Do The Right Thing Analysis

In the film, Do the Right Thing, director Spike Lee presents the audience with the theme of racism. The title represents the everyday choices that we as Americans of various ethnicities, cultures, and race. Spike Lee’s Do the Right Thing allows the viewers to decide for themselves the right thing to do about racism. Everyone has the choice to be accepting of cultures, or people different from them. The film portrays how an Italian American named Sal has a neighborhood pizzeria in Bedford-Stuyvesant, New York. The neighborhood is primarily African American, but there is a diverse amount of other cultures made up of, Hispanics, European Americans, also there is a store owned by Koreans. This film displays the discrimination between the races and how this can lead to violence.

Spike Lee's Do the Right Thing focuses on scenes representing failed communication, dire stereotyping, absence of trust, and wrongful violence that reflects the existing concerns about racism in America. The intense language and strong gestures enhance the film creating a realistic view for the audience.

Spike Lee’s camera technique in “Do The Right Thing” enhances racial tensions between characters. uses a lot of canted frames, tracking shots, close-ups, high and low angles, parallelism, and music to achieve this. The heat wave going through Brooklyn is exemplified in many ways: on the radio, through discussion between characters, people’s dress, and actions, etc. Lee also uses cinematography to get across how hot this day really is. For example, the film begins with a montage of people in the neighborhood trying to cool off, struggling to get through their morning routines: a shot of someone taking a cold shower, cuts to a shot of someone sticking their face in ice, to someone sticking their head in the freezer, men drinking beer, someone

Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.

For my shot analysis I chose a shot from the Spike Lee Movie Do the Right Thing. This is the second shot following the climactic riot scene. It features Da’ Mayor and Mother Sister reacting to the hellacious events of the previous night. The block was just devastated by a melee that broke out because the police killed Radio Raheem after he and Sal got in an altercation that was triggered by the volume of Radio Raheem’s boom box. Though at a very superficial level the fight was about the loud stereo, the real significance of the fight had more to do with the culmination of anger and tension between the characters of the film caused by prejudice and ignorance. This paper will analyze

The movie, " Do the Right Thing", by Spike Lee is a hard-hitting drama that deals with violence and racism in today's society. This film is set in a primarily black neighborhood in close to the present time. Right in the center of this neighborhood stands a pizza parlor that is owned and operated by one of the most important characters in the movie, Sal. In the beginning of the movie, Sal is shown arriving to work with his two sons Pino and Vito. Right from the start, Sal is portrayed as a hard-working, kind, and devoted individual. Just the fact that he owns his own business in these rough and tough times shows that he is a smart, efficient, and dedicated man. Later in the movie, we learn that Sal did, in fact, build his pizzeria by himself from the ground up, brick by brick, and board by board. The fact that Sal gets to share his creation and hard work with his sons make it all the more special to him. After Sal has finished his pre-opening preparations Sal's Pizzeria is open for the day.

A man getting shot by his best friend. A person would think what a horrible thing to do, right? Steinbeck manages to make you feel the other way around he makes you feel like he did the right the right thing. Steinbeck did this by using characterization of George. Also he uses characterization of George and foreshadowing. Also he uses characterization of Slim to make you feel it was the right thing to do.

In an attempt to enlighten audiences with a powerful message about the cancer that hate and violence can bring to a society; writer, director, Spike Lee brings Do the Right Thing to the screen. Fusing a powerful story with creative film making, Lee gives us an insider’s look at life on a blistering summer day in Brooklyn.

In spite of the fact that Do the Right Thing and Jungle Fever are both associated with social and political issues, they tend to navigate through various racial viewpoints using different cinematic elements. Spike Lee uses a variety of techniques in his film to bring awareness to events occurring in today's society. For example Do the Right Thing, is a film that tackles down the social issue of prejudice as well as the controversial issues between Italian-Americans and African Americans in New York City. The whole movie unravels around the “Wall of Fame” located inside Sal’s Pizzeria, which only features Italian actors. One day a local customer name Bugging Out, demands to have black actors, since after all the pizzeria is located within a black neighborhood. Soon enough the “Wall of Fame” becomes a symbolic representation of racism and hate which leads to a riot involving an explicit scene of police brutality. On the other hand Jungle Fever, tends to emphasise on the subject of interracial couples, as well as the controversy between Italian-Americans and African Americans and of course the usage of drugs. The movie is based on Flipper, an African American architect who has an affair with his secretary Angie, who is an Italian-American. The climax of the movie occurs when Flipper’s wife Drew, finds out about the affair and from then on society begins to reject Flipper and Angie because of social norms. Forcing them into a corner where they later learn that they were driven

In Spike Lee 's Do the Right Thing, the story takes places in 1989, another year in the long struggle for equality for African-Americans. The film portrays the racial tensions between locals of the neighborhood and an Italian-American family in the majority Black and Hispanic neighborhood of Bedford-Stuyvesant (Bed-Stuy) in Brooklyn, New York. Spike Lee shows us what a day in the life of the Brooklyn neighborhood consists of and throughout the movie he portrays several different aspects of a modern urban neighborhood, using the many unique personalities of the characters in the movie.

The movie Do the Right Thing, composed, coordinated and created by Spike Lee, concentrates on a solitary day of the lives of racially differing individuals who live and work in a lower-class neighborhood in Brooklyn New York. Notwithstanding, this common day happens on one of the most sizzling days of summer. The movie fixates on how social class, race and the ethical choices that the characters make directly affect the way individuals communicate with each other. Furthermore, in this essay I will analyses Spike Lee’s use of mise-en-scene, cinematography, editing, and sound in the film.

In the film “Do The Right Thing” by Spike Lee, cinematography and editing serve as critical components to emphasize the racial tensions between the various characters. Set in a predominantly black neighborhood in Brooklyn, New York, the action of the film consists of a series of unfolding events that take place over the

Do the Right Thing is a dramatic comedic film that was directed by Spike Lee. The movie was released in 1989. Lee served in three capacities for the film: writer, director and producer of the movie, Ernest Dickenson was the cinematographer and Barry Alexander Brown was the film’s editor. For this film, Lee garnered together some notable actors and actresses, including Ruby Dee and Ossie Davis, Rosie Perez, Samuel L. Jackson, John Tuturro and Martin Lawrence. The setting of the movie is in Bedford-Stuyvesant; which is a neighborhood in Brooklyn, New York. This particular neighborhood is made up of several ethnic groups that include African Americas, Italians, Koreans, and Puerto Ricans. The movie takes place on a particularly hot day

Theis blurring of the lines between the underworld and the orderly world is also highlighted in the editing. At one point in the film there are two meetings going on at the same time, one between members of organized crime and one between the police. The actions that occur in each meeting are meant to parallel each other, and Lang triesis trying to confuse the audience on who the police are and who the criminals are. A series of match and cross cuts are used to create this effect. Not only do the actions of the two meetings match, such as a police man standing up and then a cut to a criminal standing up, but the dialogue matches up as well. The dialogue is actually what drives the match and cross cuts, as conversations start in the police meeting and then end in the criminal meeting and vice versa. Both the criminals and the police have the exact same goal, and Lang wants the audience to question whether a separation really exists between the two camps.

also incorporates multiple forms of editing such as the graphically relation between the two gifts that Kathryn receives from both the protagonist and antagonist, which implies that they both share similar feelings her or have the same intention to marry her. The films greatest achievement though is during the latter part of the film when the main character falls asleep and dreams that he can fix the problems that he has found himself in. By separating his dream self from his body, he can maniple time and space however he sees fit. Much of the film after he falls asleep is using grandiose graphically relations to shadow the original story in a different time and setting. These relations are of course overexaggerated but are used to enhance the plot by mirroring the real-life situation. In both the modern music video and short film from 1924, the use of editing allows for the manipulations of both space and time, mostly with the help of graphical relations that draw parallels for the viewer in a seamless way. The goal of editing is not to make the most elaborate cuts and shots, but is to immerse the viewer in a world and plot that is both thought-out but also