Django: Unchained

Even in the advanced world we live in today, racism is still a strong presence in our everyday lives. Racism today can be seen in a variety of ways that are different than past displays. For instance, my friends that attended public high schools said that they noticed more racism from African Americans toward Caucasians than vice versa. In a lot of movies that are released in theaters today, it seems that the directors do a very good job of not displaying racism in movies, unless the movie is obviously about racism. In one of Mel Brooks’ most well known movies the 1974 film, Blazing Saddles, racism is shown in a different manner than almost any other

the product of a heritage of interplay between blacks and whites, it is not a film that engages racial issues. Rather it works in the individual realms of the individual characters. Those aspects of their lives that might have racial significance interest in voodoo, dialect, varied skin tones are mainly incidental. However for Eve, even as an adult, all she can remember is this: "The summer I killed my father, I was 10 years

“ Some of these early productions have racial themes which reorganize the world in such a way that black heritage is rewarded over white paternity; they are schematic renunciations of the prevailing order of things in white American society where, historically, the discovery of black blood meant sudden reversal of fortune, social exclusion, or banishment.” (Gaines, P.3) Within the movie the amount of mistruths about African Americans was sad. Within the movie you notice that the blacks were always or seem to be yelling, acting uncivilized and doing

The film Django Unchained (2012) by Quentin Tarantino defines the historical issue of institutional racism that existed in the antebellum era of Southern slavery. This unique perspective on history defines the struggle of Django (Jamie Foxx) and Dr. King Schultz (Christopher Waltz) to save Django’s wife, Broomhilda Von Shaft (Kerry Washington) from the evil southern plantation owner, Calvin Candie (Leonardo Di Caprio). Candie’s presence as the primary patriarchal figure in the story not only defines the dominance of white racism in the south, but the class-based elitism of the “southern plantation owner” as the apex of the institution of slavery in the antebellum era: “The transition from two 18th and early 19th-century models—the genteel

Did the film reveal any form of RACISM or STEREOTYPING from any perspective? Please elaborate with details/examples (14.28 Possible Points). 100 word minimum between the two

When comparing the two films you can delve deep below the surface and begin to question how much of what we perceive as racism is actually racist or just general bigotry and self-importance. And how much of what we perceive as innocent is in fact insidious by nature. Tarantino switches things around and makes Django, a black male; the main protagonist of the film. By the end of the film he is the sole male survivor and therefore superior to the white characters. While Aladdin, a film about Arabs, has white American voices cast for all of the characters. The villain is the only Arab looking main character, while the hero and heroine are drawn with more Western features or skin colour, “Aladdin looks and sounds like a fresh-faced American boy.” (Brunette et. al. 2006, p. 2).

[1] Disney’s Pocahontas has understandably received a lot of flak about the historically inaccurate story that is told about the legendary Pocahontas and Captain John Smith. There is a good reason for that. The movie does little that can be construed as historically accurate, yet Disney claims that was never their intent. Disney, in their previous movies, has been attacked for being racist and unsympathetic to racial minorities. Their answer was a movie whose sole purpose, as stated by Disney, was to promote racial tolerance. The question is, then can a movie promote racial tolerance when the issue is built on false history, history that if told accurately would depict the exact opposite?

In this movie the African Americans were treated nicely but in reality they did not feel this way. The masters mistreated their slaves but in the movie they were actually having conversations. There is a scene in the movie where a group of African Americans were shaking hands with the white Americans. The producer of the movie wanted to inform others that the “birth” of America was founded on the basis of equality rather than discrimination. If the producer of the movie did not show how the slaves were mistreated, the people will just see the world in only that point of view; the slaves’ point of view does not exist. Ruling countries oppressed both the undeveloped, barren places and the African Americans. The Birth of the Nation is a perfect example of a form of travel writing; the Americans wanted to inform others about America but this movie was only produced in their perspective. Rather than recording the reality, the produces or writers record history with the input of their own influences.

The reason many people in America today, as well as in the movie are racist is because this is how they were brought up, by the labels they were taught to live by. Past generations were exposed to segregation between ethnic groups, which has greatly carried on to how people look at others today. Up until 1967 it was prohibited for blacks to marry white people in 38 states

“There is nothing wrong with a little casual racism.” One of my friends recently commented this phrase to me, in a joking manner, but it struck me. Is just a little casual racism fine? I am one to err on the side of, “All things in moderation” but is it truly not a problem? In our society, today we see racism in our soup. In many ways, I feel as if the word communist has been switched with the word racist. No longer do we call each other a communist if they are stingy or different, we just stoop to the words racist or xenophobe. In the essay, written by Roxanne Gay, called, Surviving Django, Gay makes claims that she was offended by the racially insensitive, supercharged, ego driven film, created by Quentin Tarantino. She proceeds to

[1] Before I start this essay, I feel the need to remind the reader that I find slavery in all its forms to be an oppressive and terrible institution, and I firmly believe that for centuries (including this one) bigotry is one of the most terrible stains on our civilization. The views I intend to express in the following essay are in no way meant to condone the practices of slavery or racism; they are meant only to evaluate and interpret the construction of slavery in film.

The majority of the racism involved in the movie is towards the negro population. They are perceived as thugs, thieves and

The movies came out at a time when the country was at unrest in regards to new age racism. Racism today is well documented through the use of social media s compared to the past. In addition, the time period in which the movies were set people were afraid to express their opinions on racism due to fear of retaliation from the whites but this is not the case today. People are expressing their opinion in regards to racism be it through social media or peaceful protest such as the popular kneeling by Colin Kaepernick a football quarterback. The

Django Unchained is a movie by Quentin Tarantino that goes into the life of a frees slave named Django. Django with the help of a bounty hunter Dr. Schultz, set out to rescue Django’s wife from a brutal plantation owner she has been sold to. Django Unchained includes plenty of Karl Marx’s concepts of sociological theory including capital, labor exploitation, class struggle, materialistic ideology, accumulation and Emile Durkheim’s concept of crime.

Over 400 hundred years there has been slavery, racism, and discrimination in America with blacks, and other minorities. A famous man once said “I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality... I believe that unarmed truth and unconditional love will have the final word” – Martin Luther King Jr (brain quote). The movies ‘Miracle at St. Anna’ directed by Spike Lee, and ’12 Years a Slave’ directed by Steve McQueen both show the struggle African Americans went through during a tough racial period in American history. Even today in Modern society African Americans still deal with racism. Spike