Digital Art And Its Impact On Contemporary Culture

With images, words, and sounds been almost endlessly reproduced and distributed, various critics of modern culture suggest that traditional ideas about art and authenticity are no longer applicable. The problem is said to have been noticed back in the 1930s in the popular essay The Work of Art in the Age of Mechanical Reproduction that was concerned about what would happen to the “aura” of unique works of art when photography and other techniques if anybody could make unlimited copies of images. With the rise of digital technology, copying ability became vast and complex and hence the idea of originality is thrown into

WILKS, J. j., CUTCHER, A. l., & WILKS, S. s. (2012). Digital Technology in the Visual Arts

Equally, the works in My Sentiments Exactly explore the space between the algorithmic and the organic. A series of exacting oil paintings show a set of organically disrupted monochromatic patterns, reminiscent of the movement inducing Op art painting of Bridget Riley. These optically complex patterns suggest the horizontal scan lines of CRT televisions as well as the oily residue left by our fingertips on a touch screen device, offering a trace image of our interaction with the digital world.

Early computer art stemmed from an unlikely place and as the computer technology advanced, minimized, and became affordable, the computer turned into the most important invention of the modern age and has been implemented in almost every aspect of human life. Like video art, computer art started small and progressed with the technology and now is a tool used for many digital mediums.

In the article “In Defense of Hip Hop”, Cathleen Rountree details the nation’s growing innate disrespect for the musical genre of Hip Hop and illustrates a way to understand, respect and even advocate for the genre. She further argues that uneducated masses immediately condemn the art form ignorantly without fully understanding it, and furthermore, are unwilling to attempt to understand it.

He continues to discuss the essential features of photographs as well as the popular debate about whether photographs are even considered artwork at all. In order to portray his point of view to the audience, Benovsky clarifies the differences between digital and film photography and the production of each. He explains that even though digital and film photography are two varying ways to produce a photography, each are completely valid and accepted as forms of art. The problem arises when artists start digitally modifying their photographs through the use of Photoshop and other computer processes. Benocsky asks the question “Are digitally modified photographic images still photographs, or are they some sort of ‘digital pictures based on a photograph’, or not even that?”

Until now, photography has a profound influence on paintings ever since optical devices were introduced in the art society. However, the concept of photography influencing painting has been very controversial. While some artist appreciates the development of photography and embraces the impact towards their own works,

The invention of the camera brought about the ability to reproduce art and images to anyone and anywhere in the world. Therefore, as art is now “transmittable” (Berger), paintings have lost their original meaning and became ambiguous by giving people the ability

In today’s society, technology and art go hand in hand. Art has been around for a long time but technology such as computers are still very new. These two mediums have comingled and now evolve and effect the other. Art has changed to reflect the vast improvements technology has contributed to communication and the ability to create using digital space. Technology has also changed with artist pushing the boundaries of what is technical possible in the digital realm. Much of today’s art is created and presented in digital formats. The question of whether digital art is truly art has risen among many critics in the art community.

Digital art is a general term for a range of works by the artists who use digital technologies as a major part of the processes of creation and representation (Paul, 2006). Specifically, digital technology refers to the application of computers as media and partners for the artists in creating art works. However, digital industry is often a vague term and does not clearly define the final form of the art work. In his book called Art of The Digital Age, Wands (2006) has classified digital art works based on their final tool to digital prints, sculpture, installations and virtual reality, performance, music and art of sounds, video and animation, software, databank, and the art of gaming. He says although many digital arts including digital picture

Art overall is created and adored by numerous amount of people for many reasons, such as amplifying shared common visual language. The word art often branches into many different movements and components. Modern art or Contemporary art is one those components; this specific genre began mainly in the 1860’s to the 1970’s. During, this time period artists began throwing aside their own beliefs in a spirit of experimentation and the bringing of new ideas. The purpose of Modern art is to beautify one’s surroundings with intrigue, its often very diverse and cannot be easily defined through a list of visual characteristics, artistic themes or cultural concern. Moreover, Modern art is often hard to understand by people because, unlike Egyptian tomb paintings or Greek sculptures, it speaks to the dramatic social, political and technological changes of the last 50-60 years, and questions many of society’s values and assumptions. Also, Modern artists known for incorporating a great deal of abstraction into their works and representational forms to convey their ideas more elaborately; Rene Magritte is one of those artists.

September 16, 2016, Take me (I?m Yours)[4] took place in New York?s Jewish Museum, as its

The digital Art is the central point between Technology and Art with a great impact to new development on presentation and communication to viewers. This concern the application of digital technology and the use of article to give information through art work. The impact of technology within an arts context lies above all in the fact that the technology is used to beauty Viewers who see how technology is used, begin to realize that it can be used in creative and other ways than were intended. In addition, certain aspects of technology can be presented better and clearer within an arts context. Once the viewers come to understand how the artwork functions, they have a much clearer idea of what the technology is and how it affects cultural

Benjamin’s death in 1940 at the age of 48, is rumored to be a suicide when the Naza’s took office, but is still a mystery. His ideas and concepts however, would live on for decades to come. Much of what he wrote about when discussing art came essentially after the development of photography and film. In his work, “Art in the Age of Mechanical Reproduction,” Benjamin addresses his perception of the changes in art and the aesthetic experience congruent with societal changes. He writes with concern of how the great artworks are viewed after the introduction of photography and film. His idea of mechanical reproduction changed the art world as society knew it, particularly in how the public views artwork and the value of that work as more and more people are able to own, view and discuss it. This paper will specifically look at aspects of Benjamin’s groundbreaking essay and how educators can relate his ideas to the practices in their art classrooms.

The visual art of the twentieth century, known as modernism, was often thought of as being in a state of uncertainty or crisis. According to Robert Hughes, the key word for this new century was “modernity” meaning to believe in technology and not craft , as machines with their “fast, metallic, elastic [and] warm” appearances were new and fascinating to people at this time.