Distinctively Visual Analysis Essay

This painting depicts a sidewalk café in France at night. There is a doorway to the front left of the painting that is painted blue, and is surrounded by a wall that gleams yellow from the outdoor lights. Attached to the wall, there is a large awning, and it covers the diners and the empty tables that are a part of the café. Above the awning, there are open window shutters

The artist used an array of colors in the painting to portray his idea. He used different values of colors to show the objects that are getting direct sunlight and those that are shaded. The trees that are in the sunlight have a lighter value of brown on their trunks and a lighter value of green on their leaves, while the trees that are in the shade have darker brown trunks and darker green leaves. The dirt road is a tan color with spots of darker brown to show where the shade lies from the trees. You can tell that the horses and wagons are in the sun because they have a lighter value of color and the artist used a darker

The branches initially flow upward but then gradually flow into the middle where they are conjoined. They are located in Madison Square Park where they seem to blend in with the rest of the trees but they definitely manage to stand out. Because they serve no function other than visual I consider this sculpture to be fine art.

As for my Visual Analysis Task, I have chosen to write about this image on the left. This piece was recently created by Shepard Fairey a street artist. This was made in response to the election of Donald Trump- known as the President of the United States. ‘We the People’ features portraits of Native Americans, African Americas, Muslims, and Latinas portrays in Fairey’s trademark style with slogans such as “Women are Perfect” and “Defend Dignity”.

knife spatula or a brush. These textures are implied to give the painting more complexity

On the Bank of the Seine, Bennecourt by the French painter Claude Monet is one of the few great paintings that truly embody Impressionism. On the Bank of the Seine, Bennecourt was painted in 1868 on the Seine River in the Northwestern Portion of France. Created with oil on canvas and standing at thirty-two inches tall by thirty-nine and two-thirds inches wide, this painting depicts Monet’s future wife, Camille Doncieux, gazing across the Seine River at a village not too far off in the distance. The ability this painting has to capture the eye is amazing and unique, and allows you to fully appreciate the Impressionist Art Movement.

In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show

The work is very smooth and fluid making it appear much like a photograph. The oil is not built up on top of itself keeping it very two dimensional. The colors vary between dark and light throughout the painting. In the top right corner, the sun, outside the painting, shining down, aluminates the castle and also the lone tree at the bottom left corner. Besides the back cliff, the rest of the painting is in shadow and displayed in a much more melancholy tone. The colors that Cole focuses on, to display the sharp contrast between rock and nature, are mostly dark greens and gold. The striking blue of the river stands out dramatically from the rest of the colors and draws the eye after the initial citing. The grey in the cloud is the only place where I can find that shade of gray in the work, and it sets itself apart from the snow white clouds in the background. The color helps draw the eye immediately to the castle on the hill. My eyes then fallow the flow of the river down to the tree, which is illuminated by a beam of sunlight.

For the photograph that I took, I decided to follow Weston’s theme and photograph an organic object with interesting features. I needed to find something with a vivid texture so that the photograph could allow the viewer to almost feel what I could. I searched throughout my room until finally, I found what I was looking for. It was a shell from the Pacific Ocean that I had brought back with me from Mexico. The shell had off-whites blended into browns and reds. It also had ridges running from the origin of the shell, to the outside. I found the situation to be somewhat ironic considering that Weston had lived in Mexico taking photographs, and also took pictures of shells.

The texture of the canvas works very well with the subject matter portrayed in the painting. The grassy hill side and the leaves of the trees are especially complimented by the canvas. It makes the leaves feel like they are slightly moving, this combined with the lack of detail itself the leaves. This is contrasted nicely with the very detailed renderings of the trunks and branches of the trees, the

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

The following is an analysis and an interpretation of Autumn on the Seine, Argenteuil. This oil on canvas painting can be found in the High Museum of Art. Claude Monet, the artist of this piece painted this in 1873, right as the Impressionism Movement was beginning. Monet played the important role of one of the founders of the Impressionism Movement with his works like Autumn on the Seine, Argenteuil. Autumn on the Seine, Argenteuil is from a series of paintings that Monet did while in Argenteuil. In the artwork Autumn on the Seine, Argenteuil, the lighting used throughout the painting, brushstroke techniques, perspective, and color all play an important role in the piece, as well as in the Impressionism

The tradition artwork we may see is like painting, photographing, drawing or printing. This artist makes different view point about art, he creates a showroom for trees and drawing the structure about it, it does makes people thinking more about the nature. The nature is like big thing, it can means many, such as environment, trees, forest, or the animal that around. When the artist create the artwork, he is trying to display the real nature from the artwork he created. For example like, on the beginning part of episode, we can see that Mark Dion borrowed rats from biology lab and paint their body into all black color and hang it in the tree, it is kind of performance art. He did draft on how it looks like, and really practice it to make it become real.

A detail in the piece that is used to express the meaning is the small moon crescent in the sky.This is a sign of optimism for restoration of Earth. Another detail that contributes to thee meaning is, how the artist makes some of the oak trees reach up to touch the light from the darkness. This represents nature trying survive. The details in the ruined abbey represents things on religion, like all the glass is broken and gone. The headstones all around the church help explain the amount of time that has passed. The fact that the monks are going through the doorway of the ruined church instead of walking around it.

The first painting, “Under the Birches, Evening”, is done by Pierre Etienne Theodore Rousseau. He