Dionysus The God Of Wine

The City Dionysia Festival was a celebration of the god Dionysus’ arrival in Athens in mythical times and was usually held annually between March and April. The festival and theater performances were ways of honoring the god Dionysus, who is the god of the grape harvest,

In the myth of Dionysus there isn’t exactly a conflict between two sides of people battling for good or evil, its more as a battle between the two sides of Dionysus’ inner self. Unlike most examples of good versus evil, there isn’t a triumphant side. Just the personality switches between Dionysus being the joy-god or the heartless, savage, brutal-god. The reason for this change is due to the fact that he is the vine god; Wine is bad as well as good. He’d bring up peoples hopes and make them believe that they were capable of anything, but once they were sober again

Dionysos is defined as the god of wine, festivity, vegetation, pleasure, and divine intoxication. In the Hope Dionysos, he is depicted as a peaceful and joyful figure that represent happiness in Greek mythology. The statue is sculpted from marble as its medium and is classified as a stone

Dionysus, on the other hand, invents the timbrel, it is a drum beaten to furious, erratic rhythms that express his compulsive nature. Apollo retains abstract intellect, he is an educator of young men, and promotes logical and rational thought. Dionysus desires irrational power, he liberates humans to explore there potential for emotional and behavioral extremes, he allows his unconscious to flourish, and he is embodied by spontaneous emotion. Greek tradition said that each year Apollo left his sanctuary at Delphi to live with the Hyperboreans, a mythical tribe inhabiting the extreme north. When he did that, Dionysus reigned in Delphi for the 3 winter months. During these months a noticeable change would come over people. Spontaneity came over everyone, and the concept of rational thought would be lost until Apollo's return. Obviously Dionysus was much more liberal when compared to Apollo.

Dionysus was a wanderer. During these journeys he explored the world. On these journeys he came across many different people and taught them how to keep their vines healthy. On one of his journeys he was captured by pirates. While he was in bondage of these pirates they tried to tie him down. Wherever the rope would touch him it would fall apart. In

The culture where the sculpture was produced was Roman. During this period of time, Dionysus was a religious cult figure at the temples. As a mythological personification, Dionysus was believed to be a youthful, joyful and effeminate figure. He was the God of wine, celebration and divine intoxication of power. The female figure standing next to him is Spes, the Goddess of hope, who brought harmony to society. Both statues together represented peace, calm and prosperity to the lands.

I chose to compare and contrast two works of art that featured the god Dionysos. Dionysos was a god of celebration and wine, promoting both the intoxicating power of wine and its social benefits for bringing people together. He was an advocate of peace and a promoter of peaceful civilization. Both The Hope Dionysos and the Triumph of Dionysos and the Seasons Sarcophagus represent why Dionysos was such an important and celebrated figure in mythology, which is why I chose to analyze two works of art that centered on him. My first impression of each piece was of Dionysos as a peaceful, benevolent and joyful figure. I was struck by the calm peacefulness he embodied in The Hope Dionysos and the happiness he shared on the Triumph of Dionysos and the Seasons Sarcophagus. Though there are many elements to compare and contrast, my analysis will show that both pieces are tributes and representations of Dionysos meaning and purpose in Roman art.

As far as I know the Apollonian and the Dionysian are both the sons of (God of the sky’s) Zeus, Apollonian is the god of reason and the rational, while the Dionysian is the god of the irrational and chaos, and that is coming from the Greek mythology. From that mythology I understand that the Apollonian is based on reason and the logic thinking, and the Dionysian is based on chaos and

The essence of this mystery tradition was the embrace of one’s whole self through ecstatic ritual. Sexual longings were summoned and embraced as inherent parts of our inner self. The Cult of Dionysus were worshippers who held rites and initiations to bring them in close contact with this God. These secret rites of initiation were the other essential part of the Dionysian Mysteries. The Cult of Dionysus held the secret rites on Mount Parnassus in the winter, and these rites were exclusively for its cult members. An individual had to make the decision to enter the mystery cult through initiation. These rites celebrated Dionysus’s emergence from the underworld with orgies. They focused on the exhilaration wine produced and used intoxicants and other trance-inducing techniques like music and dance as part of the rituals. It’s believed that at first the songs and dances were designed to stimulate plant growth, and that the orgies were introduced to induce fertility in the vegetation fields. This cult was originally believed to be a wine cult concerned with the cultivation, life-cycle, fermentation, and disinhibiting effects of wine. These rites had a group approach, “which manifests its collective energy through the throbbing patterns of song, dance, and orgiastic sex among its individual participants” (Evans,

Dionysus is the god of wine and fertility, however also became considered a patron of the arts. Along with the variety of things Dionysus was associated with, he is associated with some important concepts. These are, being able to bring a dead person back from the underworld, rebirth after death represented through the symbol of his tending to vines to bear fruit for the making of his wine. There is also the feeling of being possessed by a greater power – which he demonstrated via the influence had from wine. This means that the greater power is the wine – that at these times a man might be greater than himself and do works he otherwise could not.

One piece of evidence that the gods were important to these people is found when the people took time out of their lives to worship their gods together. In the video, about the history of the Greek Theater, people are said have gathered together to dance and sing and praise Dionysus, the god of wine and fertility.

The chosen art piece, from Roman origin, is titled “Dionysus” and portrayed Dionysus, the god of wine, with his follower Pan. This artwork is a great example of Greek art’s influence in Roman artwork. The main elements of Greek’s naturalistic art, specifically of High Classical period, are rendered beautifully in this piece combined with distinctive elements from verism, unique to Roman art. So, the idealism of Greek art and the individualism of Roman art come together to create an art piece that is divine, mythical, and yet very human and therefore, relatable.

The most popular honour that Dionysus received, besides being granted a place in Olympus, was the Dionysia festival in Athens, Greece. The festival was celebrated in honour of Dionysus, and the central events of which

The Dionysian, named for Dionysus, is marked by chaos, drunkenness, madness, and instinctive emotions (Kreis, “Nietzsche, Dionysus and Apollo”). It is excess, dismemberment, and rebirth; the dark, earth-bound force of suffering (Jenkins). The Dionysian alienates figures from social, political, and familial bonds, destroying those who refuse to succumb to its power (McClure). Nietzsche says that the

In Ancient Greece religion and theater went hand in hand. The Greeks developed religion that was based on worship of many Gods. In honor of the Gods there were festivals with dancing, music, and theatrical performances. During the festivals the whole city would come to a complete stand still. All businesses were closed, politics were put on the back burner, and wars were halted. All social classes were welcome to come to the festival, and they all did. One of the most famous religious festivals is the City Dionysia, a festival in honor of the god Dionysus, god of wine, revelry, and fertility. The festival was held in ancient Athens, in March for five days, featuring dramatic competitions. These dramatic competitions consisted of dithyrambs, tragedies, comedies, and satyr plays. The tragedy competition was four plays per playwright, three tragedies and one satyr play. There were two processions; the first was carrying the statue of Dionysus from the temple to the theater of Dionysus at the foot of the Acropolis. The second were the patrons parading through the