Digital Media And The Origin Of New Media Art

The technological works of Tinguely can be classified as kinetic due to their incorporation of mechanical movement. For Pontus Hultén the inclusion of movement implied a ‘complete rejection of the holy values of art’, the traditional characteristics of sculpture were abandoned and kineticism projected sculpture onto a different course. Tinguely, like Rauschenberg, used technology as a means to question and investigate his society. For the artist of the 1960s technology was a tool; it offered new

The essay written by Charles Baudelaire, titled “The Modern Public Photography”, is not only very clear to be negative towards the pursuing arts of photography, but also very controversial due to the independent and diverse views on this specific subject matter. Baudelaire makes it very clear in his writings that his opinion is firm on photography and its evolving approach to appease the various spectators of the fine arts. In this essay, Charles Baudelaire illustrates his opinion by insulting multiple previous photographic known ‘art pieces’ and breaking them down into literal meanings, insulting the modern idea of literal duplicates of reality as being defined as “art”, and also persuading those interested in category of photography to seek ‘out-of-the-box’.

The history of digital art, which can be more broadly referred to as electronic art, is not only written whilst affected by the consolidation of the aesthetic and foundation that Stewart Brand claims for contemporary culture, but also in the very acceptance of digital art by the institutions and curators of the art world. It is a reality that digital art has remained in a transition for a considerable period of time and has yet to be established as a proper discipline.

With images, words, and sounds been almost endlessly reproduced and distributed, various critics of modern culture suggest that traditional ideas about art and authenticity are no longer applicable. The problem is said to have been noticed back in the 1930s in the popular essay The Work of Art in the Age of Mechanical Reproduction that was concerned about what would happen to the “aura” of unique works of art when photography and other techniques if anybody could make unlimited copies of images. With the rise of digital technology, copying ability became vast and complex and hence the idea of originality is thrown into

the basis of technology and art. In the past, art was a symbol of creativity and passion. After that, I discovered computing. And thus, my foreground of technology started to grow a little.

Between the use of film or digital photography, film is the more effective method when looking for originality and creativity. With the adoption of digital photography, the younger generations, as well as the older and more current photographers are becoming lazy. These groups must recognize that the art of the photograph is being jeopardized by the digital camera and the camera phone. For the current photographers as well as amateur photographers, this essay will serve as testimony to film as well as other chemical methods, and how they shouldn’t be ignored, but preferred. The digital era has had a massive impact on the art world and all of its mediums, but for photography this impact has resulted in the removal of the human from the photograph making process. This intimate process is what makes it an art form. All of films imperfections and unique qualities, as well as its monetary value and scarcity are just a few factors that have made it so precious. To replace this entire process with a microchip is offensive and undermines the importance of the process that is needed to make a photograph. Anyone can take a picture but you must make a photograph, and this skill is being simplified to a digital camera. The impact of the digital era on photography has hindered the process of making a photograph; painting the art form obsolete in today’s society.

However, computer artists now see the importance of these works as they started a “new technologically-grounded aesthetic,”3 that would be an integral part of the development of art through computers.

The next painting, The Arrival of Spring in Woldgate, East Yorkshire in 2011, by David Hockney was produced using today’s modern technology: an iPad. Throughout the years Hockney has experimented with several different types of media such as laser photocopiers, computers, prints, and even iPhones. The Arrival of Spring in Woldgate, East Yorkshire in 2011 is actually a collection composed of various types of paintings; some are charcoal sketches and others, such as the one I am reviewing, were made

In the reading ”New Media Art - Introduction” written by Mark Tribe,the author talks about technology and art becoming new media art. together. According to Tribe in the reading, “We use the term New Media art to describe projects that make use of emerging media technologies and are concerned with the cultural, political, and aesthetic possibilities of these tools” (Tribe, 1). In this quote, the the author interprets new art form as electrical pieces of work to help give out a message; whether it is controversial, aesthetic, or racial topics that connect within our society. In addition, new media art can represent all of these element, some of these elements or even one of these elements. I strongly agree with the author's definition of new media art because in learning and researching about new media I have found three new media artists that support the author's definition. These new media artist are Aleksandar Srnec, Katherine Behar and Camille Turner.

In today’s society, technology and art go hand in hand. Art has been around for a long time but technology such as computers are still very new. These two mediums have comingled and now evolve and effect the other. Art has changed to reflect the vast improvements technology has contributed to communication and the ability to create using digital space. Technology has also changed with artist pushing the boundaries of what is technical possible in the digital realm. Much of today’s art is created and presented in digital formats. The question of whether digital art is truly art has risen among many critics in the art community.

Digital art is a general term for a range of works by the artists who use digital technologies as a major part of the processes of creation and representation (Paul, 2006). Specifically, digital technology refers to the application of computers as media and partners for the artists in creating art works. However, digital industry is often a vague term and does not clearly define the final form of the art work. In his book called Art of The Digital Age, Wands (2006) has classified digital art works based on their final tool to digital prints, sculpture, installations and virtual reality, performance, music and art of sounds, video and animation, software, databank, and the art of gaming. He says although many digital arts including digital picture

September 16, 2016, Take me (I?m Yours)[4] took place in New York?s Jewish Museum, as its

“Vision is the art of seeing the invisible” ( Jonathon Swift). We have been indulging in the arts and have used art as a way to express and interact with the people surrounding us. To the carved images on rocks, and to the cartoons shown on the TV, the evolution of Graphic Design has shown us the importance of typography, photographers, illustrators etc. have on our society. When paper, ink, and pencils didn’t exist, our ancestors would carve their warnings, messages, and emotions on rocks and walls. Our ancestors don’t realize that such small acts such as these was the beginning of a huge movement, that wouldn’t be recognized until thousands years later. During the 16th century, China was able to establish a technique called woodblock printing or, the application of ink on raised curved surface, that allowed multiple text and images to be made quickly. China’s wide extension of printing slowly reached the middle east and caused Europe to start producing woodblock broadsides and printed books. The first printing press was constructed by Johannes Gutenberg, which was the first metal movable type to create a large amount of printed books. In the Old days books were very rare, expensive and were very valuable. The creation of the Printing press allowed books to be done faster, cheaper and it allowed books to be more accessible to the public. Graphic Design or “the art or skill of combining text and pictures in

The beginning of 20th century was a time of drastic change. New developments were made in the arenas of the classical sciences, social science, psychology and philosophy - each challenging traditional thought. Industrialization and the introduction of many new, challenging concepts in the fields of politics as well as the development of new technologies gave artist more freedom to innovate and break the rules of traditional art. By using new materials, techniques and the new approach artists were pushing boundaries of what has previously been accepted art practice in order to invent radically new styles.

“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.