Diminished Responsibility Of A Brisk Wind Run

The culture of set societal rules and conventions urges Catherine to be with Edgar, compelling her to be ‘the greatest woman of the neighbourhood’ due to them being relatively firm in their gentry’s status. This suggests the importance of her social status against the nature of her love for Heathcliff stating, ‘we would be beggars’, through employing the word ‘beggars’ the reader crafts the idea of her belief that she won’t survive without her status. Catherine admits ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him’ Thus implying a swelling sense of her vanity and pride; enough to enjoy the position she gains from being married to Edgar despite her admiration for Heathcliff, being ‘more than (herself) than (she is)’and

The steam from the kettle had condensed on the cold window and was running down the glass in tear-like trickles. Outside in the orchard the man from the smudge company was refilling the posts with oil. The greasy smell from last night’s burning was still in the air. Mr. Delahanty gazed out at the bleak darkening orange grove; Mrs. Delahanty watched her husband eat, nibbling up to the edges of the toast, then staking the crusts about his tea cup in a neat fence-like arrangement.

Catherine is forced to do lady tasks that she thinks are unbearable. "I can stand no more of lady-tasks, endless mindless sewing, hemming, and doctoring" (10). This quote shows

As hardworking women living of the prairie, Mrs. Hale and Mrs. Peters can relate to Mrs. Wright’s situation. They know personally that long days of doing laundry, cooking, and cleaning can become very tiresome (Hedges 91). They realize that living on the prairie can force a woman to be confined to her own house for weeks at a time, and because Mrs. Wright never had children, the grueling loneliness that she suffered must have been excruciating. Mrs. Hale and Mrs. Peters both experience the constant patronization and sexual discrimination that most women in the early twentieth century lived with. They empathize with the difficulties of Mrs. Wright’s life and almost immediately a bond is formed with a woman they do not even know.

Many people describe the role as a mother and a wife as something that is to be welcomed, a natural stage for women. However for the narrator, it changed from something seemingly beautiful to “old foul, bad...” Motherhood to her is then what creative women were to other people during the 19th century. Creativity was natural for the narrator, unlike motherhood; it was part of her being. Motherhood however, was a prison of domestic

An analysis of Catherine´s development in The Winslow Boy, focusing on 2 key extracts from the play.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

She thrived in an industry which was predominantly male-operated, challenging the limits of what a women could pursue. With her knowledge of the family business, Frances was considered “as good a judge of credits as any banker in the country.” (74) Frances Harling proved herself to be just as capable as any male banker, much admired for her capabilities by both old and new generations of the time. Among the women of Black Hawk, Mrs. Gardener also challenges gender norms by running a business. She runs a hotel, with primarily male visitors, with the help of her husband. Although it was common at this time for men to be in charge of their family’s business, Mrs. Gardener took this position in her family’s dynamic. It was in fact “Mrs. Gardener who ran the business and looked after everything. [...] [Her husband] was a popular fellow, but no manager.” (89) Although men were usually the breadwinners of their families during this time period, Mrs. Gardener showed that women could be breadwinners as well. Her skills and ambition provided her with a successful business opportunity that she took pride in. Additionally, her husband appeared grateful for her skills as Mr. Gardener realized “that without [Mrs. Gardener] he would hardly be more than a clerk in some other man’s hotel.” (93) Mrs.

Lady Catherine’s reaction demonstrates the crucial importance of marriage in the society, but also for women.

Catherine is so wrapped up in her fictional world of reading that she becomes ignorant of her real life issues with Henry Tilney, for whom she has been love-struck since their introduction. She entertains herself with wild imaginings about his life and family. Catherine's imaginings foreshadow her eager desire for mischief as Austen's story develops. Catherine is endowed with a vivid imagination, but she has not yet learned to use it in concert with her perception, especially in understanding the interactions between people.

Soon after her own arrival in Bath, Catherine is followed by her brother James and Isabella’s brother John Thorpe. At the initial meeting with the boys, Catherine is mistaken on two different points, still being ignorant in her perceptions of other people. Although slightly thrown off by John’s manners, Catherine is unable to formulate her own negative opinion of him, too affected by the opinions of Isabella and James, and “her judgment was further brought off by Isabella’s assuring her…that John thought her the most charming girl in the world” (Austen 48). For Catherine, it is easier and more natural to accept the opinions of someone like Isabella, a mentor figure. Also, in the same scene, Catherine makes the assumption that her brother James has journeyed “so far on purpose to see me” (49). Catherine hastily jumps to this false conclusion, not having the experience to detect James’ continuous questions and compliments of Isabella as a sign of his true motives for coming to town: to visit the “prettiest girl in Bath” (49).

Alongside Isabella, Catherine begins to learn the ways of the world, though never losing her simplicity or honesty. She discovers that countless people are defined by their wealth and status. Many of the characters that Catherine interacts with are preoccupied with material possessions, such as General Tilney, father of Henry and Eleanor. The General wants nothing more than for his children to marry into wealthy families and continually asks Catherine to compare his own home and gardens to those of Mr. Allen, “With a triumphant smile of self-satisfaction, the General wished he could do the same, for her never entered his (gardens), without being vexed in some way or other, by its falling short of his plan” (167). Austen points out how General Tilney must compare himself to someone inferior to him in order to boast to Catherine about his own majestic gardens. During her stay in Bath, Catherine discovers the intricacies and ennui’s of high society and marriage. She learns that it is not proper for a woman to be seen riding in an open carriage with a man who she is not engaged to and that often, women marry for money, rarely for love. Money often determines social and economic class. Class in 1798 England is central to the overriding marriage concerns which govern society. In order for Catherine to maintain her reputation and in time, attract a man to be her husband, she must learn to read the character

Jane Austen’s Northanger Abbey is a novel that features vibrant character development but the biggest development is that which occurs in Catherine Morland. Catherine’s character nearly develops in all components of her being and she is able to evolve from the unorthodox “heroine” that she is initially described as. In the novel, Catherine starts out as an incredibly naïve and inexperienced girl who confuses all facets of the real world as the plot in a Gothic novel. Catherine develops as a character through her social interactions with those around her as it helps her gain experience with how to correctly perceive the world. With her newly gained experience of her surroundings, Catherine develops and is able to see the real world through a social lens rather than her own subjective lens or that of a Gothic lens.

Marriage and courtship play a valuable and frequent role in Northanger Abbey. Jane Austen incorporates 18th century methods or processes to represent the characters’ ways of finding a suitable spouse. Affluence is built through family relations. For example, Isabella aspires to find a wealthy husband and utilizes many techniques that will help her receive attention from suitable men. She accomplishes this by wooing James and disregarding General Tilney after she marry’s James. Concerning Catherine, John, Isabella’s brother, desires to marry Catherine. He informs everyone in Bath that Catherine possesses tons of wealth, even though she comes from a family of very modest wealth, in order to form a good reputation for himself in the wealthy resort

Catherine’s story begins with the description of her living in the village Fullerton where she has grown up with her family of nine siblings and her parents (who educated her over the years). It is then that family friends of the Morlands, the Allens, (a wealthy couple without children), proposal that Catherine comes along with them to visit the tourist town of Bath. Catherine is more than willing to take up the invitation but her expectations of the outside world are exaggerated due to her reading