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Disease And Decay In Hamlet

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Shakespearean dramatic tragedies are often set with a fatally flawed protagonist. Usually, the protagonist is positioned in an intensive demanding situation that results in his fatal ruin and ultimately, his death. In William Shakespeare’s play, T he Tragedy of Hamlet, Prince of Denmark, the motif of disease and decay is a significant role for plot development and characterization. The doom and tragedy of the state of Denmark and the major characters are seen primarily at the start of the play which is set with an anxious and dreadful atmosphere. From there, the plot is developed as each character falls with a diseased will and begins to decay. The element of disease and decay in this Shakespearean play perfectly places the tone of the tragedy …show more content…

At the beginning of the play, Hamlet, Shakespeare’s protagonist, is already enraged by the death of his father and the marriage of his mother and uncle. In his first soliloquy, Hamlet says, “But two months dead—nay, not so much, not two” (1. 2. 139). His mother's swift marriage to his father’s brother has torn apart the structure of his world. These short series of events trigger the depravity of Hamlet’s character. Throughout the novel, his is continually upset with everything - Ophelia, Claudius, and even himself. His fatal flaw of the inability to act forces him to tear himself apart. To express his disappointment in himself, Hamlet declares, “Why, what an ass am I! This is most brave/ That I, the son of a dear father murdered/ Prompted to my revenge by heaven and hell/ Must like a whore unpack my heart with words/ And fall a‐cursing like a very drab/ A scullion!” (2. 2. 545-550) This also exhibits his knowledge of King Claudius’s moral decay which is quite contagious. Those who were “doing his bidding,” such as Polonius, Laertes, Ophelia, Rosencrantz and Guildenstern, “seemed to lose their moral sense” which led to “fatal consequences for themselves” (James …show more content…

Shakespeare uses vivid, visually detailed descriptions to reveal the fall and decay of each character and help develop the plot. These include poison and its effects. “Upon my secure hour thy uncle stole/ With juice of cursed hebenon in a vial,/ And in the porches of my ears did pour/ The leperous distilment, whose effect/ Holds such an enmity with blood of man/ That swift as quicksilver it courses through/ The natural gates and alleys of the body/ And with a sudden vigor doth posset/ And curd, like eager droppings into milk,/ The thin and wholesome blood. So did it mine/ And a most instant tetter barked about,/ Most lazar-like, with vile and loathsome crust/ All my smooth body” (1. 5. 61-73). Hamlet’s father’s ghost reveals to him that King Claudius had murdered him with poison in order to obtain the throne. Shakespeare also mentions “maggots” and “worms” breeding and feasting on flesh (4. 3. 23-25). Shakespeare’s famous scene over Yorick’s skull in the graveyard scene furthermore expresses the motif of disease and decay. Hamlet realizes that everyone eventually dies, even men like “Alexander the Great” and the “Imperious [Julius] Caesar” (5. 1. 174, 193). Hamlet forcefully accepts that it is, too, his destiny. The death and physical decay of the skull represents Hamlet’s forceful understanding that it is his fate to fight Laertes and

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