Dimmesdale Scaffold Scene Analysis

It was Election Day and Dimmesdale was giving his sermon inside the church. This sermon was his most powerful sermon that he had given. As Dimmesdale was inside the church giving his sermon, Hester was standing outside the church next to the scaffold with Pearl. When Dimmesdale finished his sermon, there was a procession to the town hall. However he did not proceed with the procession. He went to climb the scaffold and called Hester and Pearl to join him. Chillingworth tried to stop him because he knew what he was going to do so he said that he could still save him. Dimmesdale brushed him off and continued to climb the scaffold. Malcolm Cowley states, “Facing the crowd he tears open his ministerial band and shows that there is a scarlet A imprinted on his own flesh” (Cowley 16). He exposed his sin because he wanted to be free of his sin and be with Hester and Pearl. This scene also describes Dimmesdale’s dying words and actions. He asked God to forgive Chillingworth and asked if Pearl would kiss him. So Pearl kissed him on the lips. This was significant because it showed that she accepted and forgave him. Hester also asked him if they would ever see each other again, but he does not think they will because of their

However, Arthur Dimmesdale's confession is not as clear and resounding as he wants it to be. His shriek in the night was only loud to him because he partly wanted to confess, and he perhaps thought that in standing on the scaffold he was taking a huge step. When a person gets to this point, they have two options according to Hawthorne. Either go all the way in confessing or go half-heartedly into it, and if this path is taken, it is more likely to stay hidden. Dimmesdale, himself, does try keeping it hidden even longer since no one found him there that night. However this should be viewed as a failure of Dimmesdale's courage lacking for necessary confession, rather than character for repentance.

In the second scaffold scene, it seems as if Hester has changed from sinner into a citizen who now has a job in society, and that she no longer yearns for Dimmesdale and Dimmesdale no longer covets her. However, this is not true. Hawthorne writes, “The moment that he did so, there came what seemed a tumultuous rush of new life, other life than his own, pouring like a torrent into his heart, and hurrying through all his veins…The three formed an electric chain.'; (page 105) The reader learns from this quote that Dimmesdale and Hester still have a great love for each other. It is also from this quote that the “A'; on Hester has not worked as well as it was intended. Hester still has a great love for the man with whom she had an affair and this may never change. Furthermore, her banishment has given her time to focus on her love for Dimmesdale. Here the scaffold represents Hester’s unwillingness to not love Dimmesdale.

In contrast to the first scaffold scene, the second one happened during the night, completely unseen by the other villagers. Again, we see Dimmesdale and Hester (and Pearl), but this time, the lovers appeared to be both on the platform of shame. In this passage, Dimmesdale finally decided to act upon his guilt since he “had been driven hither (to the scaffold) by the impulse that Remorse which dogged him everywhere” (132-133). This scene symbolizes a moment of great insight for the minister because he started to understand a way to repent himself. As Dimmesdale touched his little girl’s hand, he experienced “[an]other life than his own, pouring like a torrent into his heart and hurrying through all his veins, as if the mother and the child were communicating their vital warmth to his half-torpid system” (137). The miserable sinner, who lived in utter darkness and despair for such a long time, at last began to grasp his responsibility towards Hester and Pearl and his role in the redemption of all three characters. However, Dimmesdale’s insight was not complete because he was still bounded with fear. When Pearl asked him to expose his sin to the public and admit her as his legitimate child, his courage

One night he drags himself up the scaffold steps and screams, hoping someone will find him. “It is done! The whole town will awake and hurry forth and find me here” (Hawthorne 99)! Dimmesdale wants to be found out. What makes him cowardly is the fact that he will night outright confess, but still complains about his internal wounds. As he stands on the scaffold Hester and her daughter, Pearl, walk by on their way home when Dimmesdale stops them and asks them to join him, “Come up hither, Hester, thou and Little Pearl… and we will stand all together” (Hawthorne 101). Dimmesdale, though he’s trying to understand what Hester felt, still refuses to stand there with them in the daylight. Dimmesdale is still just as fainthearted as

Dimmesdale screams in pain and is fearful that the people of the town will wake up and come see him upon the platform. The narrator tells us that the townspeople took the cries instead for that of a witch (144). This second scaffold scene is slightly different than the first. Most importantly, Dimmesdale chooses to expose his sin at night when no one can see. Also, the fact that he tells Pearl he will not hold her and her mother’s hand on the scaffold in daylight when everyone can see signifies that the minister still does not have the courage to take responsibility for his sins. He has only acknowledged his sin to God and that they will all stand together on judgment day (148-149). On the platform his role is reversed. He is no longer the sullen and heartsick minister, but a wry man who laughs at everything that occurs on ground level. He is no longer the Christian minister, but the pagan whose screams were assumed to have come from a witch and finally, no one would believe that this church symbol, high with esteem and virtue, would be in the same place as Hester Prynne, the lowest woman in town (147).

The transgressions that Reverend Arthur Dimmesdale perpetrates all begin when he commits adultery, and that causes him to reject his own daughter Pearl and her mother Hester. However, he still puts forward various different forms of atonement to pay for the awful wrong doings. When Hester is standing upon the scaffold Dimmesdale along with the other clergymen “stood in a

Dimmesdale realizes that he must confess his sin and face whatever consequences may lie ahead of him, whether or not his confession is seven years past due. Before reaching the “well-remembered and weather-darkened scaffold,” where Hester Prynne had encountered the “world’s ignominious stare,” Arthur Dimmesdale cautiously comes to a pause (246). Only two people in the crowd, Roger Chillingworth (Hester’s husband) and Hester Prynne, understand why Dimmesdale halts before ascending up the scaffold. He will finally reveal his identity to the town and release the guilt that has built inside of him for seven years. As Hester and Pearl are about to accompany Dimmesdale up to the scaffold, Chillingworth “trusts himself through the crowd” – or, from Hawthorne’s description, “so dark, disturbed, and evil was his look,” Chillingworth “rose up out of some nether region to snatch back his victim from what he sought to do” (247). Ignoring Chillingworth’s effort to stop Dimmesdale, the three mount the scaffold and face the eager crowd. In one of Dimmesdale’s final speeches, he claims that Hester’s scarlet letter “is but the shadow of what he bears on his own breast” (250). The moment after Dimmesdale reveals his ‘scarlet letter’, he stood “with a flush of triumph in his face as one who had won a victory” (251). As Dimmesdale had wished, his remorse and internal pain is forgotten once he reveals his true identity, allowing his soul to experience its elapsed freedom.

63). Here he says that it would be better for him to come down and stand on the scaffold than to keep in hiding. He even calls himself a hypocrite, but his concern for his reputation keeps him from doing the right thing. When Dimmesdale goes up on the scaffold, he must do it at night for fear of someone seeing him (pg. 136). This shows that his fear is still greater than the pain inside. Consequently, it will be too late when he finally does confess. "More than once, Mr. Dimmesdale had gone into the pulpit, with a purpose never to come down the steps until he should have spoken words like the above. More than once, he had cleared his throat, and drawn in the long, deep, and tremulous breath, which, when sent forth again, would come burdened with the black secret of his soul." (pg. 132). This again emphasizes that he wanted to change, but he is just too afraid of losing his reputation of a Godly pastor. Hester was able to bear the shame, and she is a better person for it, but Dimmesdale holds back because he does not see the big picture. It all boils down to his fear of losing his reputation.

Dimmesdale is the minster of the town, which means that he has several responsibilities and he is surrounded by the idea that he should live without sin to be an exemplar of the town. This creates pressure for Dimmesdale because he understands the severity of the sin he has committed. He feels like a failure to his followers and that he is unfit to be the minster anymore and that his life has no more meaning since he betrayed God. The narrator states “…on a pedestal of shame, yet better were it so, than to hide a guilty heart through life. What can thy silence do for him, except it tempt him…”, which is exactly what Dimmesdale did. He refused to confess when Hester was on the scaffold which left him to hide is

sin to fester in his heart for over seven years, Dimmesdale, now a dying man from sin, decided to

The settings in which Dimmesdale’s public and private lives are set are distinguished. The scaffold is considered the public setting in the novel; not only is this where Hester was humiliated in front of the community, but it is also where Dimmesdale makes his final plea for the townspeople takes place. Generally, the forest is where the private conversations occur; it is where Hester and Dimmesdale talked to each other in privacy for the first time since their affair and where their sinning happened.

In the third scaffold scene, Hester, Pearl, and Dimmesdale reunite together on the scaffold. As others recognize who her secret lover is, the community perceives Hester as a sympathetic figure. When Hester is standing with Dimmesdale on the scaffold, he confesses his immoral actions and shows his version of the scarlet letter on his chest. After seven years the Reverend proclaims, “In the name of Him, so terrible and so merciful, who gives me grace, at this last moment, to do what---for my own heavy sin and miserable agony---I withheld myself from doing seven years ago, come hither now, and twine thy strength about me!” (226).

The Scaffold is first introduced as a symbol of pain and sorrow. Hester is being forced to stand upon it as part of her punishment for adultery. She is miserable while she is serving this public shaming. For Dimmesdale, however, the scaffold becomes a sign of relief. When he stands on the scaffold with Hester and Pearl he is relieved and a weight is lifted off of his shoulders.

This concealed sin is the center of his tormented conscience. The pressures on him from society are greater than those on Hester because he is a man in high standing, expected to represent the epitome of the Puritanical ideals. It is ironic that Dimmesdale, who is supposed to be absolutely pure and urges congregation to confess and openly repent their sins, is incapable of doing so himself. He knows the hypocrisy of his actions but cannot bring himself to admit his deed publicly. In resentment of this he punishes himself physically - he is "often observed to put his hand over his heart, with indicative of pain" (ch 9). Dimmesdale's resistance to be true to himself gradually destroys his well being as well as Hester's, and although he eventually declares the truth, his resistance ends him.