Distinctively Visual Analysis Essay

In this color photo my eye is immediately drawn to the blue car just below the direct center of the photograph. The car’s paint is faded everywhere except the very front of the hood making the color a very pale blue. There are two men leaning on either side of the hood, on the far side the man has his back to the camera and is wearing a blue shirt and a grey hat, the man on the near side is wearing a plain white t shirt with brown pants with one of the pant legs tied in a knot because his right leg is absent. You can see the man in whites front side, he is overweight and has brown curly hair and appears to be holding something but I could not identify what it was in this picture. On the back side of the car both the trunk and the driver’s side rear door are wide open with two small boxes with handles placed on the ground right below the door. The car is parked on a bridge constructed of basketball sized rocks dirt and a large metal pipe that a small stream of dirty water is flowing through. Upstream from the bridge there is a buildup of sticks and logs that spans the whole stream. The stream starts on the left side

Critical visuality breaks protective molds of visual experiences to interpret them using historical, sociological, cultural, political and environmental aspects of society. Visuality does not have a critical aspect to it because the creators expect the viewer to accept what is presented to them and not question the how valid the information is or if there is a bigger context to it. Some of the creators can be the government and the news media. These creators impose a sense of trust on the viewer that the text and images presented is truthful, just a true reflection of society the way it is and how it will always be.

For instance, upon seeing certain cards you could think I have excellent credit or possibly doing the regrettable thing and using the cards to pay off other cards. One could interpret the pictures as a sense of remembrance of a past that at one time was full of happiness and sorrow and the other photo could be taken as a new beginning, a love worth fighting for. One could view all the clothes in the backpack to be a bit excessive but to others, it marks a wise mother who knows that anything could happen when it comes to children. Looking at the tattoos, one could be disgusted and wonder why someone would degrade their body in such a manner while other people would think of the basic symbol of a phoenix;” a beautiful bird that dies in a fire of its own making only to rise again from the ashes.” (New World

A picture is worth a thousand words, and each piece of artwork has its own unique story to tell. The smallest change in style can lead to the picture setting a completely different tone, which is true whether the painting hangs in a museum or illustrates a children’s book. Illustrations in books draw the attention of younger readers. However, illustrations are not limited to the bright and lighthearted picture books such as the Dr. Seuss creations. Pictures in young adult novels enhance the meaning behind words, allowing the reader to have a better understanding of the story.

In this C-print portrait photograph of a Saint Joseph ballet dancer from Orange County, California, the subject matter is the person, Stephany. She is pictured wearing a very intense red hue Guess sweater, an almost blank expression on her bare, natural face, and she is standing, posed with a slight lean inward to the left but her gaze is straight ahead. Her facial expression is soft, and there is a complete lack of subject matter in the background. The contrasting value difference in the Guess sweater she is pictured wearing and the whitish-gray empty background keeps your eyes focused on the subject.

Rendered in this composition are two children warming themselves on a rug in front of a fireplace that emits a warm glow. Their hands are splayed towards the heat absorbing its warmth into their palms. The image is like a snapshot of a moment in time. The fire grate holds a position at the left edge partially out of the frame. A pair of slippers rest behind one of the children and to the far back of the image, blurred, a possible female form lays. This formal artwork created on canvas with oil paint approximately 147 x 110 cm, captures the essence of youth and the bliss of ignorance. The children represented in this painting show no concern with being seen nude. There is nothing for them to hide, they are safe in the confines of their home and kept warm by its hearth. The entire painting itself carries very strong sentiment that’s realism can be felt by the

I am going to introduce an artwork A Wooded Landscape in Three Panels created in 1905, by Louis Comfort Tiffany. When I entered the showroom, I was immediately fascinated by its huge dimension, 86.5 inches in height and 131.56 inches in width. The medium of this artwork are glass, copper-foil and lead. This is a stained glass window of a forest scene. A beautiful landscape with a lot of big green trees in front of the picture, many bright colorful wild flowers in the right corner, and a small pond behind the trees, etc. The small pieces of colored glass are arranged to form patterns and the whole pictures. They held together by strips of lead and supported by a rigid frame. Working with glass allowed the artist to achieve varied and interesting effects. When the light shines through this window, the viewers are able to see many different colors of the picture, and the artwork looks so lively. It is an amazing glass window I have ever seen before.

Upon glancing at various beautiful paintings there is to offer at the Museum of Fine Arts, only one astonishing artwork caught my immediate attention. The artwork is named “The Windmill on the Onbekende Gracht, Amsterdam” and it was painted by Claude Monet of the impressionist period in 1879. The medium is oil which is used for the oil painting on a canvas. Besides the subject matter, the content of the overall painting represents a serene and beautiful setting in which one can take ease and enjoy. It is a breathtaking view that captures a fleeting moment of a town setting by the riverside. Furthermore, the title also signifies the importance of the central object, which is the windmill.

Eyeballing or manual practice of viewing and analyzing crime maps is a method in which the analysis visually looks at the point scattering in search of the clustered points that are located together (Paynich, n.d., p. 373). This is a method that my department used for years, until the implementation of a data driven method of enforcement along with the use of predictive analytics to reduce fatal crashes. There wasn’t a county post that did have a county map with pins in three (3) different colors differentiating property crashes, injury crashes, and fatal crashes. After viewing the map for the clustered areas, that where the troops where directed to make enforcement efforts. The issues, there were no times, days, or probability associated

This painting is of a field full of flowers and a stretch of sidewalk that ends with a sign right in the middle of it. There are yellow flowers and pink flowers. A streak of jet clouds in an otherwise uninterrupted sky. And it would be an amazing peaceful view if it weren’t for the big striped sign that declares “END SIDEWALK”.

This chapter looks at the various stylistic aspects in the prints which can be identified as Chinese or portraying Chinese origin and a plenty of factual detail and local narrative.

- For example "nobody was very helpful"- the illustrations and facial expressions in the picture book show this . Tan utilizes a brown and grey colour palette to give the "thing" a futuristic desolate appearance. This is then juxtaposed against the bold red of the "lost thing", this reiterates the isolation, but avails the audience to connect with the thing, as a sense of life and reveal that hope is attached to it. This shows how provocative an emotional discovery can be, which withal influences the audiences perception on themselves and the world around them. In integration by the end of the picture book we witness how puissant discoveries can be to an individual's perception as the boy experiences personal loss-

There is a single gallery exhibition showing at the Art Institute of Chicago, presenting Bridget Riley’s works. Gallery 294 is exhibiting three paintings and one installation in all. Riley is a British artist who dominantly engaged in a short-lived art movement called Op Art in 1960s and since then she developed her works from abstract black and white paintings to colorful stripe paintings. Riley inherited the legacy of Abstract Expressionism. She used simple geometric shapes in her paintings and arouses viewers’ complicated sensations but also provides viewers’ virtually optical experiences.

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Following the characters fiction like attitude and looks, the video quickly sets the surreal tone with the use of pastel colors and flat lights. Most of the scenes colors produce little to no contrast or shadows, further implicating the dull and lifeless of the scenes. The pastel colors are not only incorporated in the characters surroundings but as well as the characters themselves. The father and son are dressed alike in pastel blues and oranges with matching bowties, almost as if the son is trying to mimic his father. When a son wears his father’s clothes or a daughter wears her mother’s makeup it indicates that the child desperately wants be like their parents or because they want their parents to approve of them. Furthermore, the setting is proved to be much more unrealistic with artificial sky colors and disperse of child-size objects around the characters. The artificial sky colors almost indicate a fantasy life the son wishes he could live in, with unrealistic features for his unrealistic hopes that his father will become mentally involved in his life.