Disposition in the Face of Adversity: an Analysis of Sir Gawain and the Green Knight

When you think of a knight what do you picture? Do you picture a fragile, cowardly, dishonorable man? Of course not, you picture a strong man who is willing to give up his life for the kingdom. In “Sir Gawain and the Green Knight” retold by Susan Thompson, a legend is told of, Sir Gawain on his quest to protect his king and fellow knights’ honor. After the Green Knight had challenged them and embarrassed King Arthur and the Knights of the Round Table, Sir Gawain took up the challenge in an act of true chivalry. In this legend about a battle of knighthood between Sir Gawain and the Green Knight, Sir Gawain is the better knight. He is a true romantic hero and follows the Knight’s Code of Chivalry, by serving the liege lord, King Arthur, in valor

Sir Gawain and the Green Knight is an Arthurian poem; an enchanting story of chivalry, romance and heroism. With its intricately woven details, parallels and symbols, the reader will often easily overlook these facets in a story of this caliber. Undoubtedly, the author would not have spent time on details that do not add to the meaning of the overall telling of the story. The three hunting scenes in Sir Gawain and the Green Knight, and in parallel, the three temptations, monopolize a considerable portion of the story. In a comparison of the three hunts and their corresponding temptations, we will see how the poet parallels these circumstances to emphasize the meaning of its symbolism.

​In the beginning of Sir Gawain and the Green Knight, Gawain is introduced as a courtly knight with a sense of perfection. The author does this to compare it to his failures, which are later displayed through Gawain’s acts at Morgan le Fay’s castle. Gawain is portrayed to be a chivalrous knight with honor and courage. Gawain is presented with a challenge: accept the game to cut off the Green Knight’s head, and in a test of courage and honor, set out to allow the Green Knight to return the favor to him in a year and a day. This initially shows the knightly characteristics of Gawain which presents him as noble and honorable, which allows the author to shock the audience when Gawain falls under pressure to actions that contradict the chivalrous code. The first of these actions taken by Gawain in opposition to his morals is the temptation

Throughout the Arthurian legends, Sir Gawain seems to be the epitome of a noble knight. He is always putting his king before himself, repeatedly sacrificing his own life in some way for King Arthur. He is an honorable knight that lives up to his word. This is evident in both Sir Gawain and the Green Knight and "The Wedding of Sir Gawain and Dame Ragnell." In these stories, Gawain lives up to the expectations of a knight belonging to the legendary Round Table.

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

Several fictional works set in Arthurian times contain numerous similar elements, whether that be in the structure of its plot or encounters with mythical beings; however, one particular element of these tales stands out among the rest, that being the knights in the stories. Both chivalrous and virtuous, knights are the very embodiment of Arthurian mythology, and are a staple in many Arthurian legends. Their courageous acts of selflessness and loyalty to their lords only add to their reputation, inspiring many authors throughout the ages to capture their likeness in various texts; however, only one author has been able to truly capture what it means to be a knight, that author being the “Gawain Poet.” Also known as the “Pearl Poet,” the “Gawain Poet” is most known for his chivalric romance Sir Gawain and the Green Knight. The story revolves around a central conflict in which the protagonist, Sir Gawain, must fulfill an agreement with a mysterious knight. Gawain’s “debt” must be repaid exactly one year after their agreement, and if Gawain should fail to do so, his honor and reputation would be tarnished. It is through his struggles that Gawain not only grows as a character, but also shows what it means to truly be a knight. Sir Gawain is the epitome of a knight because he is not only chivalrous and virtuous, but also stays true to his word in the face of danger.

    Sir Gawain and the Green Knight is a tale that takes place in the medieval period. During this time period, knights were considered very common and were expected to follow one main code of law, chivalry. This code mainly stated that a knight must be loyal to his king, honest, modest, and brave. Chivalry is practiced in Sir Gawain and the Green Knight in the form of tests that are given to Gawain to reveal his true character, and what is valued most to him. Throughout these tests, Sir Gawain proves that he values his honor over his life and will not fall to temptations displayed to him.

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

As a consequence, Gawain giving into the temptations does not allow for him to stay a good knight. Because he follows chivalry specific values, he must give into the temptations that he encounters with the temptress. “…he shrank for shame as the Green Knight spake; and the first words he said were, “Cursed be ye, cowardice and covetousness, for in ye is the destruction of virtue.” Then he loosed the girdle, and gave it to the knight” (Weston 40).

Gawain’s character is one that is written by multiple authors over multiple texts, yet his defining characteristics remain consistent across Arthurian legend. His reputation precedes him because his “literary existence is not confined to a single work,” as author Kate McClune notes (118). His presence in various works of medieval literature creates an expectation of his character as well as his heroism. Gawain is habitually portrayed as having the essential characteristics of a chivalric hero. This is most evident in the poem “Sir Gawain and the Green Knight” by an author known only as the Gawain Poet.

In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his

The challenge of maintaining virtues becomes a psychological game as Gawain is separated from his peers. He battles foul enemies including “dragons/ ...wolves, and satyrs, / And forest trolls, / And bulls, and bears, and ivory-tusked boars, / And giant ogres” (lines 719-723), but his physical monsters are glossed over in comparison to the mental turmoil that Gawain faces during this segment of his journey. In his “friendless” (line 714) time “nowhere near home” (line 714), Gawain lacks the support system of his compassionate friends of the court. The only backbone he has is in his faith, leading to his prayers to Mary “To end his grief, / To guide his weary / Steps to relief” (lines 737-739) in an act of piety, another knightly virtue that Gawain embodies. Coincidentally, the pious act that grants him the salvation of discovering the castle and brings the joys of having human companionship again also leads him to his greatest challenge: the seduction of the Lady Bercilak.