Discovery Essay on "Away" Michael Gow

Set in the Australian summer of 1967, Michael Gow’s Away is an elaborate play which explores the ideas of self- discovery and change. Through the war affected nation, three families, each from different social classes, depart on an iconic Australian holiday to the beach. In the play, Gow utilises the characters to demonstrate that going away physically is intrinsically linked to their mental developments. With the help of references to Shakespeare’s A Midsummer night’s Dream, Away uses Gwen and Coral to show the significant psychological changes made by the characters during holidays to the coast. Tom throughout the play acts as a catalyst for the change in other characters and is associated with Puck in A Midsummer Night’s Dream.

Throughout the play A Midsummer Night's Dream, Shakespeare uses both fate and free will to present his philosophy towards the nature of love. The characters struggle through confusion and conflicts to be with the one they love. Although the course of their love did not go well, love ultimately triumphs over all at the end of the play. The chaos reaches a climax causing great disruption among the lovers. However, the turmoil is eventually resolved by Puck, who fixes his mistake. The confusion then ends and the lovers are with their true love. Throughout the play Shakespeare's philosophy was displayed in various scenes, and his concept still holds true in modern society.

Michael Gow’s “Away” is an Australian play, set in the summer of 1967-68, in a time of great social and political change. “Away” tells the story of three families, each from different social classes, living in suburban Australia, as they each embark on their own holiday, attempting to escape their underlying personal issues. Immigrants Harry and Vic love their adopted country but are constantly faced with their son, Tom’s, terminal illness, while Jim and Gwen fret over their daughter Meg’s blossoming independence and her friendship with the socially unsuitable Tom, and Roy is unable to console a grief–stricken Coral over the death of their only son during the Vietnam war. Although each family is completely dissimilar, the theme of love remains

“Away” is a play written in 1988 by Michael Gow. Away refers to the central ideas of Australia in 1967-68. The central ideas embrace the outsiders, family conflicts and grief and loss which affected families in the play. Gow uses three main families to convey the message of the play. The use of language and stylistic devices influence the way Gow has been able to speak to the modern Australian audience. In the play “Away” Gow is able to speak to the modern Australian audience with the use of allusion. Gow alludes to two of Shakespeare’s plays; Midsummer Night’s Dream and King Lear, two well-known actors in the 1960’s; Chips Rafferty and Laurance Olivier and the Vietnam War. The modern audience would have to do research to

Can Discovery truly allows us to view life in a new and fresh way? Due to the complex and abstract nature of the concept of discovery, a true sense of discovery harbour's the ability to incite individuals in many differentiating ways as it can be provoked through their different past experiences. The concept of discovery has evidently evoked curiosity and inquisitiveness through the protagonists of both the indigenous play “Rainbows end” composed by Jane Harrison, and also through the novel “The fault in our stars” authored by John Green.

“Away” is a historical play written in 1988 by Michael Gow. Away reflects to the central ideas, values and conflicts of Australia in 1967-68. The central ideas embrace outsiders, family conflicts and grief and loss which affected families in the play and in the time. Gow uses three main families to convey the message of the play. The use of language and stylistic devices influence the way Gow has been able to speak to the modern Australian audience. In the play, Gow is able to speak to the modern Australian audience with the clever, complex use of allusion. The modern audience would have to do research to understand the allusions in the play however on a superficial level the audience is still able to enjoy the central themes and ideas of the play.

The process of discovery refers to the perception created upon experiencing the unfamiliar and redefining what is familiar. Discovery can be achieved through unexpected means or deliberate expeditionary, whether it be tangible or a fragment of our thoughts/imagination/emotions. Poems ‘The Tiger’ and ‘Young Girl At A Window’ by Rosemary Dobson and poem ‘Invictus’ by William Ernest Henley thoroughly explore this concept via their ideology of human nature and its effect on discovery.

And as I am an honest Puck, If we have unearned luck Now to scape the serpent's tongue, We will make amends ere long; Else the Puck a liar call: So, good night unto you all. Give me your hands, if we be friends, And Robin shall restore amends.” (Shakespeare 5.1.425) The most interesting part of this excerpt is that Puck (Oberon’s henchman) says that he and the fairies are only a figment of the imagination and that he and his fairy world do not exist at all. The audience is asked to look beyond the performance at the intention of the actors. This passage allows the audience to break their character. The show is over and the reality of their own life is now. This monologue by Puck slowly unravels the reality and fantasy world from one another. The play lies in transformation and the forest is the setting of change. Puck invites the audience to think of the play as nothing more than a dream, a midsummer night’s dream. Here, it is clear that Shakespeare is commenting on the reality of plays. Like midsummer dreams, plays aren't real. All of the characters are hung in the audience’s suspension of disbelief. They are the product of imagination and fantasy and also involve the momentary suspension of reality.

The term ‘discovery’ can be explored and interpreted in many different ways, the meaning is created by an individual’s perception, opinion and experiences of discovery. In the book Swallow the Air by Tara June Winch and the film, Titanic by James Cameron explores the concept of discovery as an idea that discoveries can be challenging as they allow for the transformation of an individual’s perspective, and they allow for an individual to discover their true identity and the identity of others around them.

Knowledge can be the key to freedom or to one’s demise, depending on how one choses to act, but no matter what, gaining knowledge is rarely an easy task. Even for students who have information readily available to them, like Victor Frankenstein at the University of Ingolstadt, are constantly under the arduous task of learning. When learning has to be done by any means necessary or in secret, like Frankenstein’s monster or Fredrick Douglass, the acquisition of knowledge becomes even more daunting and makes the learner even more ardent in their pursuit. Once a person obtains knowledge, they see their surroundings for what they are and become discontent; they realize their potential and take action to change their life, which can be seen through the eyes of Victor Frankenstein, his monster, and Fredrick Douglass.

Introducing the aspect of knowledge through the letters, the book shows the dangerous side of knowledge through a journey.

The discoverer has found out something new about themselves or their society which enables them to change their values and opinions to better suit the reality. Discoveries allow us to take control over our lives, reshape our priorities and create a life that is better-suited to our needs. For most of the book Edna's journey of discovery is for her one of empowerment. She seeks to free herself from her husband and from society, by gaining financial, sexual and social independence. It is stated that her awakening is her "becoming herself.

I’ll be an auditor; an actor perhaps, if I see cause” (Shakespeare). He begins by asking himself why these common people are so near to Titania, when he sees that they are preparing a play, he decides to watch, and maybe cause some trouble too. Turns out he does cause some trouble, by turning the head of Bottom into the head of an ass, the interesting thing is that Bottom does not realize that he has changed. Puck does this to frighten the other players, and it conveniently turns out to be the object of Titania’s obsession. This could be by Puck’s design because he gets the pleasure of seeing the players frightened and accomplishes the task of awaking Titania when some beast is nearby.

In his comedic play, A Midsummers Night Dream (1595), William Shakespeare utilizes the enchanting adventures of young Athenian lovers and a group of low-class rudimentary actors and their shared experiences with supernatural creatures to portray the opportunity of being in command of their destiny. By presenting conflicts to these three diverse realms, Shakespeare allows these characters to connect despite their hierarchical distinctions to reveal their determination to conquer their adversity. He uses dramatic irony, metaphor, and symbolism to heighten the audience's awareness of their self-determination and their firm control on their future. Shakespeare inspires the public by instilling in them that despite their challenging circumstances, they can still be masters of their own fate, bestowing a feeling of newfound hope and freewill.

King Claudius in Hamlet comes to realization of his actions, and notices what he is willing to do for power. The play emphasizes trickery and revenge that is yet to come. Shakespeare shows that the characters cannot be trusted, which proves to be true in Act 5 Scene I. In Midsummer Night’s Dream, the play serves to illustrate same circumstance, but different turnout then that of Hermia, Demetrius, Helena and Lysander. In both instances family comes between marriages and has them seek an alternate way to have love. The play teaches that love shouldn’t be taken too seriously, and the couples understand by laughing and having jokes about the play. Shakespeare shows that love is a mixed up emotion and can sometimes be dangerous. Both couples end up looking for each other in a forest and animals interfere, causing havoc. In Pyramus and Thisbe the lion results in confusion and then death. In the case of Hermia and Lysander, Puck also causes confusion, but is able to fix his actions before they became lethal. In both plays, Shakespeare inserts another play to imitate the main story and reiterate common