Distinctive Voice In The Film 'One Night The Moon'

In Rachel Perkins film, One Night The Moon, Issues relating to culture and social class are explored through the perspectives of different characters, as they confront a tense and divisive situation. Perkins explores the characters’ relationship with the outback landscape through a series of emotive songs and structural features, such as camera angles and wide shots. With the use of contrasts, Perkins is able to express the theme of cultural difference in a number of ways , however, despite the crisis of Emily running away, this results in a number of discriminative and conflicting problems.

It is not easy to find what make people’s identity. The causes are sometimes visible and are sometimes invisible. People often say features of appearance can be identity such as skin colour, hair colour, eyes, and body frame. Other people, however, might say languages, lifestyles, beliefs, and families make identity. In the world, the differences of these things such as appearance and beliefs have been discriminated. Especially, Indigenous people often have been invaded their cultures and lands in the world and because of this, the number of Indigenous people have decreased. The main focus of this essay is Australian Aboriginal people’s identity. Dudgeon, Wright, Paradies, Garvey, and Walker (2010, p. 6) stated: ‘Aboriginality is about descent, culture, upbringing and life experiences. Thus there are many elements which impact on forming Indigenous identity. This essay will discuss that Indigenous Identity is influenced by various surroundings including government, family and cultures. Firstly, it will introduce the author and the book details and background. Secondly, this essay will explain family member impact on identity development. Thirdly, it will also describe the connection between identity and kinship ties. Then, it will explain the connection between identity and Cultural Interface. Finally, it will define the impact of land right on identity.

Our knowledge of the generic conventions used in poetry influences our understanding of the text. “The Firstborn”, a poem by Aboriginal author Jack Davis, enables the reader to determine the poem as a graphic protest about the extinction of and discrimination against the Australian Indigenous people, and the loss of their ethnicity, as their world collides with the Western culture. By focussing on my understanding of both generic conventions and author’s context, I am able to conclude that the poem concerns a tragedy within the Aboriginal community.

The different perspectives create interest and draw us into the experiences of others. The two texts, ‘The Tracker’ composed by Rolf De Heer and ‘Bran Nue Dae’ composed by Rachel Perkins explores this notion. Both films are evident to the racial discrimination of Aborigines in Australia. ‘The Tracker’ is a 2002 art house film set in 1922. It is clear that there were no Aboriginal rights and which white settlement had the greatest control. ‘Bran Nue Dae’ is a 2009 musical/comedy/drama film set in 1969 about the beginning of Aboriginal rights.The different perspectives are from Colonial/Indigenous people. The voices were through the role of the characters, the genre, the music and the cinematography.

Oodgeroo Noonuccal was an Australian poet, activist, artist and a campaigner for Aboriginal rights. Her poems ‘We are going’ and ‘Let us not be bitter’ conveys the loss of the Indigenous culture and how much they suffered because of this. Oodgeroo Noonuccal’s perspective on Aboriginal rights is impassioned, concern and worry for the loss of her family and home. She expresses these emotions using imagery, poetic structures and poetic techniques, such as inclusive language and symbolism, to strongly represent what she is feeling and how much the Indigenous people have suffered through.

Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.

The notion of the contemporary indigenous identity and the impact of these notions are both explored in texts that have been studied. Ivan Sen’s 2002 film ‘Beneath Clouds’ focuses on the stereotypical behaviours of Indigenous Australians highlighting Lina and Vaughn’s journey. This also signifies the status and place of the Australian identity today. Through the use of visual techniques and stereotypes the ideas that the Indigenous are uneducated, involved in crime and the stereotypical portrayal of white people are all explored. Similarly the notion of urban and rural life is represented in Kennith Slessor’s ‘William Street’ and ‘Country Towns’.

In surveying Australian film production over the last century, what visibly occurs is a general evasion of Aboriginal issues and an absence of any balanced representation of Australia’s notable Indigenous population. But I need to add, that things are changing. Several recent films seek to redress this imbalance and provide a substantial Indigenous storyline.

Australian film and television deal with such themes by accepting the reality of Australian contexts. The Australian demographic are known for their rough humour and approach, hence the depiction of an Australian man, or woman, can be taken lightly and not offensively. At the same time, film and television are careful in representing Indigenous Australian as opposed to stereotypical white Australians. It is these historical, political, socio-economic ideologies that shape Australia’s national ‘type’.

The narrative code of “The Sapphires” positions the viewer to recognise what it was like for a Aboriginal attempt to succeed in what they enjoy, in this case a singing career. The audience views the struggles of race and prejudice towards Aborigines in the

Over the course, Caring for Country, I have learnt that there are a number of contrasting ways individuals’ believe is the key aspect to an Aboriginal persons’ identity. For example Trigger (1995) believes it is the group language or language name that is key aspect to an Aboriginal persons’ identity, while Rosalie Kunoth-Monks from the video ‘I am my Homelands’ (Amnesty International Australia 2011) believes that the participation in the day-to-day management of their own community is what underpins an Aboriginal person’s identity. Fabienne (1994) follows a similar ideology on Aborignal identity to Kunoth-Monks (2011) and believes

There are many diverse interpretations of the words “Australian Identity”. The national anthem, as evidenced in Stand Up, is a primarily white interpretation of Australia and the Australian identity, with many of the lines ignoring the Indigenous people of Australia (Perkins et al, 2012). Another form of the “Australian Identity” was one presented by Prime Minister Paul Keating in his Redfern Address in 1992. He proclaimed that “Australia is a first-rate social democracy…truly the land of the fair go and the better chance”. This idea presented represents an egalitarian society, where every single human has an equal opportunity at life. Yet another, shown in the songs Paul Kelly sang, but especially in “this land is mine” is the difference between the identity of Indigenous Australians and non-Indigenous Australians (Kelly et al, 2001). Each of these texts addressed a major issue. Stand Up compared the relative value of tradition and the right to freedom of expression. Keating’s speech expressed the need for justice and recognition of both the stolen generation and the injustices done to the Indigenous people as a whole. Kelly’s songs represent the importance of the land to Indigenous people and why the “returning of the land” is so important. Although they each mentioned a major issue, the texts all gave solutions to these issues, from reiterating the importance of the basic human right of freedom of speech in Stand Up, to explaining the role and qualities of the Aboriginal

An individual’s search for identity is fuelled by a need to find a place in the world where we belong, thus not belonging consequently leas to a feeling of alienation and isolation. This notion is explored through May’s journey seeking to connect with her racial heritage, her idea of understanding and acceptance. The old man Graham, May encounters at the mission expresses an Aboriginal perspective on the contemporary relationship between the two societies. “no one to talk about it. And they die, kill em selves, than those governments just put another numba, nother cross in they list. They still trying to do it, kill us of, tell us that its always been they plan.” They hybrid vernacular communicates the hatred through the ethnolect strongly marked by the non –standard features of the pronouns in “they list,” “they plan.” Graham’s diatribe reflects him as an individual demonstrating the marginalisation of the minority groups. Similarly, Armin Greder’s picture book The island demonstrates the notion concerning the duality of belonging with its inherit prejudices and xenophobic attitudes expresses the majority’s deliberate exclusion of ‘the other’ outside

In 1940, Woody Guthrie wrote the song This Land is Your Land. He wrote it to explain that America is everyone’s, not just the people who can pay for it. He traveled across the U.S.A singing hundreds of song that he wrote. He also made quotes that are still famous today. This song and these quotes are similar to each other, but they also are different from each other.

I agree with Michael Dodson through establishing the twin projects for Aboriginal people. The first twin project is self identification which is essential that the Aboriginal people to self identify themselves and to actually break away from the representations that the colonisers’ gave implied on them. Michael Dodson argues that one has the right to control their identity to broader the right to self identification ( Dodson 2003, pg 22) that he is trying to make the Aboriginal people to develop an identity of their own. A Positive reinforcement that Dodson has placed that is found in the article is the Un study that gave recognition for aboriginal people’s right and that they are being heard an has made an impact for Aboriginal people to find their own self identity and It is a way to ensure that Indigenous peoples can direct their cultural, economic and social development and participate fully in the democratic life of the entire community