Do Not Go Gentle Into That Good Night

There are many poets that have been writing some of the most amazing poems in the world for years upon years. Poetry is a great way to write about some of the most meaningful things in one’s life, without directly having to state what you’re trying to say some of the times. A lot of poets write about events within their lives as well as things in everyday life in the lives of everyone in the world. The poems “Do Not Go Gentle Into That Good Night” by Dylan Thomas (1914-1953) and “Psalm of Life” by Henry Wadsworth Longfellow (1807-1882) both use great diction and varying tone in their poems to portray their individual perspectives about life.

In Dylan Thomas' "Do Not Go Gentle Into That Good Night," the speaker is a son talking to his aging father and pleading with him to fight against death. The son knows that death is the inevitable end to every life, but feels one should not give up to death too easily. By using metaphor, imagery, and repetition, Thomas reinforces the son's message that aging men see their lives with sudden clarity and realize how they might have lived happier, more productive lives. These men rail against fate, fighting for more time to set things right.

Touching humans the most is the acceptance of unstoppable death. We all know that death will be our fate some day, but how we accept or how we deal with it is left to each individual. "Do Not Go Gentle Into That Good Night," written by Dylan Thomas, emphasizes raging against death towards his dying father as he repeats this exhortation in the last line in every stanza. Imagery, sound, metrics, and tone, are used by Thomas to create the theme of his poem and what it means.

Both "Death Be Not Proud" and "Do not go gentle into that good night" do not necessarily see death as a negative thing. In looking at the title "Do not go gentle into that good night" one notices that Thomas calls the night, presumably a metaphor for death, good. He also says "wise men at their end know dark is right" (4). This would suggest that he believes that death is a necessary occurrence. If Thomas sees death as necessary, then why does he say "Rage, rage against the dying of the light" (19)? The answer to this can be found in line 16 when he addresses his father. Throughout the whole poem he names different types of men, then in the last stanza he specifically names his father. I think that in this poem Thomas is trying to express that even though he knows that death is natural he doesn't want his father to die. This creates a sort of conflict within the poem where Thomas knows that eventually death will come for everyone, but he wants to put it off as long as possible in the case of his father.

“Do Not Go Gentle into that Good Night”s tone is urgent and fearful. The author uses a villanelle form to describe his poem. Thomas passionately discusses not to let death take over, to “Rage, rage against the dying of the light,”

Do Not Go Gentle Into That Good Night by Dylan Thomas explores death and how those facing it should fight for their lives because death is a heartbreaking subject to him. The writer is addressing his father and pleads him to resist the power of death as it would be devastating if the father was to die from the writers perspective. Throughout the poem, Thomas writes about different traits of men. Some aspects include wise, wild, good and grave which helps create a poem that covers all aspects of a person.

Dylan Thomas' poetry is rich in imagery and metaphorical language. The opening line, "Do not go gentle into that good night," contains an euphemistic metonymy for death. "That good night" is a word association for death, but is described as "good" in order to overcome the negative connotation usually attached with the idea of death. Also, the word "gentle" which is an adjective, is used instead of "gently," the adverb which more commonly would be used. Thomas does both of these and is found describing the man and providing a tighter bond to the poem.

This idea of not “going gently into the good night,” or opposing deaths grips comes as a command from Thomas. In the third stanza, the second repeated line is “Rage, rage, against the dying of the light.” This is an even stronger direction to resist the process of death, and the repetition of the phrase “Rage, rage” sounds like a drum beat through the rest of the poem.

Contrary to Frost?s peaceful, luring diction and images, Dylan Thomas uses forceful, irate words to deter death. "No poet gives a greater sense of the feel of life" as Thomas, who provokes the reader to "rage" against death (Ackerman 407). Thomas conveys a resistance towards death with images of fury and fighting, as in "do not go gentle." Vivacious words as "blaze" and "burn" intensify desires to live on and to the fullest. With images of "good night" and "dying of the light," Thomas conveys death as the "end where only darkness prevails" (Savage 381). He takes his "stand within concrete, particular existence, he places birth and death at the poles of his vision" (Savage 381). "Life [for Thomas] begins at birth and ceases at death" therefore leaving no room for a previous life or an after life (Savage 381). Excessive images of anger and rage towards death exemplify the passion Thomas feels for life. His villanelle repeats the theme of living and fury through the most forceful two lines, "do not go gentle into that good night" and "rage, rage against the dying of the light." Contrasting images of light and darkness in the poem create the warmth of living and the coldness in death, so as to shun people from choosing the bleak, bitter frigidity of death.

He does not care if his father curses him or blesses him as long as he is doing something other than dying Thomas does not care; he wants his father to persevere. There is also a lot of repetition in the poem, when a line is repeated it means that the author wants to put emphasizes on that line or word. ? Do not go gentle into that good night? (Thomas 1). Not only is this line the title of the poem

Dylan Thomas’s poem “Do not go gentle into that good night” was one of his best poems created back in his time. Dylan Thomas was best known for his animated creations, but debt and drinking took over his toll and he died. This poem means that those who live their life out to the fullest, could see how better life and their futures are bright for them until they die. Dylan Thomas conveys a message that people need to know the beauty of life and the love for it. Dylan Thomas was not very well-known, but he was known for his drinking which caused his death and two poems “Do Not Go Gentle Into That Good Night” and “Play under milk wood” were his best works.

The poem addresses an unknown person, voicing to him not to go gentle into that good night.

Dylan Thomas wrote "Do Not Go Gentle into That Good Night" about his dying father. This is one of the most famous poems he wrote. One of the main themes portrayed in the poem is the theme of death or dying. The beginning of the poem says, “Do not go gentle into that good night.” This line is trying to say that the father of the persona should try to fight death instead of going peacefully into his eternal slumber (Thomas 1).

One of his best works, “Do Not Go Gentle Into That Good Night” by Dylan Thomas, is a famous example of the poetic form called villanelle. Enriched with a raw emotional power, Thomas uses this poem to address his dying father and encourages him to defy his fate and cling onto his life for as long as he can. As a result, the poem shifts from an unclear yet universal audience to the poet’s own dying father, thus making the poet the speaker as well. Though the poem comprises of various poetic devices such as metaphors, visual imagery, alliteration, repetition, assonance, (and many more), the speaker’s critical and insurgent tone is considered the most important aspect as this is what has has preserved the poem amongst the most-read works in

Throughout the poem, Thomas relates the passing of a day to a lifetime. He refers to death as ‘that good night’ and ‘the dying of the light’ repeatedly. This metaphor shows the inevitability of death, in the same way that the end of each day is inevitable. Additionally, this metaphor comes at the end of the last line of each stanza, making the form imitate the ‘good night’ coming at the end of the day and death at the end of life. Despite this acknowledgement of the assuredness of death, Thomas insists that ‘old age’, a use of metonymy to represent the elderly, should ‘burn and rave at close of day’. Burning