Dionysian And Balance Essay

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

A “tragedy, for Shakespeare, is the genre of uncompensated suffering” (Dutton and Howard, 2003, p. 9). To really understand the play Othello is to truly understand a tragedy; thus, this researcher will analyze Aristotle’s view point and compare it to phrases (or quotes) from Shakespeare’s Othello.

This novel alludes to many historical references, and also alludes to other examples of literature, philosophy, and mythology. The allusions within this story add to the story in a very positive way and make the story better for the reader by giving them something to relate and/or make a connection to, make the story more understandable for the reader, and add humor for the readers enjoyment. The novel most often alludes to the famous play ‘Romeo and Juliet’ written by

A tragedy in its own right must evoke emotion and a response from the audience through effective use of several elements evident in Shakespeare’s and Aristotle’s style of tragic writing. The plot progression of a tragedy should be rather specific under the idea which leads, ultimately, to the downfall of the protagonist. Despite the sorrowful story behind Richard Van Camp’s short story “Mermaids,” the exclusion of several core elements from both styles of writing prevent this piece from being classified a tragedy. “Mermaids” lacked the development of a tragic flaw in the main character, Torchy, and furthermore did not lead the character to their tragic demise, Van Camp also excluded the idea of isolating him over time and rather brought him closer to those around him to get over his inner conflict, which is unlike a tragedy.

Again, a main protagonist, Henry, links to the theme of death through some key events involving a character who was once alive in the novel but is now dead. This theme is evident when Henry’s “friend” named Trot, dies in an unexpected car crash. “Trot was dead. Dead. The word, although Henry had not said it out loud, began to take on some form, as if it was solidifying. He’d never had to deal with the word, or the world like this before. Trot was dead. He was gone. Now. Gone. Henry sat, hands draped, the silver case of his watch glittering at the corner of his eye. He felt weak and infinitely clueless.” (pg. 174) This quote establishes how Henry was completely and utterly shocked about the death of his friend. He couldn’t even bring himself up to saying the word. This shows a huge similarity to how individuals react to the death of a friend in today’s society. Metzenthen strongly represents the theme of death using Henry’s character. Similarly, with Henry, we sense that he is weary and heartsick over the thought of death. Throughout the novel, the author is able to illustrate the idea of death, and show how many people in today’s society also see it as a horrible and heartbreaking

The chosen art piece, from Roman origin, is titled “Dionysus” and portrayed Dionysus, the god of wine, with his follower Pan. This artwork is a great example of Greek art’s influence in Roman artwork. The main elements of Greek’s naturalistic art, specifically of High Classical period, are rendered beautifully in this piece combined with distinctive elements from verism, unique to Roman art. So, the idealism of Greek art and the individualism of Roman art come together to create an art piece that is divine, mythical, and yet very human and therefore, relatable.

Dionysus was the youngest of all god but created one of the things many adults praise, wine. Dionysus, god of wine, traveled around teaching people how to created wine. One day he was captured by foolish pirates who did not believe he was a god. To their surprise they were thrown off a boat and revolutionized into dolphins moments later.

‘Othello’ was written between 1601 and 1603. It was first performed in the Elizabethan courts during the Christmas season. The idea of a ‘perfect’ tragedy is the idea that the tragedy is faultless; it does what is expected; so makes the audience feel empathy and sympathy for the characters who suffer. There are two different types of tragedy: classical tragedy and Shakespearean tragedy. The tragic hero in this play is the main character, Othello. Othello's misfortune comes about because of his jealousy, trust, and his pride. This essay aims to look at, and compare, how Shakespeare wrote his tragedy, and how other tragedies are written. I will mainly compare ‘Othello’, for Shakespearean tragedy, and ‘Oedipus Rex’, by Sophocles, for

By using these guidelines, Shakespeare created one of his greatest Aristotelian tragedies. This is because he applied the Poetics’ guidelines to complex plot, the tragic hero, and the establishment of pity, fear, and catharsis of the audience’s emotions. The complex plot follows Othello and his transformation from nobleman to monster through the exploitation of his tragic flaw. As the plot moves from exposition, complication, challenge, conflict, climax, and finally to dénouement, Othello goes through a recognition scene which leads to a reversal in his fortune and his scene of suffering.

The tragedies Hamlet, Oedipus the King, and Death of a Salesman have strikingly different plots and characters; however, each play shares common elements in its resolution. The events in the plays’ closings derive from a tragic flaw possessed by the protagonist in each play. The downfall of each protagonist is caused by his inability to effectively cope with his tragic flaw. The various similarities in the closing of each play include elements of the plot, the reflection of other characters on the misfortune of the tragic hero, and expression of important themes through the dialogue of the characters.

The tale of Oedipus and his prophecy has intrigued not only the citizens of Greece in the ancient times, but also people all over the world for several generations. Most notable about the play was its peculiar structure, causing the audience to think analytically about the outcomes of Oedipus’ actions and how it compares with Aristotle’s beliefs. Another way that the people have examined the drama is by looking at the paradoxes (such as the confrontation of Tiresias and Oedipus), symbols (such as the Sphinx), and morals that has affected their perceptions by the end of the play. Nonetheless, the most important aspect is how relevant the story is and how it has influenced modern ideas like that of Freud and other people of today.

Throughout Death in Venice, Mann uses geographical locations and natural occurrences to prove that external conflicts are caused by a man’s internal conflict and reflection and that one event in can parallel and possibly characterize a protagonist.

Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason

The supernatural forces are at once alike and distinct in Shakespeare’s The Tempest and in Marlowe’s The Tragical History of D. Faustus. The supernatural is kind to Prospero and his daughter Miranda in The Tempest, while the devils in Dr Faustus eagerly wait for the day that Faustus would join them in Hell. In both plays, the supernatural provides recurrent waves of sounds and feelings, lending special atmospheric qualities to The Tempest and Dr Faustus. The supernatural serves as a reminder of the hierarchies that exist in both plays, and it also illuminates the human heart, revealing the characters’ thoughts and wishes. Often appearing

In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion,  “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,