Disability In Science Fiction Essay

In Nancy Mairs’ article for The New York Times, “Disability”, published in 1987, she expresses her distaste with the media's representation of handicapped people. Mairs, who struggled with multiple sclerosis herself, clearly and sharply conveys this disgust by stating, “I’m not, for instance, Ms. MS, a walking, talking embodiment of a chronic incurable degenerative disease.” (Mairs 13), and that she is actually, “the advertisers’ dream: Ms. Great American Consumer. And yet the advertisers, who determine nowadays who will get represented publicly and who will not, deny the existence of me and my kind absolutely”(Mairs 14). Mairs is greatly upset that disabled people are defined by their disabilities and, therefore, are underrepresented in public media. This might lead to one asking themselves, but why are they? And the answer, according to Mairs, is quite simple, “To depict disabled people in the ordinary activities of daily life is to admit that there is something ordinary about disability itself, that it may enter anybody’s life”(Mairs 14). Mairs concludes by pointing out how this effacement could have dangerous consequences for both disabled people and, as she called everyone else, TAPs (Temporarily Abled Persons) alike. Treating disabilities as an abnormal characteristic (as opposed to viewing them “as a normal characteristic, one that complicates but does not ruin human existence” (Mairs 15)) can cause one of these repercussions, as it makes the

The amount of people who live with disabilities is a controversial number. Depending on what law and diagnostic tools used, a person may have a visible disability, or one that may lie beneath the surface of his or her appearance. Some people believe that the term “disability” is merely a label use to hold back, or prescribe helplessness. Meanwhile, individuals who have been properly diagnosed with disabilities struggle to maintain respect and acceptance every day. In plain language, there is a lot of misunderstanding between people with disabilities and those without. It is firstly important to get everyone on the same page regarding the definition of disability.

In her essay “On Being a Cripple”, Nancy Mairs presents her audience with an honest inside view of her life and perspective as a cripple, a word she openly uses to define herself. She brings her world to us by discussing a wide variety of things including language, family, and humor, and how these all relate to her life. Through various stories and insights, she allows her readers to gain an understanding and acceptance of people with disabilities. She examines the public’s view of the disabled, as well as the views they have of themselves, and compares them to her own. She makes it clear that she is not to be defined solely by her disability. In discussing honestly her views, as well as

The Medical Model regards disability as an individual problem. It promotes a traditional view of disability, that it is something to be ‘cured’, even though many conditions have no cure. The problem is seen as the disabled person and their impairment, not society, and the solution is seen as adapting the disabled person to fit the non-disabled world, often through medical intervention. Control resides firmly with professionals; choices for the individual are limited to the options provided and approved by the 'helping' expert.

Stella Young’s TedTalk “I’m not your inspiration, thank you very much” discusses the various ways in which those living with a disability are often viewed differently for doing the same mundane things those living without a disability do. In her speech, Young claims that people are lied to about disability. She tells a story about how she was teaching and a student raised his hand asking when she was going to begin her inspirational speech since the only interaction with a person with a disability prior to her class revolved around a person giving an inspirational speech. Young then goes on to state that the world is deceived by “Inspiration Porn” and which leads to the idea that those living with a disability are “objects of inspiration”. She jokes that no matter how long she sat at the bottom of the stairs having positive thoughts that would not get her to the top of the stairs. Young concludes her speech by saying she wants to live in a world where disability is considered the norm and not the exception.

Humans are social creatures. We identify ourselves through our community, loved ones, and those who genuinely appreciate our presence. Our identity defines our personality traits, highlight social roles. Those with disabilities are often confused about their identity because they are misunderstood and stigmatized. Through the use of literature, one can empathize better with other people especially those who are misunderstood by society. Disabled people are more likely to be neglected and subjected to prejudice or discrimination. In “Delusion of Grandeur”, Terry Ann Thaxton, talks about the struggle between Adam and his mother because of his disability. Adam struggles to cope with his environment and finds himself isolated and misunderstood. Families ultimately suffer but through their experience, they can learn some amazing lessons.

The medical model of disability views disabilities as a problem that belongs to the disabled person. It is not seen as a problem that needs the concern of anyone else apart from the disabled individual affected, for example if a wheelchair user is unable to get into a building because there are steps then, the wheelchair is seen as the problem not the steps, according to the medical model.

This essay highlights and discusses models of disability reflected in two separate articles (Appendices A and B). I will identify the models of disability they represent. Both have been recently featured in the Guardian newspaper and are stories on disabled people.

Writer, Nancy Mairs, in her essay, “Disability, “she portrays that there is no representation for people with disabilities in media, “especially television” (par 1). She supports this claim by exemplifying that the one time she saw a women with multiple sclerosis it was on a “medical drama” (par 2) that had romanticized the disability, and how that is not the type of representation that people with disabilities deserve since the doctor from the television drama “uses his medical power to strip” the woman from her independence. Mairs’ purpose is to announce to the public that people with disabilities are still people and they do normal people stuff like “talk on the telephone” or “order pizza” (par 4) in order to claim that people with disabilities

In the media today, people with disabilities are perceived as tragic heroes or as medical miracles. They are rarely seen for their intelligence or for their accomplishments excluding their overcoming disability hardships. The textbook, Everything’s an Argument, contains an excerpt from Charles A. Riley II 's book “Disability and the Media: Prescriptions for Change.” Riley, a journalism professor at New York’s Baruch College, uses appeal to ethos, logos, and pathos to persuade his audience that their methods of portraying disabled people are in dire need of change.

Disability has appeared frequently in recent films (Byrd & Elliot, 1988), a reflection of society’s interest in the subject. These films often misrepresent disability using stereotypes. These stereotypes reinforce negative and incorrect social perceptions of, and attitudes towards,

However, the characters’ views of disability still evince complex, mixed emotions of disability. They do not fit easily within one specific era, instead looking ahead to the future, back at the past, and engaging with the present.

No Pity Chapter Update In No Pity by Joseph P. Shapiro, he first started off with the background and the internal characteristics of people with disability, “Tiny Tims, Supercrips and the End of Pity.” Shapiro discussed on how the society has been long held the idea of people with disability as a form of pity, a form of child-like-image and dependent. Followed that, people with disability, when they were young, were asked to be “feature” on a poster with a “promising goal” that it would raise enough money to support them overcome their disability; however, it is a form to increase pity in others. Additionally, people with disability do not want to be viewed as they are a form of pity; they want to be treated like everyone else.

The dominant model of disability for the majority of the 20th century was the medical model. The medical model’s emphasis is on impairment; this is the cause of the disadvantage disabled individuals face and therefore the site of interventions (Crow, 1996). It is based in the biomedical and clinical. It views disability as a personal tragedy, an idea which is often implicit in work around disability based on the medical model. (Oliver, 1990).

Disability is a human reality that has been perceived differently by diverse cultures and historical periods.  For most of the 20th century, disability was defined according to a medical model. In the medical model, disability is assumed to be a way to characterize a particular set of largely static, functional limitations. This led to stereotyping and defining people by condition or limitations.