Different Stages of Development in Macbeth

Through the soliloquy, the audience gains insight into Macbeth’s innermost thoughts. He names multiple reasons as to why he should not kill King Duncan, noting that Duncan is his guest, kinsman and a good king. He also admits that the only motive he has is the “Vaulting ambition” residing inside of him. Here he names his own hamartia, his fatal flaw, and acknowledges that to give in and commit such a deed, would result in his “deep damnation”. While still undecided on the matter, Lady Macbeth enters, and, seeing his indecision she decides to manipulate him into the decision that suits her; for after all, she is almost if not as ambitious as her husband. By questioning his manhood, his bravery, even their marriage, she successfully leads him to make the choice to kill the king. We now must realise that although the witches’ prophecies and Lady Macbeth’s taunts were a catalyst for Macbeth’s treachery, they never force him to make these errors in judgement; it must have been something that was already inside of him that caused him to decide this. There must have been some inherent evil already a part of his character.

With attention to the murder of King Duncan, Macbeth struggles with the morality of his actions. Before the murder takes place, Macbeth begins to believe that the murder will “be the be-all and the end-all” to his clear conscious and would risk him to eternal damnation (Act I, line 5). Yet, the murder would bring him power over Scotland and he “shalt be kind” as told by the Weird Sisters(Act 1, line 50). Macbeth goes off of his ambition to murder King Duncan. The internal struggle of choosing mortality over motives brought forth an intense shift of loyalty to betrayal. The murder caused for Macbeth to turn on Scotland and only care for his own selfish motives. The betrayal causes for the play to become horrific and have a double meaning. Macbeth must put on a face to hide his murder to become the king. The double meaning is how Macbeth looks like a hero to all of Scotland, but only the people on the inside know of his horrific actions. He had to murder to to get the position of King, but the

He is Duncan’s ‘kinsman and his subject’, he reminds himself that what he is doing is wrong and that he has the duty to protect the king, not murder him. In an interaction with Lady Macbeth prior to the murder of Duncan, he says they ‘shall proceed no longer in this business’, this shows that he has a moral compass, and he knows that what he is about to do is wrong. Also, previous to the murder he hallucinates a ‘dagger’, it is a figment of his imagination because he is very anxious, and is already feeling culpability. This part in the play is key in showing that Macbeth is consumed by guilt and anxiety, so is not in the best mindset to commit a murder. Despite this, he still kills Duncan. His guilt returns after the murder when an ‘Amen [is] stuck’ in his throat, he knows that he has sinned against God, and he is too anxious to say Amen. Immediately after killing Duncan he is ‘afraid to think of what [he has] done’, he has immense regret and feels a lot of guilt.

After hearing the prophecy that he will become king, Macbeth resolves to leave his future up to fate proving his pride and prestige are very important to him. Once he is told of Malcolm being named successor to the throne, Macbeth decides that if he is going to reach his goal he cannot leave it up to luck. Again Macbeth’s resolve to murder Duncan wavers when he leaves the grand banquet to assess his situation and decide whether he wants to proceed. His arguments include wishing to keep his honor and not kill Duncan for Duncan is there ‘in double trust’. Thus, Macbeth is shown to be clinging to his honor. Finally, Macbeth must stand his ground one last time against his wife who uses tact to emasculate Macbeth. In his final attempt to stop the whole ordeal before it can start Macbeth tells Lady Macbeth that he does not want to ‘cast aside’ the honor he has just recently received. Unfortunately, Lady Macbeth will have none of what her husband is saying and so convinces Macbeth to follow through with his plan of murdering King Duncan. Hence, the audience is given the first example of how powerful selfish motives are and how quickly they can spread to others along with cause them to perform unthinkable

Although Duncan is out of the way now, Macbeth finds out that Banquo’s sons are the next in line to become King. With this realization, he says, “To make them kings, the seed of Banquo kings!/Rather than so, come fate into the list,/And champion me to th' utterance.” (3.1.75-77). Now that Lady Macbeth has convinced Macbeth that he is destined to be King, his statement shows how he is going to do everything in his power to make it happen. He feels that he has to prove to himself and to others that he is not womanly, and is capable of performing ‘manly’ tasks. In order to prove this to himself, he says, “There’s comfort yet; they are assailable./Then be thou jocund.” (3.2.44-45). Here Macbeth is saying that he finds comfort in knowing that he can simply kill Banquo’s sons so he can become king. This further represents his transition to becoming in full control over the events that take place in the play. This is because he is planning to commit a tragedy, in this case, a murder, in order to fulfill his desires. Lady Macbeth persuaded him in the beginning, but now it is completely his own doing. By saying he feels comfortable with murder, which contradicts his belief from the beginning, it may be noticed how this is a clue that he will hold responsibility for more tragedies in the near

Macbeth middling character is shown in these lines “If it were done tis done…first I am his kinsman and his subject...who should shut the door on his murderer” (I.vii.1-15). This suggests that Macbeth doesn’t actually want to kill Duncan. However, due to his tragic flaw of his pride and ambition Macbeth resolves to kill Duncan. We seen that Lady Macbeth in Act I insulted him as a man, warrior and husband. It was after such insults that Macbeth then decides to kill Duncan. Lady Macbeth is almost like the little devil portrayed on his shoulder whispering evil bad things in his ear. When Macbeth resolves to kill Duncan he sees a dagger floating in the air pointing towards Duncan’s chamber. Here he is presented a choice of whether not to follow through. “Is this a dagger which I see before me...A dagger of the mind a false creation,” (II.i.33.39). He also prays that the earth will not hear his footsteps as he completes his bloody plan. He doesn’t want anything including the earth to witness what he is about to do or is thinking of doing. “Thou sure and firm-set earth, Hear not my steps, which they walk, for fear” (II.i.57-58). Lady Macbeth rings the bell as a signal to let Macbeth know that the coast is clear for him to proceed with the evil deed. The bell symbolized both the final death of Duncan and Macbeth’s conscience a he chooses to actually follow through with the murder

h is portrayed in the beginning of the play as a courageous hero, whose valour is depicted as "he unseamed him from the nave to th' chops." Although he puts on a fearless persona during conflict, his soliloquies reveal a character that it fuelled by greed and desire. Not only does Macbeth obliterate the notion of The Divine Right of Kings, but he goes against the Righteous Rule. Throughout the play, Macbeth lets irrational greed overcome his logical conscience. It is clear that Macbeth is reluctant to murder Duncan as he states, “We will proceed no further in this business,” yet his vaulting ambition and desire to become King outweighs his conscience. Before murdering Duncan, Macbeth utters “I have no spur to prick the sides of intent, but only Vaulting ambition.” In his soliloquy, he continuously reasons with himself as “first I am his kinsman and his subject, strong both against deed, then as his host, who should against his murderer shut the door, not bear the knife myself.” Shakespeare utilises the recurring motif of hallucinations to depict a dagger as a symbol of guilt and murder. Macbeth’s thoughts of murder create an imaginary bloody dagger, showing him the path to the king's chambers as he questions "Is this a dagger which I see before me, the handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still." As the tragedy continues, Macbeth transforms into a more conventional villain, and attempts to control Fate and Fortune. Macbeth’s ambition is further explored when he visits the witches and witnesses the four apparitions.

In Act 1, Scene 7 Macbeth is worrying about the effects of killing Duncan. This perfectly illustrates the theme of most of Shakespeare’s plays which always seem to portray the concept of ‘‘karma’’. Macbeth is not only thinking about the process of the murder, but is also thinking about his forthcoming life and

This passage is a key aspect of this play because it demonstrates Macbeths feelings on the killing of King Duncan, this scene takes place whilst King Duncan is over for dinner. Previously Macbeth and Lady Macbeth have come up with a plan to kill King Duncan. During this passage, Macbeth contemplates the death of Duncan and the deed is about to do. He is aware of why he should go forward with the killing and understands the power he will receive but fears the reputation he will get not just on earth but also in heaven. Macbeth knows that Duncan is not just a king but also a kinsmen and guest, a good one. The king trusts him, Macbeth should always protect King Duncan and he is hosting him for supper so therefore should be closing the door in his murderer’s face, not trying to murder him. This is the first time we see a different of Macbeth, a more venerable side of him a less confident side to him.

The character of Macbeth is like a crazy girlfriend, they change so fast. Its starts out great, at one moment she's happy loving and flawless, then out of nowhere she becomes a psychotic crazy lunatic who tries to murder and kill everything that is in her path. Just like Macbeth, the people view him as a kind, courageous noble warrior. But we soon see that Macbeth becomes something that was unforeseeable, as the play unfolded these true traits are displayed. Unlike a crazy girlfriend, she only destroyed the boyfriend's life. While Macbeth's actions and and mind created a world where malice, ruthless and manipulation creates a world of tyranny. Where Macbeth's changes in the play destroyed his marriage and created his political career

In Act 1 Macbeth is troubled by his desire to kill the king that is countered by his morals that state he should not kill Duncan for the fact “First, as I am his kinsman and his subject,

How Macbeth's Character Changes throughout the Play In this essay I would be looking at Macbeth’s character on how he changes throughout the play and to base this evidence on weather he was a tyrant or a tragic hero. The play focuses on the changing character of Macbeth and his increasing greed for power. Many factors contribute to the changes to Macbeth throughout the play which cause the character to deteriorate from a man with nobility and good intentions to one who is ruled by ambition and greed.

That night Macbeth ends up killing Duncan. Just before the murder Macbeth is walking down the hall when he has a vision of a dagger with a bloody tip, which is pointed for Duncan’s room. He thinks to himself, “Art tho not, fatal vision, sensible To feeling as to sight? Or art thou but a dagger of the mind, a false creation” (II.1.36-38). During the murder Macbeth makes a mistake that angers Lady Macbeth. He has forgotten to leave the daggers with Duncan’s guards, and she must now go and return them. Initially Macbeth is upset over the murder, but Lady Macbeth tells him it is as easy to forget about as washing the blood away with water. This first murder shows the strong character of Lady Macbeth and the influence she has over her husband.

Macbeth’s mental and moral deterioration throughout the play engages the audience illustrating how guilt overwhelms his conscience He believes he hears voices crying “Macbeth has murdered sleep” this demonstrates how he is battling against his morals and his ambition. His good qualities are battling his bad thoughts and this is the main reason for his mental downfall which makes for a deeply engaging plot. Macbeth goes from being a man of bravery, strength, honour yet he slowly loses these qualities. He once believed that killing a good man was an evil, un-worthy thing to do yet by the end of the play he is killing the people he once had close relationships with to get himself out of the mess that was dragging him deeper into despair and tragedy. This process is enthralling for the audience who cannot resist watching him go to any length to save himself as his morals go into deep decline. Ambition has completely taken over him in the soliloquy in which he states; “I have no spur to prick the sides of my intent, but only Vaulting ambition, which o’erleap itself and falls on the other.” In this instance Macbeth is interesting because he realises that the only thing that is making him want to kill Duncan is

By neglecting to conspire/reveal the details of Duncan’s death, Shakespeare allows for the audience to further devote their attention to Macbeth’s slow spiral into descent. This is further supported by the quote “is this a dagger I see before me?” By placing emphasis on the ludicrous notion of Macbeth’s visions, Shakespeare allows for the elimination/removal of potential empathy/grants a sense of potential empathy towards Macbeth’s character as he utilises the technique of a soliloquy to build an emotional connection between the audience and Macbeth himself so they can better understand his thought processes and identify with his