demon believed she was pure. The untainted virgin that has not been violated by men was his and his only. When he traveled he took her out of the box and wanted to sleep beside her. It shows when he his comfortable. He would sleep better beside her. The women was the demon's most prized possession. It is like comparing the women to a boy's secret toy. When a boy is around someone he would hide his secret toy from everyone. When the boy is alone he would take it and worship it. This meaning is similar to Metamorphoses when Apollo wanted Daphne. Even though she refused him. He impulsively try to rape her. She was turned into a tree, but he still tried to rape the tree. Another text with the similar meaning is in the Epic of Gilgamesh. Any women Gilgamesh desired he would take married or not. Since he was part god and king. He did not care of consequence like the demon.

The Epic of Gilgamesh is the oldest epic known to date. It is an old Babylonian tale first written down in Sumerian. The first known copy of the epic is dated to around 2100 to 2000 B.C.E. However, it is believed to have originated many years earlier passed along though oral story telling. The epic was used in Babylonian schools to teach literature to students (Puchner 36). In ancient times, the Epic of Gilgamesh was widely read from Mesopotamia to Syria to Levant and Anatolia. The epic was also translated into non-Mesopotamian languages such as Hittite (Puchner 34). The story we know today was expanded upon around 1200 B.C.E. by a Babylonian priest. “The eleven-tablet version may be said to have assumed its present form during the latter part of the second millennium”(Abusch 618). It was then written down again and stored in the library of an Assyrian king named Ashurbanipal (Ziolkowski 55-56). It was thanks to this act that

There once lived a king, the great king of Uruk in Mesopotamia. This great leader was Gilgamesh. His preserved epic is of great significance to modern day culture. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed. In the Epic of Gilgamesh, it is a great love, followed by a lingering grief that cause a significant change in the character of Gilgamesh.

The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.

In The Epic of Gilgamesh and The Bhagavad-Gita, gods play an important role in society and the way of life. In the Bhagavad-Gita, people portray their gods as almighty and perfect beings. In The Epic of Gilgamesh, the Mesopotamian people see their gods as imperfect, human-like beings. The way the people depict their gods, determines how long the religion will last and how much power the gods withhold.

An epic poem is a narrative poem that normally speaks about heroic acts and events that are significant within a specific cultured. Many ancient writers used these epic poem to tell stories of adventures and of courageous accomplishments. In the Epic of Gilgamesh, we learn about Gilgamesh, a man who is two part God, and one part man. Though he is known as one of the fiercest and most ambitious warriors, his flaws were a major downfall. Through his characteristics and the historical background of Gilgamesh, we learn it’s historical context and the importance of the two main characters, how gods are portrayed and its historical occurrence, and lastly how the Sumerian society functioned.