Digression in Nikolai Gogol's Dead Souls Essay

reinforces to Gogol that his name is a factor in his identity and how others perceive him.

After Gogol learns about his two cultures, Gogol's life decisions have really gone with the American customs. But even though he really just follows one, he will always have both close to his heart. The

The reader is convinced that Gogol has had many experiences of his name being said with hesitation and lack of ease that normal American names are pronounced with. Gogol must often compare himself to his peers via how teachers and other authorities handle his unique name. Furthermore, Gogol himself is consumed with doubt in regards to his name, what it means, and how it ties him to his heritage in a way he in unsure how to accept. However pleased Gogol may have been with Mr. Lawson’s approach, everything changes when the class reads “The Overcoat” by Nikolai Gogol. “With growing dread and a feeling of slight nausea, he watches as Mr. Lawson distributes the books...the sight of it [“Gogol”] printed in capital letters on the crinkly page upsets him viscerally” (89). Gogol wants nothing to do with his name at this point, even the book it is printed in is “particularly battered, the corner blunted, the cover spotted as if by a whitish mold,” (89). The confusion Gogol associates with his own name infects him and things around him, just like the “warmth [that] spreads from the back of Gogol’s neck to his cheeks and his ears,” (91). The rest of his classmates, “begin to moan in unison,” (92), and Gogol “feels betrayed,” (91). Gogol takes the class’s negative reaction to the Russian author’s biographical information as a personal assault. It reinforces his rejection to his own name as “each time the name

After the initial rejection of his name at a party, Gogol has decided to legally change his name. This change is driven by the character’s disgust at the name his parents had given him, although it is he that had rejected being called Nikhil in kindergarten. The name Gogol comes to represent two very different things to his father Ashoke, and Gogol. To Ashoke, the name represents his life being saved the fateful night of the train derailment. As Caesar writes, “To Ashoke, the name Gogol is...a reminder of the way in which the reading of [Nikolai] Gogol’s short story saved his life…” (108). To Gogol Ganguli, the name simply reminds him of a strange and sad writer he learned about in English class, with no meaningful representation in his own life. Gogol is frustrated that his parents named him something so silly, especially since it is not even a Bengali name. As Gogol stands before the judge, he is asked why he wishes to change his name, to which he responds, “I hate the name Gogol...I’ve always hated it ” (Lahiri 102) His rejection of the name Gogol allows him to escape the identity placed upon him by his parents. Although Nikhil is an Indian name, it enables him to try on a new and more sophisticated identity. The one by which he has his first kiss, his admissions to college, and subsequently the relationships that

Yet Moushumi is the only one who is involved with his family and can fully understand Gogol. He looks for ways to escape the pieces in his life that he dislikes which makes him seem eccentric to the rest of the society he lives in. While Moushumis relationship is imperative with Gogol, Maxine gives him closure, the ability to experience the life he may actually have wanted to grow up in America, while it lasts, ”Quickly, he falls in love with Maxine, the house, and Gerald and Lydia's manner of living, for to know her and love her is to know and love all these things. He loves the mess that surrounds her Maxine, her hundreds of things always covering her floor and her bedside table, her habit when they are alone on the fifth floor, of not shutting the door when she goes to the bathroom. Her unkempt ways, a challenge to his increasingly minimalist taste, charm him”(137). The author utilizes an ample amount of detail in this passage to describe what he loves about his relationship and what lured him to Maxine even more; however, I feel Gogol admires this part about his relationship with Maxine because her lifestyle is not as strict as his or Moushumi’s. This girl had a great amount of freedom and he embraced what he didn’t and couldn’t like he does with her and her family have in his

Before his father’s death, Gogol struggles with his name and being pulled between two cultures, and is at a point in his life where he is least comfortable with himself. Gogol dates

""is Gogol your first name or your last?" Brandon wants to know…. "actually, that's my middle name," Gogol says by way of explanation, sitting with them in the common room to their suite. "Nikhil is my first name. It got left out for some reason." (p.103)

I believe that a very prominent theme in this story is the struggles in society relating to classes. One of the things that Gogol most often points out is the dress and ranking of the characters in this story. For instance, the barber Ivan Yakovlevitch is described as a very dirty man who does not care about his appearance, probably emphasizing his lower class ranking. Kopek is described as very well dressed and has a somewhat higher ranking of “Major.” Meanwhile, when he spots his nose masquerading as a very high ranked man, it is dressed exquisitely. The nose draws envy of everyone with its appearance and apparent rank. The ludicrousness of a nose causing envy and admiration and fear in people, even in Kopek who owns it, really emphasizes how ridiculous Gogol perceives the class system to be.

In light of Gogol’s parent’s cultural roots and norms it is difficult foreign born Americans to assimilate into a new society. Gogol’s sudden change in “normal” can be traumatic discouraging for him to conform into what is “normal” in America. “The New World offers professional opportunity and financial betterment but also insists on assimilation and acculturation, a rejection of old habits, traditions and conditioning, and a merging with the culture of the new context […] invited to experience the death of the self as he has known it. He is asked to despise home culture which is seen by the New World as inferior, as less

Men in Golconde are motionless, floating in the sky, trapped and without a way to escape. Most people lack the willpower and motivation to achieve their dreams and take what they want from the world, or give value to the world, ignoring that the only limit to what they can do is set by themselves. The windows in Golconde are closed, meaning how nobody is watching the fallacy they are living in and how nobody will help them escape. This idea is like Plato’s Allegory of the cave, where men are prisoners in a cave, having their heads and limbs fixed so they only can see the wall in front of them. They have been in the cave since they were children and they do not know more than what they have learned from the shadows produced by fire behind them, they do not know that behind the fire is sunlight, and an entire world full of wonders waiting to be discovered. For the majority of people this cave where they are prisoners is their culture, and the way for them to be liberated is by knowledge, curiosity an urge to escape the world of relative ignorance where we feel comfort, although is difficult and even painful to escape. At the end, one of the prisoners is liberated and manages to turn around and see, but the light of the fire is too bright, he finds it difficult to overcome but he persists and eventually his eyes get adjusted to see the sunlight behind the flames, he walks out and still in pain, he observes all the detail of the new things surrounding him, the breeze, smells and his shadow, close to him is a river and he manages to see for the first time the true himself. We can be whatever we want to be, as Walt Whitman claims in his poem Song of Myself “I am of old and young, of the foolish as much as the wise. Regardless of others, ever regardful of others” (492). In other words, we are an essence that can be molded into anything, just as the prisoner of the

In “The Nose” the consistent way Gogol moved the story along, with just the right amount of suspense, humor, and quirkiness allows the reader to really enjoy this unique story.

The film showcased Gordie’s thoughts and growth with his friends. From his exterior of a young lad, wimpy and afraid, he had managed to mature in to an independent and confident individual. In the beginning of the film, he had been described, by himself, as a weird guy, since he wasn’t like his late brother, who was the favorite. He loved writing and was good at it, but the unfortunate reality he was in was comparison from his parents, who would rather have a popular kid with ‘normal’ friends later, made him diss his own passion. And this practice developed and later on gave him enough fright to accept his invisibility.

On one hand, Gogol discusses the seemingly meaningless life and death of a government employee in 19th century Russia as he purchases and loses an overcoat, while on the other Kafka’s protagonist deals with surrealism as he attempts to adapt to his mysteriously transformed body. However, both authors use their protagonists’ personalities and their relationships with the people around them to portray how their economic situations shape their lives. More specifically, both Gogol and Kafka argue that money provides the characters with confidence, power, and masculinity. By examining Akaky’s transformation as he purchases his new overcoat, how Gregor makes decisions as a human, and how both characters treat fictional women, one can see that examining these two stories together allows one to see how the above characteristic traits pervade all aspects of life.

The important themes of name and identity are very evident in Chapter 3. The chapter contains when Gogol firsts starts kindergarten. Ashima and Ashoke wanted him to go by "Gogol" at home but "Nikhil" at school. However this then leads to confusing him and he has no interest in another name. He considers that depending on where he is he may need to be two different people then leading to him having two different names. "He is afraid to be Nikhil, someone he doesn't know. Who doesn't know him." (Lahiri ). During his adolescent years Gogol connects a new identity with having a new name. His unusual name does not bother him until he turns eleven and he attends a class trip to a cemetery which is when he uncovers that his name is special. Some of the other gravestones have names he has never heard before so he makes rubbings of them because he

Bernhiemer, Charles. "Cloaking the Self: The Literary Space of Gogol's 'Overcoat.'" PMLA 90.1 (1975): 53-61.