Discuss The Article ‘Reinforcing The Myth: Constructing

As one of the largest forms of pop culture, TV shows in Australia have had a massive impact on the things we buy, our job preferences, and hobbies that we could take up. In the 1960’s this was very much the case. It was the beginning decade for Television

Making an accurate representation of Australian identity will forever be a difficult task with the vast range of lifestyles its people live. However, this concept is challenged and has developed into an obsession. (ConvictCreations, 2000) This is because of the many age groups, class divisions, differences in location and cultural diversity. Since the introduction of television, producers have made humorous and witty shows, interpreting and critiquing the Australian Identity. This critique is referred to as ‘satire’ and is made apparent mostly in television shows such as Chris Lilley’s 2005, hit mockumentary series, We Can be Heroes. The internationally acclaimed show satirises the ‘faults’ in Australian identity while also providing humorous entertainment. In the short, six episode series, a variety of satirised elements are unmistakable. Characters have been developed to represent the many levels of class division in our society. Enhancing the definition of such classes is the differences in use of language and knowledge between the characters – an effective tool to categorise the differences in our society.

I have tried. The only local program I could praise is Wildside” ( Cited in the Sydney Morning Herald, David Dale). So whilst there are many Australians concerned over this issue there are so many more that do not see the affect the American TV culture is having on Australian television and its identity, the distinction between what is inside and outside Australian culture is slipping away.

The evolution of television content is currently steadily moving towards reality television shows. The shift from interest in fiction drama series to reality shows has turned the regular television viewers into addicted voyeurs. There have been diverse views on the effect of reality television shows ranging from support to criticism. George Will, in his article “Reality television: oxymoron” believes that reality television is making ordinary people degenerate morally and act stupid in the effort to please a disinterested audience. Reality TV shows are relying heavily on building extraordinary characters or events out of the norm and attract the attention of the audience. Kellner argues that the audience is enticed by “media constructs

When we view the award-winning documentary Cronulla Riots, we are questioned about the values and ethics of being Australian. Everyone either young or old, male or female, Middle-Eastern or White, living on Australian soil are questioned about the embodiment of Australian values. Therefore, the documentary successfully achieved its purpose on questioning the viewers of being Australian. This can be best

Australian people and culture are often stereotyped in the media in different forms, one of them being film. The two films being examined, ‘Red dog’ (2011) and the ‘Sapphires’ (2012), are an example of the Australian identity but from different points of view. ‘Red dog’ shows the kind and positive side which exemplifies mateship and loyalty. The film ‘Sapphires’ ,which takes place in the 1950’s through to the 1960’s, shows a negative and racist view towards the indigenous people. Both the films show different aspects of the Australian identity, not all insights of the films accurately represent contemporary Australian identity as the Australian identity has changed by the evolution of people and their lifestyle.

Australian Film allows the rest of the world to have an insight into our way of life, our communities and our land. Australian film usually provides a hard-working and hardy stereotype who lives in the outback and takes pride in his mates, and for a lot of the country, this is mostly true. The typical Australian is a laid back, hard-working community member who prides the relationship they have with their mates, who may not even be a person. The saying ‘a man’s best friend is his dog’ is incredibly true for many, especially Australians, where dogs can be found in all walks of life. At least, this is Kriv Stender’s perspective of Australian identity, seen in his 2011 film Red Dog.

Behavioral Biologist at Edinburgh University, Victoria Braithwaite in her article, Hooked on a Myth, Published in Los Angeles Times 2006, addresses the topic of “fish have feelings”, and argues that we should adopt new ways of fishing. She supports this claim by the behavioral studies and experiments, as well as the examples and similarities the fish have with humans. She adopts a determined and passionate tone for her audience, the readers of Los Angeles Times and others interested in the topic animal justice.

By bringing up well known Australian icons and brands, the author involves himself with the audience.

The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.

Australian film and television deal with such themes by accepting the reality of Australian contexts. The Australian demographic are known for their rough humour and approach, hence the depiction of an Australian man, or woman, can be taken lightly and not offensively. At the same time, film and television are careful in representing Indigenous Australian as opposed to stereotypical white Australians. It is these historical, political, socio-economic ideologies that shape Australia’s national ‘type’.

    The form of communication created by the television is not only a part of how our modern society communicates, but is has changed public discourse to the point that it has completely redefined it, argued Neil Postman in his convincing book Amusing Ourselves to Death. He viewed this as very harmful, and additionally so because our society is ignorant of it as they quickly becomes engulfed in its epistemology. When faced with the question about whether the television shapes or reflects culture, Postman pointed out that it is no longer applicable because "television has gradually become our culture" (79). What kind of culture is this? Postman warned that it is one in which we

This research will only concentrate on the extent of Americanisation in Australia through the influence on television and the film industry as the aspect of Americanisation covers a wide range from fashion to language. To fully understand the topic of the hypothesis, proper exploration of the definitions of ‘identity’ and ‘culture’ are of relevance. ‘Identity’ and ‘culture’ play an integral role in what an Australian represents as well as how the world views Australians. The meaning of ‘identity’ can be summarized as; ‘The collective aspect of the set of

Throughout childhood and adolescence, there are numerous events and situations that impact the rest of the person’s life. While these experiences can leave impressions on the individual's life ranging from future profession to possible criminal record, the way an author creates his work is almost always related to their childhood upbringing. Between topics, symbols, motifs, and themes, authors are more than likely to write from prior experience, which in most cases comes from youth life. Rick Riordan for example, author of numerous children’s literary series demonstrates various examples of how his early life affected numerous aspects of his literature.

The cultural phenomenon ‘Reality Television (TV)’ has become an increasingly popular genre of television since its paroxysm onto the airwaves in 1945. The term ‘Reality Television’ can be defined as the genre of entertainment that documents the lives of ‘ordinary’ individuals through the exhibition of allegedly unscripted real-life scenarios, despite inquisitive inquiries disclosing Reality TV to entail facets of script. The primary objective of Reality TV is purely to entertain the audience. This genre of television is appealing to viewers due to its entertainment principle/value, the audience’s competency to correlate to the characters and their situations, and the contingency it presents for escapism and voyeurism. We can capitalise the Australian appropriation of the American popular dating Reality TV show ‘The Bachelor’ as a tool to further comprehend the purpose and appeal of Reality television. The postulations of media’s obligations to society in contrast to their current actions and media as a mirror to society - the normative theory, can also be utilised as an implement to apprehend Reality TV. Through the strict analysis of ‘ The Bachelor’ and the employment of the normative theory, the purpose and appealing factor of Reality TV can be deeply examined.