Discuss to What Extent the Monster in Frankenstein Is Portrayed as a Tragic Hero?

The monster, for example, is devastated after he loses his only connection to humanity: Felix and Agatha. After observing them for months, learning how to speak, being their secret helper by stocking their shed with food or shoveling snow, and after dreaming of how he would introduce himself to them someday, his connection with them was lost after Felix found him speaking to his blind grandfather in the cottage. When they all leave, the monster burns down the cottage and sets out to find Victor, in hopes of asking him to create another specimen; one that the monster can spend his life with in perfect harmony. When he finds Victor and tells him about his life and journey, he tells him, when the earth finally started to warm up, “I even raised my humid eyes with thankfulness towards the blessed sun which bestowed such joy upon me” (Shelly 125). Although the monster was terribly depressed, the sun (which is associated with spring and summer; it is meant to bring happiness and tranquility) lit up the Earth, bringing back its beauty after winter, which had caused the monster to feel “gall and bitterness…rage and misery’ (Shelly 124). The beauty that the sun bestows on the Earth offers as a distraction for the monster—rather than dwelling upon his gruesome appearance, he admires the world around him. As Foster explained, winter in literature brings with it misery, and summer brings happiness,

By definition tragic heroes can be considered one who is held up high by society for the good deeds they bring, but is then slowly or quickly taken away from that grace and placed in a world far below what they were originally. An example of this is the excerpt and the tragedy of Oedipus the king. The play shows that the faults humanity can fall through when put into a very stressful situation. Oedipus is a tragic hero because he wants to improve the lives of his citizens, he has a major human flaw of being impulsive and easily irritable, Oedipus takes more punishment than what the play told, his life and fate was not fully under his control, and he makes a vast realization with an equal amount of change.

From beginning to end Frankenstein’s Monster is shown as a wicked creature from the people; however, he possesses many human characteristics. The monster was originally an idea of Frankenstein that will soon come to life. Created from many different parts, the monster was never given a chance to be seen as anything other than a science project. From the outside looking in,

Mary Shelley’s ability to create such multidimensional characters in Frankenstein proves that writing is a powerful tool that has the ability to provoke vastly different opinions amongst readers. Even though each individual reading the story is reading the exact same words, their interpretation of those words often leads to opposing views in regards to the fate of the characters. The creature, in particular, has been a popular topic of discussion when conducting a close read of the novel due to his arguable versatility as a victim and villain. The concept of the villain has evolved over the years, however its basis still rests upon the simple fact that as a character in the story, their actions are a result of malicious intentions

In order for a character to qualify as the tragic hero they must posses all of these qualities: high standing, a major flaw, and a downfall. A tragic hero is someone that is usually of royalty, of nobility, honest, or brave. During the story they usually show a major flaw or weakness. This usually leads to their downfall, loss of power, or even death. Many stories have tragic heroes.

Frankenstein works on a project to create a living creature. The moment arrives, and Frankenstein is anxious, but not worried about the outcomes of his experiments. Instead. Frankenstein anticipated the creation of a living being as he says that he might infuse a spark to bring the dead thing to lay at his feet (Shelley 40). Evidently, Frankenstein believes that the living being he is about to bring to life is not entirely human as he calls it a lifeless thing, s description that could be termed as cold. The creature being made is in a sense not a person, but a slave that Frankenstein intended to control, and that is he wanted the lifeless thing to lie at his feet. The physique of the creature is evidently below the human being’s body. . Frankenstein notes that the creature moves inexplicably and its bodily functions are rather weird if compared to the human body movement and function. The implications of his creation come back to haunt him days later. The creature’s odd movement and bodily functions result to its doing things that are not acceptable to the human being’s community. “At length, I perceived a small hut…This was a new sight to me, and I examined the structure; with great

According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.

Like most horror stories, Mary Shelley’s Frankenstein has a wretched monster who terrorizes and kills his victims with ease. However, the story is not as simple as it seems. One increasingly popular view of the true nature of the creature is one of understanding. This sympathetic view is often strengthened by looking at the upbringing of the creature in the harsh world in which he matures much as a child would. With no friends or even a true father, the creature can be said to be a product of society and its negative views and constant rejections of him. Although this popular view serves to lessen the severity of his crimes in most people’s eyes, the fact remains that the creature is in fact a cold-hearted wretch whose vindictive nature

Throughout the novel Frankenstein written by Mary Shelley, the creature is subjected to countless acts of violence and rejection. For a monster to develop, one must have been formerly exploited either by an individual or their society. The creature is not only a physical product of science, but his atrocious behavior is also an explicit result of Victor’s actions toward him. The creature was not born a monster, but slowly morphed into one as he experiences violence and rejection from his society.

In Mary Shelley’s “Frankenstein,” Dr. Victor Frankenstein has a fascination with life and death, particularly life, and through his scientific studies he decides to attempt to build a body and restore the lifeless body to animation. He succeeds in this, but once he restores the body to animation he looks in the eyes of his creation and immediately deems the creature a monster. He even, after only a few moments of animation, calls the creature a wretch. He then runs away, and when he returns his creation is nowhere to be found. Many other events occur where the creature comes in contact with humans and they deem him a monster as well. One even goes so far as shooting the creature after the creature has just saved the life of this man’s

A tragic hero by definition is ordinary person neither good nor bad, is in a better social standing, falls to misfortune, and contains a tragic flaw. This person goes through a series of reversals all the way up till they make an error in judgment. After their

There has been a lot of discussion about what truly defines a tragic hero. If we take a look at the work of well known Philosopher Aristotle, he clearly defined what is needed for a character to be considered a tragic hero. He pointed out 5 specific traits that the person must have to fit the role. They must have skewed judgement, which normally puts them in the position that they are facing. The character must have a realization during the story, there should be an event where they find out that their immoral ways have led them down a path of destruction. They should figure out their wrong doings on their own by taking the time to reflect upon themselves and understand the mistakes they have been making in life, and how to correct them. The person should be filled with pride, as if no one can touch

It is necessary to have a clear definition of a “tragic hero”. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment” and brings his downfall to evoke the feelings of pity and fear among the audience. Aristotle also names five key characteristics that make a tragic hero a tragic hero. They are as follows: hubris, anagnorisis, catharsis, hamartia, and nemesis. We can recognize these five stages by following Karenin’s thought process throughout this passage.

My definition of tragedy is the mass loss of innocent life. There is a distinct difference between my definition and Aristotle’s. Aristotle’s is meant to encompass a heroic feat attempting to create fear and pity.

The only direct challenge to the Aristotelian definition of tragedy is the portrayal of the