Essay on Distinctively Visual Maestro

A composer can create images dependant on the form of the language of texts to shape a responders understanding of the ideas and themes prompted by people and their experiences. The German film, ‘Run Lola Run’ written and directed by Tom Tykwer, focuses on the experiences of the protagonist Lola to explore the themes of the inevitable force of time, and the issue of freewill verses determinism. Similarly, Dorothea Mackellar, in her poem ‘My Country’, relies on her experiences of the Australian landscape to convey her love and passion for the country using the language of the distinctive visual.

Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to

Through distinctive images composers develop interest, drawing the responder in and thus providing insight into the experiences of others. This is demonstrated in Amanda Lohrey’s novella ‘Vertigo’ as Luke and Anna find themselves in a new and disorientating environment as they attempt to build a new life and in the ‘The Red Tree’ composed by Shaun Tan, through the nameless girl’s journey as she attempts to find herself and her place in the world. Meaning created by distinctive images creates interest thus permitting the responder to gain a greater understanding on how the experiences help shape one’s self.

Through the use of techniques and themes, a composer is able to create distinctively visual images when describing the setting and characters in detail which help us to understand and form meaning of what the composer is trying to convey in their texts. The use of techniques such as body language, symbolism, lighting, music and photographic background slides create distinctively visual images same with themes that are being used within the texts such as truth which is evident in the dramatic text ‘The Shoe-Horn Sonata’ by John Misto, the song ‘Lose Yourself’ sang by Eminem, and the film ‘The Eye’ directed by David Moreau and Xavier Palud featuring Jessica Alba. These three texts demonstrate how the responders are impacted and what is

Many composers use various techniques in which they communicate the distinctly visual. John Misto’s ‘The Shoe-Horn Sonata’ and Alexander Kimel’s ‘The Action in the Ghetto of Rohatyn, March 1942’ represent significant issues in our world by using various literary and dramatic techniques. Through using these techniques it is evident that the composers of these texts allow the audience to ‘see’ with our eyes as well as with our minds. The many literary and dramatic techniques have the ability to create a visual that

The use of distinctively visual images allows an audience to perceive and distinguish the composer’s specific representation. From these distinctive visuals, the audience’s perceptions force them to respond in a particular way. In ‘Crouching Tiger, Hidden Dragon’, Ang Lee utilises a range of film techniques to position his audience through a combination of quiet, dramatic scenes and choreographed action sequences. In his painting, ‘Third of May, 1808’ Fransisco Goya conveys meaning exclusively with distinctively visual techniques. Both the composers are able to effectively convey their message and

This essay will evaluate the question distinctively visual images convey distinctive experiences, Evaluating the idea that visual images give us distinct experiences and how certain experiences can change our destiny.

Giovanni brilliantly uses the literary devices of imagery, paralleled repetition and symbolism to depict a vivid journey of transformation, concluding with an exquisite moment of self-realization.

Tim Burton uses low angles, eye-level angles and high angles in order to contrast human and mans in a distinctive way as well as address the relationship between them. Additionally, he also uses closeup shots and medium shots to create mood and impression and at the same time, show that Edward and people of the neighborhood live in very different conditions. Both of these cinematic techniques leave the audience with meanings which justifies the theme of the movie. These methods of filming shape meaning as well as cause the movie to turn out as an interesting one. Some people might be somehow different than others by an extreme amount, but do understand that we still have sameness within each other, and they have no reason to be disliked

Strange, grim, and unlikely is what most people would describe Tim Burton’s style of writing and his movies. Tim Burton grew up fascinated with fairy tales and the supernatural. He presents a darker version of children stories. He has written books such as “James and the Giant Peach” that were a hit but he also makes movies which use a variety of cinematic techniques in every movie. Tim Burton effectively uses variety of cinematic techniques to evoke emotion in Charlie and the Chocolate Factory, Corpse Bride, and Edward Scissorhands.

aims his focal point at imagery to provide vivid and rich details. Literary devices play a crucial

Edward Scissorhands and Charlie and the Chocolate Factory may seem like very different films. One being about a man with metal blades for hands, the other about a man who owns a chocolate factory, but in reality the films share many similarities when it comes to cinematic style, due to the fact Tim Burton directed both. Tim Burton has an unique style, and the ways he shows this style is not only through the stories he creates, but also the use of lighting, and camera angles he uses in his films. Edward Scissorhands and Charlie and the Chocolate Factory both have examples of lighting and camera angles that create the same desired effect across both films and audiences.

Film techniques are the most important factor in a movie. Although things like dialogue and actions represent how the character is feeling directly, film techniques let the viewers know how to feel, and subconsciously let them know how characters are feeling. In Edward Scissorhands multiple different film techniques are used to demonstrate emotions of sadness, anger, awkwardness, bliss, excitement and more. Without these, the movie wouldn’t be the same, and it would make it seem boring and emotionless. The film techniques in this movie highlight the important factors, and enforce the emotions one is meant to feel.

In Burton’s films, the use of contrasting settings helps compare the protagonist’s home to the “normal” homes in society. For example, in Edward Scissorhands, Edward lives in a dark mansion. Burton uses an establishing shot and a zoom (in) to establish the darkness of the mansion, which reveals the mansion as a lonely place on top of a hill. The darkness of the mansion creates a sense of isolation for Edward. Beforehand, the audience saw another establishing shot, which was shot in high key lighting, of the neighborhood. The neighborhood is a bright community while Edward lives in the dark, alone. Those details help establish the difference between Edward and the rest of society. The audience also knows that Edward is used to being isolated in the dark. This is normal for Edward and he does not know that “normal” standards of society. This is what makes him unique. In the film,

Music can be extraordinarily influential in films, as it has the ability to evoke emotion not displayed by on-screen action. Music used in films can play many roles; it can depict time and place, mood, atmosphere, character, and can be used to underscore the onscreen drama and titles. Alan Silvestri and John Williams successfully manipulate the use of music in film to establish characters (along with their personality, actions and changing emotions), as well as underscore the mood for the entirety of their given films. The contrasts of Silvestri’s “The Feather Theme” with Williams’ “Batman Theme” exemplify the power of music in film.