Class conflict is represented throughout the play, A Streetcar Named Desire in various ways through characters, symbols, ideas and language. Characters such as Blanche, Stella, Mitch and Stanley are used throughout the text to represent the upper and lower classes, as well as the conflict between the two classes. Symbols, ideas and language help to define the different classes as well as helping to represent the conflict between classes. The language (dialogue) of the characters, symbolic use of names, animal imagery and colour (clothes) and the ideas of cultural capital help to define what the lower and upper classes are.
A Streetcar Named Desire by Tennessee Williams was written in 1947. The story takes place in New Orleans, and can be
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In contrast the name Stanley offers no specific meaning in relation to meaning in the play. Secondly the name Dubois sounds aristocratic, with a possible proud heritage, whereas the name Kowalski sounds more modern. A Dubois speaks softly and flittingly, as the name is pronounced, whereas a Kowalski speaks loudly and brutally as the name is said. Kowalski 's enjoy loud, rowdy poker parties, whilst Dubois 's wince and prefer teas, cocktail parties and luncheons. The names of these two characters help in constructing the conflict between the two classes. The dialogue of Blanche and Stanley and the symbolic use of names help to construct class conflict in the play, A Streetcar Named Desire.
Stella represents the old south being converted by the new south. Blanche fights for Stella to come back and be part of the old south again, accusing Stella of being blinded by desire for Stanley ("What you are talking about is brutal desire - just - Desire!" Scene Four, Blanche). Elysian fields is described as having an atmosphere of decay. This scenery is contrasted to the image of white pillars at Belle Reve. This contrast is to highlight the difference in the world Stella has chosen (lower class lifestyle), and the world she was brought up in (upper class lifestyle). Colour is used by Stanley to keep Stella part of the new south. ("...You showed me the snapshot of the place with the columns. I pulled you down of
Elysian Fields means heaven, but in reality Blanche views this place as hell. She can not believe that Stella would live in such a poor apartment after the life they grew up living. The apartment also plays a crucial role in the play. The fact that the apartment has only three rooms and only curtains instead of doors between the rooms allows for the events of the play to unfold. Due to the fact that the apartment is so small it causes many confrontations between Blanche and Stanley. This is most evident during the poker game scene. Blanche and Stella return to the apartment while the poker game is still underway. Blanche turns on the radio and Stanley immediately yells to turn it off. This and other factors all lead to an argument and ultimately lead to Stanley hitting Stella. This may not have happened if Stanley and Stella lived in a luxurious home with many rooms, because then Blanche and Stella would not have had to be in contact with Stanley.
“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further
This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.
A Streetcar Named Desire is a socially challenging play in light of the way in which Tennessee Williams depicts the capacity of human nature for brutality and deceit. He takes the viewpoint that, no matter how structured or 'civilized' society is, all people will rely on their natural animal instincts, such as dominance and deception, to get themselves out of trouble at some stage in life. William's has created three main characters, Blanche Dubois, Stella Kowalski and Stanley Kowalski. Each of these characters is equally as civilized as the next, yet all are guilty of acts of savagery on different levels. Throughout the play Williams symbolically relates these three characters to animals, 'savages,' through the disclosure of
“Symbols are nothing but the natural speech of drama…the purest language of plays.” Once, quoted as having said this, Tennessee Williams has certainly used symbolism and colour extremely effectively in his play, ‘A Streetcar Named Desire’. A moving story about fading Southern belle Blanche DuBois and her lapse into insanity, ‘A Streetcar Named Desire’ contains much symbolism and clever use of colour. This helps the audience to link certain scenes and events to the themes and issues that Williams presents within the play, such as desire and death, and the conflict between the old America and the new.
Before one can understand Blanche's character, one must understand the reason why she moved to New Orleans and joined her sister, Stella, and brother-in-law, Stanley. By analyzing the symbolism in the first scene, one
While Blanche represents hope of women being able to be free and outspoken, however she also represents the idea that women are very dependent on men for everything. The idea of representing Blanche to be both proper and improper with the society’s rules and regulations is because Williams may have wanted to prove the idea that despite being independent, women will still somehow be dependent on men. Stella represents the submissive nature of women during that time period and is conveyed to be a submissive character, as Williams wanted her to represent what society thinks of women that time. Williams ultimately represents these women in this way in order to infer to the message of shattered dreams, which A Streetcar Named Desire also
In the beginning of the play A Streetcar Named Desire by Tennessee Williams, Blanche first arrives from Laurel Missouri and immediately becomes the antagonist. As the play goes on Stanley starts to go against Blanche. At the end of the play Blanche becomes the victim. In the end, Stanley sent Blanche off to a mental asylum. This plays demonstrates domestic violence. In the beginning of the play A Streetcar Named Desire, Tennessee Williams shows how society accepted it and ignored it.Stanley, one of the characters in the play, found domestic violence to be a positive and very sexual part of him and his wife, Stella's, relationship. Throughout the play, Williams shows that he believes that it is wrong.
Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation
The nature of motivations is driven by an individual’s need to pursue self interest, which directs their course of action. One’s interest is dependent on their influences as well as ambition to achieve goals. In Tennessee Williams’ modern play, A Streetcar Named Desire, Stanley’s actions are directed by his need to maintain power in his relationship with Stella even when these actions are immoral or wrong. The setting of the play takes place in late 1940s of New Orleans; where relationships are predominantly patriarchal. Stanley initially lived life in a stable relationship, taking the dominant role as a man. However, when Blanche is introduced into their lives, Stella is reminded of her upper class roots, interfering the life Stanley originally had. When Stanley’s predominant role is being challenged, Stanley’s need to reattain his personal equilibrium develops, impacting his course of action and treatment towards others. Due to this, Stanley struggles with fear and uncertainty, resulting in increased violence and a short-tempered nature. Therefore, when individuals have strong motives to reach their ambitions, their actions follows, even when these actions may be morally flawed.
The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.
Although Stanley’s power works mainly to downgrade Blanche, his violent and aggressive nature also disempowers Stella. She is abused during poker night, a moment of masculine bonding. Following the poker night she is made powerful when she retreats to Eunice’s Flat. However, she returns to disempowerment when she leaves Eunice’s flat and Stanley ‘bears her into the dark flat’. Stella’s decision to stay with Stanley is not based on choice, but rather on the fact that she must. This enforces the dominant belief that women are unable to support themselves, emotionally and financially.
A Streetcar Named Desire by Tennessee Williams is a strategically written masterpiece with a plethora of themes and literary devices establishing it as one of the greatest literary works of its time. Not unlike most literary works, Williams uses many minor characters to emphasize the characteristics and qualities of major characters. This technique is known as a foil. An example of this relationship would be Stanley, husband of Stella, and Steve, husband of Eunice. These two couples live in a small apartment with almost no privacy from one another. Stanley and Steve share many characteristics; both are brash, impulsive, blunt, and abusive in their own right. Additionally, both men often tend to fight with their wives and always seem to make
Her passivity is shown on several occasions throughout the play. Blanche constantly commands Stella, ‘I like to wait on you Blanche’ , and this shows that Stella is considered inferior to Blanche. Moreover, her submissiveness is shown when Stanley hits here at scene three, this action is shown through stage directions ‘Stanley charges after Stella (…). There is a sound of a blow’. If Stella was a strong-willed character instead of a passive and submissive one she would have left Stanley for what he had done, but she chose to continue suffering domestic violence. In addition, it may be argued that her financial dependency on her husband is also one of the reasons she continues with her husband, this is linked to the Marxist theory as this the economic class of the character affects her personality and action. In addition, her subordination is also linked to a satisfying sexual life, ‘But there are things that happen between a man and a woman in the dark – that sort of make everything else seem – unimportant.’ This is linked to the Freudian theory as it shows that sexual pleasure affects her decision to keep tolerating Stanley’s abuse. The representation of Stella as the subordinating submissive housewife is a representation of the women in the 1940s, who lived in a patriarchal society and in some occasions suffered domestic
“A Streetcar Named Desire” main characters are Blanche, Stella, Stanley, and Mitch. Blanche is the main character of the play, she is Stella’s older sister, and comes to stay with Stella while Stella is pregnant. Blanche